Michael Rechtshaffen Movie Reviews & Previews - Rotten Tomatoes

Michael Rechtshaffen

Michael Rechtshaffen
Michael Rechtshaffen's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
45% 6 Days (2017) A stiffly executed re-creation of the events surrounding the 1980 hostage-taking attack on London's Iranian Embassy that packs all the high-stakes intrigue of a filed police report.‐ Los Angeles Times
Read More | Posted Aug 17, 2017
70% Dave Made a Maze (2017) While the dramatic underpinnings could have used more work, the labyrinth that's the focus of "Dave Made a Maze" is truly an amazingly inventive sight to behold.‐ Los Angeles Times
Read More | Posted Aug 17, 2017
11% The Nut Job 2: Nutty by Nature (2017) Once again Arnett, Heigl and company simply don't come off as dimensionally warm and engaging as required.‐ Hollywood Reporter
Read More | Posted Aug 10, 2017
93% A Taxi Driver (2017) An effective - and affecting - fact-based political drama set against the bloody backdrop of South Korea's 1980 Guangju Democratic Uprising.‐ Los Angeles Times
Read More | Posted Aug 10, 2017
0% The Pulitzer at 100 (2017) It's as if filmmaker Kirk Simon entered into the project without a carefully thought-out agenda, instead opting for more of a free-form approach that constantly undercuts its effectiveness.‐ Los Angeles Times
Read More | Posted Aug 10, 2017
0% Armed Response (2017) By the time one of the gun-toting members of Team Snipes growls "Let's finish this!" viewers would be hard-pressed to disagree.‐ Los Angeles Times
Read More | Posted Aug 3, 2017
No Score Yet Imperfections (2017) Plot-wise, it's a workable set-up, but, in his feature film debut, Broadway composer Singer ... seems to have no interest in adhering to traditional crime caper rhythms that put a premium on crisp pacing and creeping peril.‐ Los Angeles Times
Read More | Posted Jul 27, 2017
100% 500 Years (2017) "500 Years" is a palpably passionate if somewhat less contained effort than the two films preceding it.‐ Los Angeles Times
Read More | Posted Jul 27, 2017
92% Saving Private Ryan (1998) If words occasionally fail the picture, the images speak indelible volumes.‐ Hollywood Reporter
Read More | Posted Jul 24, 2017
74% Amnesia (2017) An affecting rumination on the moral weight of personal choices.‐ Los Angeles Times
Read More | Posted Jul 20, 2017
89% Man Underground (2017) The oddball premise and quirky characters ultimately aren't enough to lift up "Man Underground," a sci-fi-infused indie drama that puts the "alien" back in alienation.‐ Los Angeles Times
Read More | Posted Jul 13, 2017
91% Our Time Will Come (2017) A little-known chapter in Hong Kong's wartime history has been vividly re-created in "Our Time Will Come," a female-driven drama poignantly directed by Ann Hui.‐ Los Angeles Times
Read More | Posted Jul 6, 2017
50% Hickok (2017) For a film about one of the fastest guns in the West, the dramatically lightweight "Hickok" is mighty slow on the draw.‐ Los Angeles Times
Read More | Posted Jul 6, 2017
100% Nowhere To Hide (2017) As captured through the ceaselessly unflinching lens of Sharif's borrowed video camera, "Nowhere to Hide" offers an uneasy prognosis that is at once graphically gut-wrenching and doggedly life-affirming.‐ Los Angeles Times
Read More | Posted Jun 29, 2017
No Score Yet Unfallen (2017) A risible misfire of a contemporary war drama, the low-budget "Unfallen" stands as an epic fail on all fronts.‐ Los Angeles Times
Read More | Posted Jun 29, 2017
13% Hare Krishna! The Mantra, The Movement And The Swami Who Started It All (2017) The film ultimately feels like a marketing tool for ISKCON, the International Society for Krishna Consciousness.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
No Score Yet Lucky (2017) An ethnically diverse cast and authentic New York locations help to effectively ground "Lucky," a palpably gritty, if familiar, take on the immigrant experience.‐ Los Angeles Times
Read More | Posted Jun 21, 2017
23% Once Upon a Time in Venice (2017) Bruce Willis' latest effort to dislodge his film career from a stubborn rut goes unrewarded with "Once Upon a Time in Venice," a wincingly unfunny comedy caper set along L.A.'s funky beach community.‐ Los Angeles Times
Read More | Posted Jun 15, 2017
68% Cars 3 (2017) While visually dynamic, Lightning McQueen's newest challenge still feels out of alignment with a languid end result that lacks sufficient forward momentum.‐ Hollywood Reporter
Read More | Posted Jun 12, 2017
100% 11:55 (2017) Transcends any lingering trace of gimmickry with emotionally gripping results.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
No Score Yet Rogue Warrior: Robot Fighter (2016) Falling just short of being so bad it's good, "Rogue Warrior: Robot Fighter" is a shameless low-budget "Terminator"/"Star Wars"/"Mad Max" knock-off that will have to settle for being merely godawful.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
88% God of War (2017) A character-driven battle epic that plays more like a brightly rendered action-adventure than a starchy history lesson.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
No Score Yet Tatara Samurai (2017) Visually galvanizing but dramatically leaden ...‐ Los Angeles Times
Read More | Posted Jun 1, 2017
86% Captain Underpants: The First Epic Movie (Captain Underpants) (2017) In the absence of a sturdier storyline and more dimensional characters, the manic, rapid-fire delivery, while yielding some well-deserved laughs, proves more exhausting than inspired.‐ Hollywood Reporter
Read More | Posted Jun 1, 2017
No Score Yet American Media & The Second Assassination of John F. Kennedy (2017) He might view himself as "the cinder in the eye of unfulfilled justice," but this cranky exposé would seem to more convincingly embody Barbour's own personal resentments.‐ Los Angeles Times
Read More | Posted May 26, 2017
92% Joshua: Teenager vs. Superpower (2017) Capturing every key moment with ... immediacy and tension ... director Piscatella maintains an engaging grip on his unassuming subject's ascendancy.‐ Los Angeles Times
Read More | Posted May 25, 2017
100% If You're Not in the Obit, Eat Breakfast (2017) If only every inspirational documentary could be as delightfully diverting as "If You're Not In the Obit, Eat Breakfast" ...‐ Los Angeles Times
Read More | Posted May 18, 2017
20% Diary Of A Wimpy Kid: The Long Haul (2017) Despite the casting overhaul, it's the same old Wimpy Kid in that it still hasn't figured out how to make its characters as likeable or knowingly engaging as Kinney's simple line drawings and text.‐ Hollywood Reporter
Read More | Posted May 15, 2017
No Score Yet Wrestling Jerusalem (2017) All the inter-cutting between the barren stage and the barren desert ultimately has a distancing, artificial effect that waters down much of the dramatic potency generated by the shared experience of a live performance.‐ Los Angeles Times
Read More | Posted May 11, 2017
92% Get Me Roger Stone (2017) Endlessly fascinating, bracingly up-to-the-minute ...‐ Los Angeles Times
Read More | Posted May 11, 2017
68% Take Me (2017) Healy is never able to find an absorbing middle ground in Mike Makowsky's script, vacillating gratingly between shrill farce and murky thriller that flails its way toward an intended twist-ending that really shouldn't surprise anyone.‐ Los Angeles Times
Read More | Posted May 4, 2017
No Score Yet Black Site Delta (2017) A slab of D-grade, B-movie nonsense set in a maximum security military prison that serves as a cover for a secret drone control operation.‐ Los Angeles Times
Read More | Posted May 4, 2017
38% How to Be a Latin Lover (2017) OK, so it will never be mistaken for vintage Pedro Almodovar or Bigas Luna, but the feel-good satire How to Be a Latin Lover nevertheless gives you less cause to be a hater than you might have expected.‐ Hollywood Reporter
Read More | Posted May 1, 2017
No Score Yet The King's Case Note (Im-geum-nim-eui Sa-geon-soo-cheob) (2017) The adventure seldom gets sufficiently up to speed, and on the occasions it threatens to come to life, the pedestrian action sequences fail to compensate for that lethargic pace.‐ Los Angeles Times
Read More | Posted Apr 27, 2017
20% Danger Close (2017) Ultimately, neither narrative receives sufficient attention, robbing the subjects and that unique p.o.v. of the focus and urgency that lent the previous two films their undeniable potency.‐ Los Angeles Times
Read More | Posted Apr 27, 2017
92% Tomorrow (Demain) (2017) A forward-thinking take on addressing the demise of the human race, the French documentary "Tomorrow" swaps the usual handwringing doomsday prophesizing in favor of a decidedly more proactive approach.‐ Los Angeles Times
Read More | Posted Apr 20, 2017
11% Spark: A Space Tail (2017) There's scant evidence of any creative spark in Spark: A Space Tail, a thoroughly generic, unremittingly charmless computer-animated adventure.‐ Hollywood Reporter
Read More | Posted Apr 17, 2017
No Score Yet The Mason Brothers (2017) A talky, drawn-out crime thriller that's big on posturing but comes up empty in the delivery of convincing dramatic goods.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
100% Mission Control: The Unsung Heroes of Apollo (2016) A well-crafted, revealing British documentary reuniting the surviving team members entrusted with safely taking astronauts to the moon and back.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
74% All These Sleepless Nights (2017) An evocative snapshot of contemporary Polish twentysomethings that packs a universal poignancy.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
31% The Assignment (2017) There's howlingly awful and then there's "The Assignment," a thoroughly ridiculous, numbingly slow neo-noir thriller about a low-life hit man forcibly given gender reassignment surgery by a vengeful doctor.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
64% For Here Or To Go? (2017) In attempting to address its many concerns, the film's agreeable, lightly satirical tone gives way to increasingly didactic dialogue and a stalling pace.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
No Score Yet The Prison (2017) A criminally underplotted South Korean caper that's as disappointingly generic as its title.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
No Score Yet Through the Repellent Fence: A Land Art Film (2017) A visually rewarding account that will make a good fit for art museum and educational video libraries.‐ Hollywood Reporter
Read More | Posted Mar 27, 2017
No Score Yet Residenté (2017) A diverse, highly personal musical odyssey which, while undeniably inspired, occasionally is structurally thrown off course by its inherent wanderlust.‐ Hollywood Reporter
Read More | Posted Mar 27, 2017
70% American Anarchist (2017) "American Anarchist" delivers a fascinating cautionary tale that asks, "How many mea culpas are we expected to make for our reckless youth?"‐ Los Angeles Times
Read More | Posted Mar 23, 2017
No Score Yet This Is Your Death (2017) Early promise quickly evaporates once the film sheds its smirk and turns increasingly sanctimonious.‐ Hollywood Reporter
Read More | Posted Mar 21, 2017
100% Bill Nye: Science Guy (2017) Co-directors David Alvarado and Jason Sussberg ... effectively chart their affable subject's trek from mechanical engineer to renowned Science Guy to passionate defender of the planet.‐ Hollywood Reporter
Read More | Posted Mar 17, 2017
No Score Yet Hot Summer Nights (2017) Visually atmospheric but tonally all over the place, Hot Summer Nights, a first feature by Elijah Bynum, has much to appreciate but ultimately possesses the sampler-platter vibe of a director's demo reel.‐ Hollywood Reporter
Read More | Posted Mar 15, 2017
43% The Most Hated Woman In America (2017) Thanks to a tasty take-no-prisoners lead performance by Melissa Leo, it can ... be a lot of fun, even if the Netflix original film's dramatic dividends prove less satisfying.‐ Hollywood Reporter
Read More | Posted Mar 15, 2017