Brian DePalma

Brian DePalma

  • Highest Rated: 95% De Palma (2016)
  • Lowest Rated: 16% The Bonfire of the Vanities (1990)
  • Birthday: Sep 11, 1940
  • Birthplace: Newark, New Jersey, USA
  • American director Brian De Palma has always insisted that he gained his fascination with all things gory by watching his father, an orthopedic surgeon, at work. It's more likely that the principal influence on De Palma's career was Alfred Hitchcock, a fascination he has claimed to have outgrown professionally. Whatever the case, De Palma did his first film work in amateur short subjects while a student at Columbia University. Thanks to one of these films, he won a writing fellowship to Sarah Lawrence College, where he made his first feature, The Wedding Party, between 1962 and 1964. In the cast of The Wedding Party, which wouldn't be released until 1969, were Sarah Lawrence student Jill Clayburgh and a Brooklyn kid who called himself "Bobby" De Niro. De Palma's first film to gain theatrical release was 1968's Murder à la Mod, and the first to accrue critical approval was a trendy anti-war tome called Greetings (1968), again with the Brooklyn boy who by this time was known as Robert De Niro. Hi, Mom! (1970) was a similarly irreverent comedy, but De Palma was prescient enough to realize that the vogue for anti-establishment films would soon pass. Thus he began emulating Alfred Hitchcock with Sisters (1973), utilizing the split-screen technique popularized by such late-'60s pictures as Grand Prix and The Boston Strangler. De Palma not only admitted to borrowing from Hitchcock in Sisters, but also underlined the tribute by having the film scored by Hitchcock's frequent musical director Bernard Herrmann. Obsession (1976), again scored by Herrmann, was one of several De Palma imitations of Hitchcock's Vertigo (see also Body Double), and also established the director's fascination with 360-degree camera pans. Carrie (1976), De Palma's most successful film to that date (and still one of the most successful Stephen King adaptations), marked a return to the split-screen technique and wrapped the story up with another of De Palma's trademarks, the "false shock" ending which turns out to be a nightmare. There was a similar finale (again staged as a dream) in Dressed to Kill (1980), which audaciously included a shower scene à la Psycho (but the director deceived, staging the murder in an elevator). By the time Body Double came around in 1984, De Palma was all but parodying himself with gratuitous gore, slow motion, lyrical panning shots, Herrmann-esque musical scores, characters who weren't who they seemed to be, and twist-around endings. With the acclaimed Scarface (1983), the director inaugurated his "crime is not nice" period, ladling out grimly violent sequences in such films as Wise Guys (1986) and The Untouchables (1987) to show that the bad guys weren't the lovable lugs Damon Runyon had made them out to be. De Palma next explored a different kind of violence in Casualties of War (1989), a Vietnam War film that centered on the outrageous mistreatment of a Vietnamese woman by a platoon of American soldiers. Raising Cain (1992) was a full-blooded return to terror, with one of De Palma's favorite actors, John Lithgow, given free reign to express his wildest, darkest passions. Carlito's Way (1993) was another crime flick, this time with Al Pacino (who'd worked with De Palma in Scarface), and proved to be one of De Palma's most widely praised films in years. With the exception of The Bonfire of the Vanities (1990), which was a full-out failure, De Palma has remained one of a handful of truly bankable Hollywood directors capable of opening a picture on the basis of his own name rather than the names of the stars. He had another hit on his hands in 1996 with a big-budget adaptation of the TV series Mission: Impossible. Snake Eyes (1998), a thriller revolving around a political assassination, was something of a critical and commercial disappointment, but the director resurfaced two years later with Mission to Mars. A sci-fi suspense thriller, it removed the director from earthly horror and violence, only to restage it elsewhere in the solar

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Highest Rated Movies

Filmography

Movies

Rating

Title

Credit

Box
Office

Year

33% Domino Director 2019
No Score Yet The Truth and Other Lies Director 2017
95% De Palma Actor $0.2M 2016
34% Passion Screenwriter Director $58.2K 2013
45% Redacted Screenwriter Director $0.2M 2007
33% The Black Dahlia Director Voice of Film Producer $22.6M 2006
49% Femme Fatale Director Screenwriter $6.6M 2002
No Score Yet Bruce Springsteen: Complete Video Anthology 1978-2000 Director 2000
25% Mission to Mars Director 2000
40% Snake Eyes Director Screenwriter Producer 1998
No Score Yet Falling Sky Director 1998
63% Mission: Impossible Director 1996
81% Carlito's Way Director 1993
57% Raising Cain Screenwriter Director 1992
16% The Bonfire of the Vanities Prison Guard 1990
84% Casualties of War Screenwriter Actor Director 1989
81% The Untouchables Screenwriter Director 1987
31% Wise Guys Director Screenwriter 1986
78% Body Double Screenwriter Producer Director 1984
81% Scarface Director $0.7M 1983
85% Blow Out Screenwriter Director 1981
No Score Yet Home Movies Producer Director 1980
83% Dressed to Kill Director Screenwriter 1980
81% The Fury Director 1978
94% Carrie Director 1976
80% Obsession Director Screenwriter 1976
91% Phantom of the Paradise Director Screenwriter 1974
86% Sisters Screenwriter Director 1973
No Score Yet Get to Know Your Rabbit Director 1972
73% Hi, Mom! Director Screenwriter 1970
No Score Yet Dionysus in '69 Director 1970
No Score Yet The Wedding Party Producer Director Screenwriter 1969
No Score Yet Murder à la Mod Screenwriter Director 1968
87% Greetings Screenwriter Director 1968
No Score Yet Woton's Wake Director 1962

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