Jean-Pierre Dardenne

Highest Rated: 97% Two Days, One Night (2014)
Birthday: Apr 21, 1951
Birthplace: Not Available
Working with his younger brother Luc, Belgian filmmaker Jean-Pierre Dardenne became one of the burgeoning stars of international art cinema in the 1990s with their rigorous dramas about life in the depressed industrial district around Liège on Belgium's Meuse River. Filtering their political sensibilities through the lens of fiction, the Dardennes explored the clash between personal morality and the requirements for survival in such searing, intimately shot works as La Promesse (1996) and Rosetta (1999).Born in Engis, Dardenne grew up in the Belgian steel town Seraing. Though his family was middle-class, Jean-Pierre came of age amid the labor movement of the 1960s, missing school during strikes and witnessing rallies in the town center. Forbidden by his father to watch TV or see movies while he and his brother were growing up, Jean-Pierre horrified his parents by moving to Brussels when he was 17 to study acting. Under the tutelage of socially active Belgian playwright Armand Gatti, Jean-Pierre learned about the political and artistic possibilities of film and video, as well as the creative potential in using nonprofessional actors. After serving as Gatti's assistant on theater productions in the early '70s, Jean-Pierre returned to his home region. Working in a cement factory for several months to earn the money for film equipment, Jean-Pierre and Luc began chronicling the fallout from Liège's severe economic downturn in the 1970s, filming such events as strikes and union meetings in the series of videos d'intervention from 1974 to 1977. Intent on bringing a history of Belgian social activism to the attention of new generations, the Dardennes formed the soon-to-be prolific documentary production company Dérives in 1975. From the late '70s to the early '80s, the Dardennes made such films as Le Chant du Rossignol (1978), about the Nazi Resistance in Belgium's southern Walloon region, and Leçons d'une Université Volante (1981), about emigration from Poland, for Belgian television. Tired of being limited by the realities of documentary, regardless of the theatrical methods the brothers used for presenting nonfiction, the Dardennes shifted to fiction films in the mid-'80s with their first feature, Falsch (1986). Though they played at such venues as the Berlin Film Festival and the Cannes Film Festival, Falsch and the Dardennes' second feature, Je Pense à Vous (1992), didn't draw much attention beyond European festivals. Nevertheless, the Dardennes formed another production company, Les Films du Fleuve, in 1994 to continue making fiction work; Jean-Pierre began running a film and television workshop at Liège University that same year.The Dardennes finally garnered more international attention with their next feature, La Promesse. Shot on location with handheld cameras, La Promesse used a stripped-down, realistic visual style to illuminate the harsh conditions of immigrants forced to work illegally, within an intensely personal story of a teenager who is forced to choose between morality and family ties when one of his father's exploited immigrant employees dies. A hit at the film festivals, La Promesse was a critical success on the international art-house circuit and won numerous awards, including the Los Angeles Critics' and the National Society of Film Critics' Best Foreign Film prizes. Further burnishing their artistic reputation, the Dardennes followed up their breakthrough with the equally intense drama Rosetta (1999). Focusing on the title girl's desperate, almost feral search for a job, Rosetta revealed how the desire for employment becomes a fight to find a place in the civilized world through claustrophobic, hand-held long takes that literally bore down on the anxious rituals and movements defining Rosetta's losing battle with a society that has no use for anyone on the margins. Along with winning Cannes' top Palme d'Or award, Rosetta also earned the festival's Best Actress prize for neophyte actor Emilie Dequenne's viscera

Highest Rated Movies

Filmography

MOVIES

CREDIT
60% Young Ahmed (Le Jeune Ahmed) Producer 2019
No Score Yet Carnivores Producer 2019
No Score Yet The Elephant and the Butterfly (Drôle de père) Producer 2018
No Score Yet Dear Son (Weldi) Producer 2018
71% The Unknown Girl (La fille inconnue) Producer Screenwriter Director $0.2M 2017
84% Les Cowboys Producer 2016
65% Diary of a Chambermaid (Journal d'une femme de chambre) Producer 2016
No Score Yet Pericle (Pericle il nero) Producer 2016
97% Two Days, One Night Director Screenwriter Producer 2014
No Score Yet À Ciel Ouvert Producer 2014
No Score Yet Leçons d'une université volante Director 2014
96% The Kid with a Bike Director $1.4M 2012
85% Lorna's Silence Screenwriter Producer Director 2008
No Score Yet 40 X 15 Actor 2008
85% L'Enfant Producer Director Screenwriter 2006
88% The Son (Le Fils) Director Screenwriter Producer 2003
No Score Yet Le Monde Vivant Producer 2003
No Score Yet Chaplin Today: Modern Times Actor 2002
89% Rosetta Director Screenwriter Producer 1999
95% La Promesse (The Promise) Director Screenwriter 1996
No Score Yet Je pense a vous Director Screenwriter 1993
No Score Yet Il court... il court le monde Director 1987
No Score Yet Falsch Director Screenwriter 1987
No Score Yet R... No Longer Answers Director 1981
No Score Yet Pour que la guerre s'acheve, les murs devaient s'ecrouter Director Actor 1980
No Score Yet Lorsque le bateau de Léon M. descendit la Meuse pour la première fois Director 1979

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