Bill Chambers Movie Reviews & Previews - Rotten Tomatoes

Bill Chambers

Bill Chambers
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
4/4 50% ANIARA (2018) Aniara is astonishingly ambitious, an unlikely emotional rollercoaster anchored by a beautifully-realized protagonist who manages to maintain hope and optimism without being a Pollyanna. ‐ Film Freak Central
Read More | Posted Sep 26, 2018
2/4 67% Teen Spirit (2018) Pity about Teen Spirit, since it opens so well.‐ Film Freak Central
Read More | Posted Sep 19, 2018
3.5/4 91% Widows (2018) Get Out's Daniel Kaluuya is terrifying as Manning's brother and enforcer, Rodriguez is revealed to have unexplored dimensions. ‐ Film Freak Central
Read More | Posted Sep 18, 2018
1.5/4 85% Boy Erased (2018) Boy Erased has perhaps squandered a plum opportunity to inspire real change... by treating the destructive impact of young innocents forcibly repressing their true sexual orientation or gender identification too intellectually, too goddamn politely. ‐ Film Freak Central
Read More | Posted Sep 18, 2018
2/4 95% Shadow (2019) Those first two thirds aren't just sluggish--they lack, for Yimou, soul.‐ Film Freak Central
Read More | Posted Sep 11, 2018
1.5/4 93% Transit (2019) The stultifying voiceover meant to nuance Georg's actions is only more evidence of Petzold's navel-gazing; and although it remains a nostalgic treat, his classical visual sense fails to organize the unruly material.‐ Film Freak Central
Read More | Posted Sep 11, 2018
3/4 82% Blind Spot (2018) The long-take gimmick works because of how spent the actors look from remaining in this intense headspace for 98 solid minutes.‐ Film Freak Central
Read More | Posted Sep 10, 2018
2.5/4 71% One Last Deal (2018) Surprisingly sentimental for a Finnish movie, One Last Deal is at its most gratifying when it's less "Death of a Salesman", more Roger Dodger. ‐ Film Freak Central
Read More | Posted Sep 9, 2018
2/4 60% Consequences (Posledice) (2018) I don't know that I've ever encountered a movie so beset by its title, which feels like it should also be read aloud by Percy Rodriguez when it appears. ‐ Film Freak Central
Read More | Posted Sep 8, 2018
3/4 100% One Cut of the Dead (Kamera o tomeru na!) (2017) The rallying spirit here is as moving as any 'Rocky' triumph, and it's compounded by the surprisingly sweet father-daughter story at the movie's core. ‐ Film Freak Central
Read More | Posted Aug 8, 2018
2/4 88% Knuckleball (2018) Disappointing, too, that Knuckleball introduces a lady cop so charmingly and progressively... only to reduce her to collateral damage in her very next scene. ‐ Film Freak Central
Read More | Posted Aug 3, 2018
2.5/4 56% Tokyo Vampire Hotel (2017) I'm disappointed that Manami's backstory, exemplified by the culturally-loaded image of her shaving off her long black hair in an act of rebellion, never really merges with her present-day damsel-in-distressdom to create a whole person.‐ Film Freak Central
Read More | Posted Jul 31, 2018
2/4 83% Lifechanger (2018) One of many in a film that has all the ingredients for something truly clever, yet thinks a little small.‐ Film Freak Central
Read More | Posted Jul 26, 2018
2.5/4 100% The Vanished (2018) A fairly straightforward remake of a Spanish thriller... which is surprising since its increasingly byzantine revenge plot feels uniquely South Korean, as does the fluid mix of tones and genres. It's also fairly engrossing and unpredictable‐ Film Freak Central
Read More | Posted Jul 24, 2018
2/4 78% Blue My Mind (2017) Brühlmann has enough stunning images in her that it's a shame she defaults to a muted, pseudodocumentary European aesthetic, which exposes some feeble writing to the harsh light of interrogation.‐ Film Freak Central
Read More | Posted Jul 20, 2018
2.5/4 No Score Yet We Could Be Heroes (2018) The assertive bittersweetness of this coda is refreshing in itself, even if it leaves the movie tonally askew.‐ Film Freak Central
Read More | Posted Jun 12, 2018
3/4 23% The 15:17 to Paris (2018) The 15:17 to Paris is vital filmmaking almost in spite of itself. ‐ Film Freak Central
Read More | Posted May 30, 2018
3.5/4 100% Golden Dawn Girls (2017) Every Nick Broomfield-esque cut to Bustnes's look of constipated despair holds up a deadpan mirror to the viewer, providing that spoonful of gallows humour that makes the bleakness go down.‐ Film Freak Central
Read More | Posted May 2, 2018
2/4 70% Happy End (2017) Happy End plays like an arrangement of scenes deleted from [Michael] Haneke movies real and hypothetical; Loose Ends would've been a more fitting title.‐ Film Freak Central
Read More | Posted Sep 21, 2017
2/4 57% Manhunt (2013) One of the central pleasures of genre cinema is running your fingers along well-worn grooves, but while Man Hunt trots out a lot of chestnuts, it's the film's tendency to burn through them with bemusing haste.‐ Film Freak Central
Read More | Posted Sep 21, 2017
1.5/4 88% Bodied (2018) What you need to know about this movie is that it's loud, and long.‐ Film Freak Central
Read More | Posted Sep 14, 2017
1.5/4 28% Suburbicon (2017) The best parts are obviously the Coens' and the worst parts are obviously director George Clooney and co-writer Grant Heslov's. Trouble is, the best parts aren't that great and the worst parts...yikes.‐ Film Freak Central
Read More | Posted Sep 14, 2017
2.5/4 85% Euthanizer (Armomurhaaja) (2018) Some part of me couldn't wait to forget Euthanizer, and the film, for all the ghoulish residue of its subject matter, hasn't put up much of a fight. ‐ Film Freak Central
Read More | Posted Sep 14, 2017
3/4 70% Water and Sugar: Carlo Di Palma, the Colours of Life (2016) What emerges is a portrait of a natural born shooter and an absolute savant for colour photography who warrants consideration as an auteur in his own right.‐ Film Freak Central
Read More | Posted Oct 14, 2016
2/4 47% Sadako Vs Kayako (2016) Not a particularly clever or imaginative film--that much is clear from its pathetic rendering of the Sadako video--and most of the titular battle is deferred to a sequel.‐ Film Freak Central
Read More | Posted Oct 14, 2016
1/4 63% Carrie Pilby (2017) Carrie Pilby is as synthetically directed as it is written, and the performers struggle.‐ Film Freak Central
Read More | Posted Oct 14, 2016
3.5/4 87% Jackie (2016) Every scene is kind of perfectly-honed.‐ Film Freak Central
Read More | Posted Oct 14, 2016
2/4 80% Colossal (2017) Oscar is such a thorough portrait of toxic masculinity that the movie hardly has time for anything else.‐ Film Freak Central
Read More | Posted Oct 14, 2016
2.5/4 43% The Bad Batch (2017) Did I mention the soundtrack is great?‐ Film Freak Central
Read More | Posted Oct 14, 2016
3/4 91% Certain Women (2016) Typically uneven for the anthology genre, if also typically successful in that the good counterbalances the bad.‐ Film Freak Central
Read More | Posted Sep 11, 2016
2.5/4 91% Elle (2016) Verhoeven, Argento with a brain...‐ Film Freak Central
Read More | Posted Sep 10, 2016
1/4 43% In the Heart of the Sea (2015) There's hardly a genuine moment, and a framing device only adds another layer of dramatization to something that already plays like a big-budget History Channel re-enactment.‐ Film Freak Central
Read More | Posted Mar 14, 2016
4/4 98% Snow White and the Seven Dwarfs (1937) Such a quixotic undertaking in historical context that it was obviously made by someone with something to prove.‐ Film Freak Central
Read More | Posted Feb 11, 2016
2/4 59% The Intern (2015) Some films have grace notes; this one has what might be more appropriately termed graceless notes.‐ Film Freak Central
Read More | Posted Jan 26, 2016
2.5/4 81% The Family Fang (2016) Every inch The Skeleton Twins or some other brother-sister Sundance yarn but with a wonderfully specific source for the siblings' dysfunction.‐ Film Freak Central
Read More | Posted Sep 29, 2015
2.5/4 48% Freeheld (2015) Deliriously entertaining and almost, with some relief, a comedy, as it finds joy in the friction between opposites.‐ Film Freak Central
Read More | Posted Sep 29, 2015
80% Pretend We're Kissing (2015) This is a beautifully-photographed movie. I mean it.‐ Film Freak Central
Read More | Posted Sep 20, 2015
0.5/4 10% The Boy Next Door (2015) Lifetime-ready have-your-cake-and-eat-it-too crap about a victimized woman turned righteous avenger in the last five minutes‐ Film Freak Central
Read More | Posted Sep 20, 2015
2.5/4 84% Pulp: a Film About Life, Death & Supermarkets (2014) While the democracy of it casts a sweet spell and speaks to Pulp's generosity and humility, one wonders if even in this era of selfie culture Pulp fans will want to see this much of themselves on screen‐ Film Freak Central
Read More | Posted Sep 20, 2015
1.5/4 17% The Gunman (2015) He's Sean Penn in all but name, and he's kind of a drag.‐ Film Freak Central
Read More | Posted Sep 20, 2015
2/4 63% Unfriended (2015) Unfriended portends a revolution, but it's click-bait after all.‐ Film Freak Central
Read More | Posted Sep 20, 2015
1/4 60% Black (2015) Seems pretty @#?!ing racist‐ Film Freak Central
Read More | Posted Sep 20, 2015
3/4 87% Dheepan (2016) Audiard is a quasi-exploitation filmmaker at heart, alas, but his direction is elegant, at times breathtakingly so.‐ Film Freak Central
Read More | Posted Sep 20, 2015
2.5/4 78% Where to Invade Next (2016) It's important to keep cynicism in check and remember that Moore's cherrypicked vision of utopia isn't actually selling anything .‐ Film Freak Central
Read More | Posted Sep 20, 2015
1/4 15% The Girl In The Photographs (2016) A downmarket Scream‐ Film Freak Central
Read More | Posted Sep 20, 2015
0.5/4 44% Mr. Right (2016) Grotesquely cynical‐ Film Freak Central
Read More | Posted Sep 20, 2015
1.5/4 53% All Cheerleaders Die (2014) As is often the best advice, rent Heathers instead.‐ Film Freak Central
Read More | Posted Mar 16, 2015
2.5/4 67% When Jews Were Funny (2013) Zweig couldn't defer to a more insightful batch of interviewees.‐ Film Freak Central
Read More | Posted Mar 16, 2015
2.5/4 No Score Yet Mission Congo (2013) A worthwhile reminder that televangelists are crooks, something that's all too easy to forget in this age of video-on-demand.‐ Film Freak Central
Read More | Posted Mar 16, 2015
0/4 43% Almost Human (2014) Be sure to stay through the closing credits for a tag--not that it's worth it, but I was the only one at my screening who did, and misery loves company.‐ Film Freak Central
Read More | Posted Mar 16, 2015