Screenwriter Julian Zimet was one of thousands of Hollywood artists and studio employees whose career was interrupted by the late-'40s Red Scare and the ensuing era of the blacklist. This didn't stop him, however, from writing scripts for Gene Autry and Roy Rogers, or a pair of fascinating epic Westerns and science fiction films in the 1960s, or a minor horror classic of the 1970s. Born and raised in New York City, he attended City College of New York in the mid- to late '30s. There, with his friend and classmate, future screenwriter Bernard Gordon, he organized a film-appreciation society, very likely the first ever such organization on the campus of a public college in New York. After earning an honors degree in the arts for a film that he made with Gordon, Zimet headed to Hollywood in 1940 and was hired as a reader in the script department at Republic Pictures. The biggest of the Poverty Row studios, Republic made most of its money making low-budget Westerns and other genre films. Zimet moved up to screenwriting in 1941 with the script for the Gene Autry Western Sierra Sue. He was also the author of the original story as well as the screenplay of the spy thriller The Devil Pays Off, which was filmed that same year. Zimet spent the next four years in the army, and returned to find that he couldn't get his old job at Republic back again. Instead, he turned to screenwriting as a freelancer, on pictures like the Roy Rogers vehicle Helldorado (1946), though his successes were few and far between; those included the screenplay for the Alan Ladd-starring action-adventure thriller Saigon (1948) at Paramount, and the script for the Gene Autry oater The Strawberry Roan (1948) at Columbia's low-budget B-picture unit. By that time, the post-World War II Red Scare had started and reached Hollywood, where the studios became wary of employing anyone who had been a Communist Party member, or spent time with known members; subsequently, Zimet was blacklisted in that conservative environment. In 1949, he teamed up with Gordon to write screenplays, as a package deal, and saw some limited success at Columbia, but essentially Zimet was unemployed as a screenwriter for the first half of the 1950s. By 1955, he had moved to Mexico and was living a financially precarious existence, but he managed, working as Julian Halevy -- the name he would use into the mid-'60s -- to write a successful novel entitled The Young Lovers. The novel was favorably reviewed by the New York Times and even recommended by Book-of-the-Month Club, and was eventually sold as a film project that took nearly ten years to reach the screen, a result of convoluted business dealings that finally put it into the hands of Samuel Goldwyn Jr. as a director, in a rather flaccid screen effort starring Peter Fonda. In the meantime, Zimet collaborated with Gordon on the screenplay for the movie The Case Against Brooklyn (1958), and was eventually brought into the orbit of producers Samuel Bronston and Philip Yordan to collaborate on the screenplay of the John Wayne-starring Circus World (1964). Zimet's other major credits of the 1960s include the excellent science fiction film Crack in the World (1965), the drama Amanti (1968), directed by Vittorio De Sica and starring Faye Dunaway, and Custer of the West (1968), starring Robert Shaw. In the following decade, he contributed a significant entry to that era's horror film literature with the script for Psychomania (1971), as well as working with Gordon once again, on Pancho Villa (1972) and Horror Express (1972). Zimet retired in the 1980s, and went on to live in Rome.