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Miniseries – Valley of the Boom

Play trailer 2:51 Poster for Miniseries – Valley of the Boom Jan 2019 Drama Play Trailer Watchlist
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72% Tomatometer 18 Reviews 61% Popcornmeter Fewer than 50 Ratings
Silicon Valley circa 1990s was a technology breeding ground that attracted visionaries and charlatans alike, spawning some of the world's most influential people and recognizable brands. Set during that time, this six-part limited series follows the turbulent ride of three companies whose founders were trying to change the world using the emergent technology of the internet. Creator, director and executive producer Matthew Carnahan (House of Lies) employs a hybrid of scripted storytelling and documentary interviews with the key players whose stories are dramatized in the show. Emmy winner Bradley Whitford (The West Wing) leads the ensemble cast.

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Valley of the Boom — Miniseries

Valley of the Boom — Miniseries

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Critics Consensus

A visual collage of dot com history, Valley of Boom proves to be just as sprawling and ramshackle as the docuseries' subject.

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Critics Reviews

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Melinda Houston and Debi Enker Sydney Morning Herald 02/10/2020
Not everyone's a fan of these NatGeo docos, the ones that combine archival footage, interviews, dramatisations and, here, breaking of the fourth wall. But this one, perhaps because of its crazy subject matter, really works. Go to Full Review
Eddie Cockrell The Australian 01/03/2020
What separates Valley of the Boom from Mars, National Geographic's first blending of nonfiction and scripted elements, is the anything-goes aesthetic and frantic pace of the script and direction by showrunner Matthew Carnahan. Go to Full Review
Melanie McFarland Salon.com 01/14/2019
Carnahan breaks all sorts of conventions and plays to the comedy strengths of his cast. Go to Full Review
Diego Jemio Clarín 05/14/2019
The actor Steve Zahn composes a delightful character. [Full review in Spanish] Go to Full Review
Marty Brown Common Sense Media 01/24/2019
4/5
Innovative internet docudrama entertains and illuminates. Go to Full Review
Alison de Souza The Straits Times (Singapore) 01/23/2019
3/5
It is a sprawling mess saved only by sporadic moments of humor and insight and the fact that this was a genuinely fascinating period for technology and society as a whole. Go to Full Review
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Audience Reviews

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05/08/2019 Some of this was informative but other parts were very annoying, especially watching Steve Zahn as Michael Fenne, who was just not funny and really a distraction. Don't bother. Watch Halt & Catch Fire instead. See more 02/23/2019 Emperor is naked. If you're interested in learning about the birth of browsers or web history, don't waste your time on this one. For every minute of education you have to sit through 20 minutes of self indulgent BS. Its one of those in which the directors and cast had far more fun congratulating one another on their genius than you'll have watching it. Can easily imagine how National Geo got conned into it, though. Qualifies as an Elder swindle. See more 02/03/2019 Interesting but not absolutely enthralling look at 90's tech boom made in the same style used for the Mars series, the main difference being that Mars used a fictional storyline intercut with interviews whereas this offering dramatized actual events and intercut with interviews. Personally, I found Valley of the Boom a bit more interesting due to the whole 'truth is stranger than fiction' angle and there's definitely some of that going on. See more 02/01/2019 well-done documentary showing little-known faces and facts of the start of the internet boom. I like that it can even laugh at itself See more 01/28/2019 The show's style is as disruptive as the companies they chose to cover. They clearly took creative liberties in retelling these story (as I lived through it), but it's overall super informative, and a blast to relive the craziness 25 years later. The team that made this are clearly creative geniuses that might simply be way ahead of their time. See more 01/15/2019 I enjoy leaving positive reviews on people’s creative and professional efforts. I want to see people succeed. However, sometimes the effort is so painfully bad, I am compelled to write a negative review as a warning to others. Valley of the Boom (VotB) is an undeniably strong impetus of the latter type. I lived in the VotB era, and very much participated in it. The trailers for the multi-part series appeared very good and I eagerly anticipated its release. I even recognized myself in Marc Andreessen during the first episode. However, the methods used to communicate information in the series are totally unorthodox at best and bloody awful at worst. “Breaking the fourth wall” is a technique best used sparingly, but this series uses it as a major plot device. It openly acknowledges its failure to procure key buy-in or interviews from major players (ahem…Bill Gates and Andreessen), by having Karna break the fourth wall constantly (among other characters) since Andreessen wasn’t available and representing Gates as a puppet. It becomes painfully apparent by the end of the second episode why Andreessen and Gates refused to take part in the series. VotB had an opportunity to focus on an important part of history by using facts and well interspersed interviews from key players, presented by the collective might and creativity of National Geographic. It squandered that opportunity by interminably focusing on the trajectory of Michael Fenne, a two-bit con artist that played a forgettable bit part in a much larger story. After watching the second episode, I felt as if I needed to take a shower to wash myself of the grotesque spectacle which I had just witnessed. But, then, it all became painfully clear why my gestalt of the series had motivated me so strongly to write a negative review…why it was so badly conceived, written, acted, and ultimately produced…and why I felt so nasty after watching it I had to overwhelming urge to clean myself. It became painfully clear when I learned an executive producer was none other than: Arianna Huffington. See more Read all reviews
Valley of the Boom — Miniseries

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Episodes

Episode 1 Aired Jan 13, 2019 Part 1: print (hello, world) Jim Barksdale and team take Netscape on a road show in search of potential investors; Stephan Paternot and Todd Krizelman struggle to secure financing for their virtual community platform, TheGlobe.com; Michael Fenne changes his physical appearance. Details Episode 2 Aired Jan 13, 2019 Part 2: psuedocode Jim Barksdale leads Netscape through a successful IPO, making it the dominant browser; Microsoft retaliates, sparking the browser wars; Michael Fenne excitedly starts a new company that promises to deliver revolutionary streaming technology. Details Episode 3 Aired Jan 20, 2019 Part 3: agile method With the browser wars in full swing, Microsoft attacks Netscape; TheGlobe.com team hesitates to bring on a potential investor, unconvinced he'll be a good fit; using stolen technology, Michael Fenne launches a new company called Pixelon. Details Episode 4 Aired Jan 20, 2019 Part 4: priority inversion Microsoft bundles Internet Explorer with every new Windows PC; Stephan Paternot and Todd Krizelman run on fumes; as Pixelon prepares for a live event, Michael Fenne's management style grows more erratic, grabbing the attention of an employee. Details Episode 5 Aired Jan 27, 2019 Part 5: segfault Jim Barksdale takes drastic measures to re-establish Netscape as an innovator; TheGlobe.com struggles to maintain focus on virtual communities; Pixelon launches a massive concert in Las Vegas as it introduces its revolutionary streaming technology. Details Episode 6 Aired Jan 27, 2019 Part 6: fatal error Jim Barksdale keeps up with the Microsoft antitrust case; Stephan Paternot and Todd Krizelman try to save TheGlobe.com as they discover some potentially damaging news; Pixelon's investors and board members confront Michael Fenne. Details
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Season Info

Executive Producer
Arianna Huffington, Brant Pinvidic, David Walpert, Jason Goldberg, Matthew McNair Carnahan, David Newsom
Network
National Geographic
Rating
TV-14
Genre
Drama
Original Language
English
Release Date
Jan 13, 2019