Cameron Meier Movie Reviews & Previews - Rotten Tomatoes

Cameron Meier

Cameron Meier
Cameron Meier's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Orlando Weekly

Movie Reviews Only

Rating T-Meter Title | Year Review
2/5 33% The Last Word (2017) Though the movie is likable and contains a unique premise, the dramedy falls flat thanks to its contrived, unremarkable script and performances that often fail to connect on an honest, emotional level.‐ Orlando Weekly
Read More | Posted Mar 15, 2017
77% Kong: Skull Island (2017) Lacking the novelty of the 1933 original and the style and wonder of the 2005 Peter Jackson remake, this Kong is just plain unnecessary.‐ Orlando Weekly
Read More | Posted Mar 9, 2017
1.5/5 10% Bitter Harvest (2017) Bitter Harvest does offer pretty cinematography and respectable battle scenes, and it gains credibility with its book-end finale, but the victims of the Holodomor deserve an infinitely better cinematic epitaph.‐ Orlando Weekly
Read More | Posted Feb 22, 2017
2/5 41% A Cure For Wellness (2017) The smart, surreal premise slowly, slowly unravels into schlock.‐ Orlando Weekly
Read More | Posted Feb 15, 2017
25% The Comedian (2017) Poor pacing, stale writing and pretentious parade of cameos (wait for the one in the elevator) produce a film and a main character that aren't interesting, relatable or humorous.‐ Orlando Weekly
Read More | Posted Feb 1, 2017
3/5 75% Split (2017) Though Split still doesn't approach the quality of The Sixth Sense and Unbreakable, it is proof that the writer-director finally has something interesting to say again.‐ Orlando Weekly
Read More | Posted Jan 24, 2017
2/5 88% 20th Century Women (2017) A rather poorly directed and edited movie about a mother struggling to raise her son in a world she doesn't quite understand or embrace.‐ Orlando Weekly
Read More | Posted Jan 18, 2017
3.5/5 87% A Monster Calls (2017) Most movie creatures are better left alone. But this is one monster call you should answer.‐ Orlando Weekly
Read More | Posted Dec 28, 2016
85% Rogue One: A Star Wars Story (2016) Admittedly, this can be viewed as simply another rehash of old stories and themes, but hash is rarely this tasty.‐ Orlando Weekly
Read More | Posted Dec 14, 2016
4/5 93% La La Land (2016) Never have the glory days of Hollywood been reimagined quite like they are in the new film by writer-director Damien Chazelle.‐ Orlando Weekly
Read More | Posted Dec 14, 2016
54% Rules Don't Apply (2016) If this is Beatty's finale, as some suggest, he's going out on a high note - higher than the likes of Charlie Chaplin, Stanley Kubrick and Alfred Hitchcock.‐ Orlando Weekly
Read More | Posted Nov 23, 2016
4/5 98% Moonlight (2016) If you're patient enough to stick with it, the emotional payoffs are profound.‐ Orlando Weekly
Read More | Posted Nov 2, 2016
4/5 83% Denial (2016) The film is slow to gain dramatic steam, but once it does, the emotional payoffs are huge.‐ Orlando Weekly
Read More | Posted Oct 12, 2016
4/5 71% The Birth of a Nation (2016) In a patient and mature fashion, the film spends most of its two hours telling Turner's life story and helping us understand the man's heart and mind. And that patience pays off ...‐ Orlando Weekly
Read More | Posted Oct 5, 2016
44% The Hollars (2016) Krasinski's heart was in the right place with his sophomore endeavor, but, like his character's hospitalized mother, his cranium just wasn't up to the task.‐ Orlando Weekly
Read More | Posted Sep 22, 2016
4/5 85% Sully (2016) Some viewers may find the film too predictable and TV-movie-like. Instead, this reviewer found it fascinating, gripping and worthy of the legacy of an American hero.‐ Orlando Weekly
Read More | Posted Sep 7, 2016
2/5 70% CafĂ© Society (2016) From the stiff performances to the odd narrative structure to the clunky editing to Allen's almost unbearable voice-over, this film fails.‐ Orlando Weekly
Read More | Posted Jul 28, 2016
1/5 35% Mike and Dave Need Wedding Dates (2016) Newbie director Jake Szymanski and writers Andrew Cohen and Brendan O'Brien don't seem to grasp the essence of farce. This is more fart ...‐ Orlando Weekly
Read More | Posted Jul 6, 2016
3/5 51% Genius (2016) Perhaps the strength of the film - and the chief reason I'm recommending it - is that it challenges us to define genius for ourselves.‐ Orlando Weekly
Read More | Posted Jun 16, 2016
3/5 85% Maggie's Plan (2016) Though the film feels a bit like a stepping stone to something greater for Miller, the stone is surprisingly polished.‐ Orlando Weekly
Read More | Posted Jun 9, 2016
2/5 30% Alice Through the Looking Glass (2016) Proceed, oh audience, with utmost dread, For cinematic logic and proportion Have fallen sloppy dead.‐ Orlando Weekly
Read More | Posted Jun 2, 2016
4/5 79% Where to Invade Next (2016) Despite questionable facts and occasionally outrageous logic, particularly on the issue of race, Moore is still able to shock, entertain, sadden and inspire us while also making a stunning - and surprisingly positive - plea for change.‐ Orlando Weekly
Read More | Posted Feb 11, 2016
4/5 93% Anomalisa (2015) Anomalisa addresses painful adult issues and presents uncomfortably honest situations in a way few animated movies have before.‐ Orlando Weekly
Read More | Posted Jan 21, 2016
3/5 94% Carol (2015) Despite its emotional inaccessibility and overreliance on aesthetics, is still worth a watch for those with maturity and patience.‐ Orlando Weekly
Read More | Posted Jan 14, 2016
4/5 81% The Revenant (2015) The Revenant is a caramel-coated macadamia nut, beautiful but difficult to chew. Be prepared, or you'll likely lose a tooth.‐ Orlando Weekly
Read More | Posted Jan 7, 2016
2/5 75% The Hateful Eight (2015) The film ... wants to be all things to all people but ends up being not much more than a lost opportunity for greatness.‐ Orlando Weekly
Read More | Posted Dec 31, 2015
4/5 74% Youth (2015) It may not be a "great beauty" like the director's previous offering, but it's still one of the prettiest films of the year and proves again that Sorrentino is arguably the most visionary poet in cinema today.‐ Orlando Weekly
Read More | Posted Dec 23, 2015
4/5 84% The Walk (2015) With this loving tribute to not just a great piece of performance art but also the buildings that made that art possible, Zemeckis has given us a magical, if flawed, tribute to the fallen symbols of Americana.‐ Orlando Weekly
Read More | Posted Oct 8, 2015
85% Far From the Madding Crowd (2015) The current Crowd, which is a nice diversion from the summer's CGI extravaganza, should be a crowd pleaser.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 49% Tomorrowland (2015) A grandly magical, if scatterbrained, vision of our future that's neither a time nor a place, but an idea.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 91% Love & Mercy (2015) Along the way, we learn to appreciate the greatness of Wilson and discover what separated him from the rest of his group.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
3/5 71% Jurassic World (2015) The fourth installment in the Jurassic series is spectacular summer entertainment, a sort of Cecil B. DeMille on speed.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 82% Me and Earl and the Dying Girl (2015) A quirky yet moving meditation on the life we discover during death.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 88% Mr. Holmes (2015) A touching, dramatic imagining of the final, feeble days of the super sleuth.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
2/5 44% Irrational Man (2015) Clunky, contrived and embarrassingly overwritten - a philosophical exercise rather than an engaging motion picture.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
1/5 20% Walt Before Mickey (2015) The story is solid, but the screenplay is only partially effective, content to mope along with little joy or whimsy. And scenes resemble re-enactments more than meaningful human encounters.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 91% The End Of The Tour (2015) A unique, subtle, almost uncomfortably intimate look at the way we perceive ourselves and others.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
2/5 83% Mistress America (2015) The film lurches frenetically from stagey, theatrical farce to quirky tenderness in a failed attempt to charm.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
5/5 73% Everest (2015) In many ways, Everest harkens back to 1970s disaster films, just with smarter editing, more believable performances and better visuals.‐ Orlando Weekly
Read More | Posted Sep 25, 2015
4/5 92% The Final Member (2014) One might expect this film to be nothing but R-rated silliness. Well, it's definitely R-rated, but it has a serious and even touching side.‐ Orlando Weekly
Read More | Posted Aug 14, 2015
4/5 50% SlingShot (2015) The doc is much more than a description of a new technology -- it's an examination of why science is not more highly valued in our society.‐ Orlando Weekly
Read More | Posted Aug 14, 2015
3/5 52% Gemma Bovery (2015) Though director Anne Fontaine's French-language production is essentially a one-note conceit, it's able to coast on its charm, overcoming its almost total lack of a second act and other story deficiencies.‐ Orlando Weekly
Read More | Posted May 27, 2015
79% The Theory of Everything (2014) Eddie Redmayne is so convincing as famous physicist Stephen Hawking that you will likely be unable to separate the two men in your mind once this genuinely moving, if slightly maudlin, film flickers to a finish.‐ Orlando Weekly
Read More | Posted Jan 5, 2015
90% The Imitation Game (2014) The Imitation Game has finally given Turing's remarkable legacy the broad cinematic respect it merits by showcasing it proudly in one of the five best films of the year.‐ Orlando Weekly
Read More | Posted Jan 4, 2015
91% Birdman (2014) Even if you don't like Birdman, you will be unable to forget its unique ability to disguise meticulous, well-rehearsed craftsmanship as irresistible improvisation.‐ Orlando Weekly
Read More | Posted Jan 2, 2015
1/5 91% Dear White People (2014) Dear white people (and members of all other races), avoid this movie, as it doesn't do much more for race relations than Lars von Trier's Nymphomaniac did for the issue of sexual addiction.‐ Orlando Weekly
Read More | Posted Oct 21, 2014
3/5 86% The Skeleton Twins (2014) A surprisingly touching, if not particularly original, dramedy ...‐ Orlando Weekly
Read More | Posted Sep 24, 2014
2/5 63% The Disappearance of Eleanor Rigby: Them (2014) All I'm left with from Them are the memories of a great-but-squandered premise and a film so uninspired in its editing and rambling in its presentation that it, like its title character, almost disappears.‐ Orlando Weekly
Read More | Posted Sep 17, 2014
4/5 98% Boyhood (2014) Despite the wrinkles in Linklater's time tapestry, he has given us one of the most memorable movies of the year, and probably his own masterpiece.‐ Orlando Weekly
Read More | Posted Aug 1, 2014
4/5 87% A Most Wanted Man (2014) A Most Wanted Man is a smart, gripping thriller that carefully navigates its way through subtle twists and delicious ambiguity.‐ Orlando Weekly
Read More | Posted Jul 23, 2014