Critic Consensus: "The Empress of Mars" gives fans an entertaining standalone breather between major arcs that makes the most of its leads' considerable chemistry.
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Critic reviews for The Empress of Mars
This is the perfect conclusion for Godsacre; unlike his me, who made the trip for glory and riches, he was always just seeking a fresh start, and now he has one.
This had the feel of an old-fashioned Who romp, from the 'tache-twirling villain to the vintage monsters who were clearly just men in silly costumes. Loved those steampunk space suits, though.
Empress of Mars has so much going for it really. It's tightly written and directed, well cast, gorgeously designed, looks to the future while nodding at the past.
It's a shame that part of this season-which started so very strongly, and has lost its way a little in the middle a bit-had to be dedicated to that kind of thing.
This standalone story (scripted by series vet Mark Gatiss) gives Twelve and his gang a bit of a breather after the monk three-parter that preceded it, in what feels like a mostly satisfying if ultimately workmanlike tale.
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