Anton Bitel

Anton Bitel
Tomatometer-approved critic
Biography:
Dr Anton Bitel was born in Australia in 1970, and has lived in the UK since 1989. Now a father of twins, occasional academic and full-time caffeine junkie, he compensates for a general sense of disgruntlement by moping about in darkened cinemas watching other people's joys and sorrows. He seeks elusive thrills from all genres (even romantic comedy), but tends to prefer anything extreme, odd, miserable or tawdry. He is at home with horror, 'arthouse', the avant garde and Oriental cinema. Anton currently freelances for Film4, musicOMH (where he is a staff writer), Eye for Film, Film International and Little White Lies, and was for three years one of the principal contributors to the now semi-defunct Movie Gazette.
Favorites:
Eraserhead Brazil Spring, Summer, Autumn, Winter...and Spring Apocalypse Now The Texas Chainsaw Massacre (1974) M. Houlot's Holiday Ichi the Killer Last Year in Marienbad Batman (1966) Synecdoche, New York
Location: Oxford, UK

Movie Reviews Only

T-Meter Title | Year
No Score Yet The Sender (1982) left to the viewer to determine whether what is unfolding is more like Psycho or Carrie, given how much of what we see in the film proves to be an unreliable merger of a concealed reality, the protagonist's psychic interference & fugue-like denials - Little White Lies EDIT
Read More | Posted Jun 17, 2019
67% The Andromeda Strain (1971) the story is a fiction, but a fiction told with one eye on a realistic style of filmmaking (let's call it 'pathogen procedural'), and the other eye on the contemporary realities of both space travel and the Cold War... - Little White Lies EDIT
Read More | Posted Jun 4, 2019
3/5 100% #LIKE (2019) Discomfort and confrontation, as well as some difficult dialectic, are definitely Pirozek's aims here. - Little White Lies EDIT
Read More | Posted Jun 3, 2019
56% Ma (2019) a suspenseful and darkly funny mix of the private disco inferno from The Loved Ones, intergenerational vendetta, bunny-boilerplate thrills and torture porn tropes, all involving an unhinged mama and her perverse desire to pass down her own teen trauma. - Little White Lies EDIT
Read More | Posted May 30, 2019
51% Demonlover (2003) Choreographed to the jet-lagged jangle of Sonic Youth's guitar work, Demonlover uncovers the human misery behind cold commerce, and the harrowing reality beyond male fantasy. - Little White Lies EDIT
Read More | Posted May 30, 2019
40% Godzilla: King of the Monsters (2019) Godzilla: King of the Monsters rattles and races along through a variety of set-pieces to a literally explosive finish, while leaving the impression that a Pandora's box, once opened, may unleash a perpetual pandemonium of sequels. - Little White Lies EDIT
Read More | Posted May 29, 2019
94% Starfish (2019) A.T. White's beautiful, sad film uses apocalyptic genre tropes as an expressive tool for the isolating, dissociative processes of grief. - VODzilla.co EDIT
Read More | Posted May 28, 2019
20% Hollow Man 2 (2006) What follows is like James Cameron's The Terminator, only with an invisible assassin substituted for a time-travel cyborg. - Little White Lies EDIT
Read More | Posted May 27, 2019
28% Hollow Man (2000) the director keeps uncomfortably aligning the invisible cinemagoer's intrinsic voyeurism with Sebastian's own, showing us to what depths of depravity the male gaze can lead. - Little White Lies EDIT
Read More | Posted May 27, 2019
100% Caught (1949) Amidst Ophüls' precise, at times deliberately oppressive mise-en-scène, these three characters play out the contradictions of the American dream itself. - Projected Figures EDIT
Read More | Posted May 27, 2019
100% La Ronde (1950) Its whole outlook on human desire is jaded and cynical, and yet the tone is breezily charming throughout. Here, love is bittersweet all round. - Projected Figures EDIT
Read More | Posted May 27, 2019
80% Rondo (2018) Barnhardt's deft, knowingly daft handling of all these elements is a tour de force of highly assured genre filmmaking, and the mark of a real talent emerging from cinema's more perverse, less salubrious end. - Projected Figures EDIT
Read More | Posted May 25, 2019
No Score Yet The Rizen: Possession (2019) there is something in the way that the past keeps infiltrating and haunting the present here that serves as a reflexive comment on the very nature of war mindsets as well as sequels, both doomed to repeat their respective histories... - Projected Figures EDIT
Read More | Posted May 25, 2019
No Score Yet Axcellerator (2019) ...punching far above its own weight (& budget) to create as many large-scale actions sequences as it can, & to get a whole lot of bang for its buck. It is derivative to a fault, but never takes itself too seriously, & delivers a geeky kind of charm. - Projected Figures EDIT
Read More | Posted May 25, 2019
No Score Yet The Tangle (2019) a slippery perspective on our future as all at once utopian and dystopian, paradisiac and paranoid, in what is a wonderfully stylised cyberpunk investigation into the all-too-human ghosts haunting our machines. And oh what a tangled web it weaves. - Projected Figures EDIT
Read More | Posted May 25, 2019
No Score Yet After the Lethargy (Alien Invasion) (2018) Once again Carreté deftly traverses genre's shadowy borderlands, locating the most aggressive and invasive brand of otherness in the human, and along the way breeding a novel blend of sci-fi horror. - Projected Figures EDIT
Read More | Posted May 25, 2019
No Score Yet Fonotune: An Electric Fairytale (2019) Shot wide and blank by DP Jon Britt, Fonotune: An Electric Fairytale is mesmerising in its austere beauty, recalling the bleak cool of early Jim Jarmusch, or perhaps of a hipster music video. - Sight and Sound EDIT
Read More | Posted May 25, 2019
No Score Yet After We Leave (2019) His ultimate dilemma... is deftly handled and moving, ensuring that Hossain's 'one last job' scenario, for all its futurist gizmos (temple phones, paralytic implants, etc), stays down to earth. - Sight and Sound EDIT
Read More | Posted May 25, 2019
No Score Yet The Final Land (Das letzte Land) (2019) It's an existential question - head back or move on - & The Final Land, which confines itself mostly to the spaceship, becomes more & more about these two lost souls' inner space, as they go on a conflicted quest for freedom, home, escape & mother. - Sight and Sound EDIT
Read More | Posted May 25, 2019
No Score Yet Black Flowers (2018) Kate's retention of family values in a world that has otherwise lost both its geographical and moral compass is what makes Black Flowers such a strange joy, in spite, or perhaps because, of all its tonal dissonances. - Projected Figures EDIT
Read More | Posted May 25, 2019
78% Mon Mon Mon Monsters (2017) Mon Mon Mon Monster suggests that the bullying in Taiwanese society is systemic, building outwards from the education system where it first becomes endemic - and that the whole patriarchal system needs to be burnt down. - VODzilla.co EDIT
Read More | Posted May 25, 2019
No Score Yet Lucid (2018) Like any incel, Zel is looking for reciprocated love, and in the end he finds it - but by then, the actions in his bed might all be in his head. - Projected Figures EDIT
Read More | Posted May 22, 2019
No Score Yet Zoo-Head (2019) though the circular structure rests in a sci-fi premise - a neurological method for supplementing cognitive dysfunction with dream fragments - Zoo-Head also uses its looping narrative to evoke different, more psychological brands of circularity - Projected Figures EDIT
Read More | Posted May 20, 2019
No Score Yet Darkness Visible (2019) Neil Biswas' Indian émigré horror is both a mystical murder mystery and an Oedipal chronicle of deaths foretold. - VODzilla.co EDIT
Read More | Posted May 16, 2019
96% November (2018) November finds (sur)real beauty in all its mud, shit & grotesque characters, while grounding its madder ideas in a concrete earthiness. The results are like Hard to Be a God (2013) with sight gags - not just rich and strange, but also oddly sublime. - Projected Figures EDIT
Read More | Posted May 13, 2019
No Score Yet Blue Spring (2002) the punkish Blue Spring shows male coming of age not just in all its competitive belligerence, but also in its boredom, its directionless and its disenchanted resignation. In the end, only some of the kids will be alright. - Little White Lies EDIT
Read More | Posted May 13, 2019
76% Behind the Mask: The Rise of Leslie Vernon (2006) a witty, smart, often very funny killer thriller, reverse-engineered so that all its workings show - VODzilla.co EDIT
Read More | Posted May 11, 2019
70% The Bastards' Fig Tree (La higuera de los bastardos) (2019) as The Bastards' Fig Tree shifts from the permanent rain of the Civil War to a sunnier post-war period, Rogelio goes from homicidal fascist henchman to humble saint, even if his buried history remains to be unearthed and faced by a later generation. - Projected Figures EDIT
Read More | Posted May 10, 2019
66% Body at Brighton Rock (2019) outdoors ordeal in which character & genre are pushed to the limits. Wendy's night in the woods, grounded by the natural surroundings but also coming with a hallucinatory, existential terror, is as much psychological journey as backwoods bivouac - Projected Figures EDIT
Read More | Posted May 3, 2019
30% The Curse of La Llorona (2019) La Llorona is, or at least once was, human; she is also the focus of a fear that right now is more generally prevalent in Trump's USA: an anxiety about illegal aliens importing their special brand of terror and taking over the American home. - Projected Figures EDIT
Read More | Posted May 2, 2019
No Score Yet Baby Blood (The Evil Within) (1990) Alain Robak brings an epoch-spanning genetic perspective to his monster movie of maternity and madness. - VODzilla.co EDIT
Read More | Posted Apr 28, 2019
No Score Yet Purdah (2018) Sport may seem at the heart of things here, but in fact it is used merely as the competitive arena for a match between patriarchal values and an emergent spirit of greater liberation for women in today's India. - Projected Figures EDIT
Read More | Posted Apr 26, 2019
73% I Trapped The Devil (2019) ...the form that eventually emerges, part psychodrama, part demonic horror, is, in all its ambiguity, a satanically slippery genre hybrid. Amid all this family dysfunction, the devil is truly in the detail. - Projected Figures EDIT
Read More | Posted Apr 26, 2019
4/5 94% Styx (2019) It is a nautical yarn about the haves and the have-nots, using the microcosm of the Asa Grey to explore social, economic and political dilemmas that are the neglected responsibility of us all. - Little White Lies EDIT
Read More | Posted Apr 23, 2019
83% Loro (2019) Party politics abound in Paolo Sorrentino's imaginative portrait of Sergio Berlusconi as an ageing, empty salesman-cum-seducer. - VODzilla.co EDIT
Read More | Posted Apr 19, 2019
No Score Yet Devonian Fever Trip (2019) With its isolationist electronic score and stunning visual panoramas, Hultgreen's minimalist experiment reduces an ailing, despairing human perspective to the visual language of ravaged landscape. - Projected Figures EDIT
Read More | Posted Apr 15, 2019
43% Thriller (2018) delivers all the cat-and-mouse death by numbers that we expect of a standard slasher - but it simultaneously uses the Reagan-era subgenre as a distorting prism through which we can also glimpse an actual community killing itself in the here and now - Little White Lies EDIT
Read More | Posted Apr 14, 2019
73% Phantasm (1979) a pre-adolescent's pre-Lynchian fugue from mortality's mourning side - VODzilla.co EDIT
Read More | Posted Apr 13, 2019
85% Fugue (Fuga) (2018) Following the musical mermaid coming-of-age parable The Lure (2015), Smoczyńska's second full-length film also focuses on alienated female experience, while this time around preferring a mode of slowly unfolding human mystery to piled-on oddities. - Projected Figures EDIT
Read More | Posted Apr 13, 2019
17% Hellboy (2019) Sweary, silly, schlocky, satisfyingly surreal [but] as Ben Daimio puts it, "Hellboy does not add up". - Little White Lies EDIT
Read More | Posted Apr 11, 2019
100% Valkoinen Peura (The White Reindeer) (1952) Pirita represents a primal, pagan animal spirit... A feminine spirit resistant to the encroachment of Christianity and of more patriarchal values. The taming of her - an allegory of Sámi history - is as much tragedy as triumph. - Little White Lies EDIT
Read More | Posted Apr 8, 2019
No Score Yet His Master's Voice (Az ur hangja) (2018) Though these mediated distractions, we - like Péter - must try to find our small place and significance in a sometimes indecipherable universe of otherness. The results are rich and strange, interweaving schlubby humour with astronomical awe. - Sight and Sound EDIT
Read More | Posted Apr 4, 2019
No Score Yet The Tag-Along 2 (Hong yi xiao nu hai 2) (2017) Cheng Wei-hao's spooky sequel The Tag-Along 2 is both mountain hike and amusement park ride through the fraught dynamic of the mother-daughter relationship. - Projected Figures EDIT
Read More | Posted Mar 26, 2019
No Score Yet The Tag-Along (2015) replete with ghostly intrusions and a climax of woodland pandemonium, it is also taking the psychological pulse of a nation haunted by the seeds - already long sown, and firmly rooted in everyday angst and anxiety - of its own destruction. - Projected Figures EDIT
Read More | Posted Mar 25, 2019
100% Next of Kin, (Hell House) (1982) Next of Kin surfs the low-budget 'Ozploitation' rip curl of the Australian New Wave, and spends its European inheritance on a local almost-ghost story with a strong sense of place. - Little White Lies EDIT
Read More | Posted Mar 25, 2019
69% Q (1982) [Quinn's] deep neediness, sense of emasculation, belief in nothing besides himself & strong streak of megalomania make him difficult to like, but also a mirror of 20th-century angst and alienation - & the perfect foil to the film's winged creature. - Projected Figures EDIT
Read More | Posted Mar 24, 2019
100% Horror Noire: A History of Black Horror (2019) Xavier Burgin's documentary insightfully surveys the history of black - and black female - representation in horror cinema. - VODzilla.co EDIT
Read More | Posted Mar 22, 2019
93% Depraved (2019) Adam's story is also about us, and our place in an atomised, synthetic world of streaming sensations, wounded history and broken identity. - Projected Figures EDIT
Read More | Posted Mar 21, 2019
94% Us (2019) with most of the cast members appearing in more than one rôle, it will leave you seeing double, forced to accommodate contrasting (if symmetrical) perspectives on the gross inequalities of the American way. - Projected Figures EDIT
Read More | Posted Mar 20, 2019
76% Starry Eyes (2014) a mumblegore Mulholland Dr., following a would-be startlet's (self-)destructive fugue through the dreamworld of Tinsel Town. - Projected Figures EDIT
Read More | Posted Mar 17, 2019