Anton Bitel Movie Reviews & Previews - Rotten Tomatoes

Anton Bitel

Anton Bitel
Anton Bitel's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
100% Replace (2017) body horror told from a female perspective, charting the desire - vain in every sense - for eternal youth.‐ SciFiNow
Read More | Posted Jul 19, 2017
85% Killing Ground (2017) Power ratchets the tension, expertly interweaving these three storylines with their different chronologies, before bringing them all together on the bushland track leading from the campsite.‐ SciFiNow
Read More | Posted Jul 17, 2017
90% Martin (1977) Not so much a horror film as a tragedy of alienation, Martin presents a man gravely isolated by a repressive family environment, painful shyness and fear of 'sexy stuff'...‐ Projected Figures
Read More | Posted Jul 16, 2017
No Score Yet Game of Death (2017) what these youths are discovering is their involuntary place in a selfish system gamed against the innocent... great to see so many ideas & all that youthful promise (of frankly annoying characters) cut short to a mere 73 minutes. Oh the humanatee!‐ SciFiNow
Read More | Posted Jul 15, 2017
82% The Villainess (2017) Jung teases out the contradictions in a woman set on revenge and raised to kill, yet driven even more by her desire for "a normal life" - and for love. ‐ SciFiNow
Read More | Posted Jul 14, 2017
15% Transformers: The Last Knight (2017) An exhausting distillation of everything that can possibly go wrong with a blockbuster.‐ Sight and Sound
Read More | Posted Jul 14, 2017
4/5 88% David Lynch: The Art Life (2017) A documentary that mimics the oblique quality of Lynch's own work.‐ Little White Lies
Read More | Posted Jul 11, 2017
No Score Yet Bluebeard (2017) in filling in that dark unknown space in the plastic bag & in supplementing the narrative of Bluebeard with our own anxiety, expectation & imagination, we too risk losing our heads, and being left without our critical faculties and detective skills‐ Projected Figures
Read More | Posted Jul 10, 2017
100% Anti Matter (2017) amnesiac noir whose underlying conceit is rooted in physics and metaphysics... reimagines the Oxford-penned Alice's Adventures In Wonderland, complete with its own caterpillar, cat, white rabbit & (worm)hole through which our little girl lost falls.‐ SciFiNow
Read More | Posted Jul 10, 2017
42% Blood Feast (1963) while it might be tempting to dismiss Herschell Gordon Lewis' low-budget, utterly tawdry smorgasbord of sensationalism as dumb-assed trash, it is too self-aware to merit such dismissal. Hell, it even ends in a literal trash yard...‐ VODzilla.co
Read More | Posted Jul 7, 2017
27% The Amityville Horror (1979) Its pacing is off, there are too many go-nowhere subplots, & it seems just to come to a clunking halt at the end [but] the film's lack of commitment to any single reading of its narrative architecture is precisely what makes it so uncanny.‐ Little White Lies
Read More | Posted Jun 26, 2017
100% Spider Baby (1968) This hilarious haunted house schlocker opens the doors on America's demented, diseased history of horror, before burying it beneath the foundations of the genre's next golden age.‐ VODzilla.co
Read More | Posted Jun 24, 2017
No Score Yet Madhouse (1981) might be regarded either as straight (if incoherent) slice and dice, or as a subjective insight into a damaged woman's psychotic meltdown. It works either way, but is richer and more satisfying if viewed as an early prelude to the The Babadook.‐ Little White Lies
Read More | Posted Jun 12, 2017
No Score Yet The Children (1980) a topsy-turvy nightmare scenario where familial love is a mortal weakness, infanticide a salvation, and the arrival of a newborn a source of terror.‐ VODzilla.co
Read More | Posted Jun 10, 2017
88% A Ghost Story (2017) Lowery's film haunts with its highly localised perspective on human history, as it goes/stays on a quest for a scrap of deferred meaning.‐ Projected Figures
Read More | Posted Jun 4, 2017
33% The Tripper (2007) David Arquette's debut is a so-so slasher elevated by its unexpected (but eventually overworn) political mask.‐ VODzilla.co
Read More | Posted May 27, 2017
4/5 94% The Red Turtle (La tortue rouge) (2017) One for the desert island films list.‐ Little White Lies
Read More | Posted May 25, 2017
76% Buster's Mal Heart (2017) a heady tragedy, elegantly shot (by Shaheen Seth), expertly edited (by Smith) and confidently mounted, with just enough loose threads to leave you wandering its circling corridors bleary-eyed long after the closing credits have finished rolling.‐ Projected Figures
Read More | Posted May 24, 2017
No Score Yet Clanker Man (2017) Terry resemble[s] most of us in our working lives: toiling away through days & nights, longing for recognition that rarely comes, & screaming into the darkness & void. Which guarantees that Clanker Man, though certainly funny, is decidedly bleak too.‐ Projected Figures
Read More | Posted May 16, 2017
80% The Entity (1982) Invading a similar domestic space to The Exorcist and Poltergeist, The Entity is a bittersweet modern ghost story that dramatises the awful compromises and sacrifices that women make every day just to get by in a man's world.‐ Little White Lies
Read More | Posted May 15, 2017
No Score Yet Land of the Little People (2016) Like Aharon Keshales & Navot Papushado's Rabies, Land of the Little People is a state-of-the-nation allegory delivered in the guise of genre, with hawkish antagonism, intense vulnerability & a deep-seated sense of righteousness proving a deadly mix.‐ Projected Figures
Read More | Posted May 14, 2017
No Score Yet The Legend of Boggy Creek (1973) amid all the footprints found, the livestock deaths, the sightings and close encounters, what The Legend of Boggy Creek lacks is a coherent narrative to lend urgency, or even shape, to its otherwise loosely episodic structure...‐ VODzilla.co
Read More | Posted May 12, 2017
92% The Levelling (2017) tensions rise, until eventually the barriers break & the emotions - chiefly despair & a deep-flowing love - come flooding. This precisely & powerfully modulated climax lets the presence of talented new British filmmaker Dickson Leach be fully felt.‐ Sight and Sound
Read More | Posted May 12, 2017
No Score Yet Sublimate (2016) Here the analogue sounds of Roger's drug-addled youth are the only escape that he can find from the absurdly miserable reality of contemporary British life - even if he retreats into a kind of nostalgia that is deluded, destructive, even deadly.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet Love and Saucers (2017) Brad Abrahams' documentary... is an ambiguous picture of a man who has embraced otherness as the ultimate escape from earthly concerns.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet The End of the Lonely Island (2016) Wang's film subjects this island Earth to historical, philosophical and allegorical analysis, and the result is a nuanced, Asimovian account of survival in crisis as the only kind of progress.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet Yesterday Last Year (2017) a love triangle unfolding mostly, Primer-style, in a garage‐ Sight and Sound
Read More | Posted May 8, 2017
100% Anti Matter (2017) Burrows' story keeps winding and meandering back to the same point... as Ana attempts to remember what has happened and to reconstruct her fractured identity. The results are paranoid and disorienting, if also - necessarily - rather repetitive.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet Space Detective (2017) Space Detective offers postmodernism on a planetary scale, advertising its own artifice through its rotoscoped imagery, neither quite real nor entirely animated.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet The Rizen (2017) The period setting (and Swift's doughty performance) convert Frances' proto-kickass tendencies into pure Blitz-spirit pluck, and ensure that all the film's wilful corniness comes with nostalgic charm.‐ Sight and Sound
Read More | Posted May 8, 2017
No Score Yet Bloody Muscle Body Builder in Hell (2014) despite, or even because, of all its naïve, straight-faced earnestness, Bloody Muscle Body Builder in Hell comes with real heart - not to mention kidney, liver, intestines and brains...‐ Little White Lies
Read More | Posted May 8, 2017
No Score Yet Stray (2016) a dark and devastating tale of a broken home and its eternal recurrence for an individual who, having lived there once, has never really been able to leave its malign influence or renegotiate a path to normalcy. ‐ Projected Figures
Read More | Posted May 8, 2017
4/5 100% Harmonium (Fuchi ni tatsu) (2017) A quietly tense examination of a family in slow freefall.‐ Little White Lies
Read More | Posted May 5, 2017
3/5 No Score Yet Flora (2017) While this subgenre typically involves retaliatory animals, the ecosystem of Flora is a plant kingdom aggressively closed to all fauna. ‐ SciFiNow
Read More | Posted May 3, 2017
100% Tampopo (1985) In Tampopo, every aspect of life is filtered through the prism of food - its rituals of preparation and consumption, its role as a social unifier or divider, its many healthy uses and perverse abuses.‐ Little White Lies
Read More | Posted May 2, 2017
No Score Yet Wekufe (2016) Wekufe comes with its own duality, as Paula's news story, colonised by Matias, is made to serve as the palimpsest for an improvised genre flick. This is found footage, but of an unusually self-conscious variety‐ Projected Figures
Read More | Posted May 1, 2017
100% Sour Grapes (2016) Reuben Atlas and Jerry Rothwell's documentary Sour Grapes traces a massive fraud where one connoisseur's con may just have tainted an entire liquid market.‐ Projected Figures
Read More | Posted Apr 30, 2017
38% Slugs (1987) Creature feature in which humans prove just as carnal and odd as the mutant slugs killing them.‐ VODzilla.co
Read More | Posted Apr 28, 2017
No Score Yet Lowlife Love (Gesu no ai) (2015) The results, though at times a little broad, are a low-key, rough-cut metacinematic gem. ‐ Little White Lies
Read More | Posted Apr 24, 2017
56% The Crazies (1973) Putting the "gory" in "allegory", Romero's film shows the madness of the Vietnam war in all its viral contagion.‐ VODzilla.co
Read More | Posted Apr 22, 2017
100% The Endless (2017) ventures to a place where genre's boundaries are at their most blurred & human dramas play out on eerie supernatural stages that amplify the everyday stakes involved in evolving from one's own behavioural patterns & confronting one's own mortality‐ Little White Lies
Read More | Posted Apr 21, 2017
No Score Yet Diverge (2016) a post- (and pre-) apocalyptic drama set around a plague-devastated New York‐ Sight and Sound
Read More | Posted Apr 21, 2017
No Score Yet Virtual Revolution (2016) a virtual system where escapist fantasies are all just part of the game.‐ Sight and Sound
Read More | Posted Apr 21, 2017
No Score Yet Domain (2016) there is a decidedly existential flavour to the film's preoccupation with infernal routines and the hell of other people‐ Sight and Sound
Read More | Posted Apr 21, 2017
4/5 53% The Belko Experiment (2017) The Belko Experiment offers an intensified allegory of today's world of work - as well as the thrill of the hunt - all in an amusingly banalised milieu of lobbies, lifts and cubicles.‐ Little White Lies
Read More | Posted Apr 10, 2017
65% Hellraiser (1987) "This isn’t for your eyes”", says the demonic Cenobite –- but he is so very wrong about Clive Barker'’s must-see horror.‐ Projected Figures
Read More | Posted Apr 9, 2017
No Score Yet Destruction Babies (Disutorakushon beibîzu) (2016) As a piece of raucous rebel filmmaking, Destruction Babies is as disheartening and exhilarating as a recalcitrant teen.‐ Little White Lies
Read More | Posted Apr 6, 2017
53% City of Tiny Lights (2016) Tommy's long dark night of the soul maps out his neighbourhood's past and present, while offering a harmonious vision of the future, far beneath all the glittering new executive accommodation. ‐ Projected Figures
Read More | Posted Apr 6, 2017
No Score Yet Snapshot (1979) Simon Wincer's Ozploitationer is a feminist melodrama ever tinged with the faint odour of burning flesh.‐ VODzilla.co
Read More | Posted Apr 3, 2017
5/5 91% Raw (2017) Raw ... exposes the everyday monstrousness each of us harbours within our soft, fragile exteriors, and the accommodations we have to make with our darker nature.‐ Little White Lies
Read More | Posted Apr 2, 2017