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Alejandra Martinez

Alejandra Martinez's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Night Stage (2025) EDIT “Examines and shirks machismo and respectability, inviting us to revel in the chaos.” – LatinaMedia.Co Nov 11, 2025 Full Review 28 Years Later (2025) 88% 3/5 EDIT “As the start of a new trilogy for the franchise, it’s a promising entry that signals a different approach to a well-worn subgenre.” – Austin Chronicle Jun 18, 2025 Full Review Descendent (2025) 88% EDIT “Descendent uses its strong cast and delicate filmmaking to make a compelling alien abduction movie that is grounded in the very human struggles men face as they become fathers.” – Austin Chronicle Mar 14, 2025 Full Review Assembly (2025) EDIT “Newsome, as a main character, is compelling – an artist pouring the deepest parts of himself into his work and who genuinely believes in the power of it to elicit healing and change.” – Austin Chronicle Mar 13, 2025 Full Review Sweetness (2025) 95% EDIT “One of the components that makes Sweetness such a compelling watch is the performance of its lead actor. Hallett as Rylee showcases an extreme but vital range of emotion.” – Austin Chronicle Mar 8, 2025 Full Review The Dating Game (2025) 70% C EDIT “The Dating Game attempts to provide a nuanced look at dating through a specific cultural perspective, but ultimately bites off more than it can chew.” – AwardsWatch Feb 1, 2025 Full Review Predators (2025) 97% A EDIT “Predators doesn’t have any concrete answers either, but it is starting a vital conversation that most true crime-centric stories wouldn’t even dare tread.” – AwardsWatch Feb 1, 2025 Full Review Atropia (2025) 41% B EDIT “Turner and Shawkat’s chemistry is...strange, and disarmingly sweet the way they interact with each other, first with mistrust and then undeniable attraction and intimacy, is compelling. ” – AwardsWatch Jan 30, 2025 Full Review The Seed of the Sacred Fig (2024) 97% EDIT “ It's worth watching just to be a witness to the transgressive and courageous possibilities of the medium.” – Austin Chronicle Oct 30, 2024 Full Review Elton John: Never Too Late (2024) 76% B EDIT “From its openness about John’s struggles in childhood and adulthood to its chronicling of his massive farewell tour, the film feels like a fitting goodbye to a one-of-a-kind artist.” – AwardsWatch Sep 16, 2024 Full Review On Becoming a Guinea Fowl (2024) 100% A EDIT “With its fearless filmmaking and deft handling of its subject material, On Becoming a Guinea Fowl is a poignant and unsettling portrait of what happens when a family has to face its trauma.” – AwardsWatch Sep 16, 2024 Full Review The Life of Chuck (2024) 80% B EDIT “When The Life of Chuck captures that rare spark, it really resonates with all the multitudes within us.” – AwardsWatch Sep 12, 2024 Full Review The Substance (2024) 89% A EDIT “If you’re looking for a subtle meditation on aging and beauty, you’re in the wrong place, but this is a feature, not a bug of the film.” – AwardsWatch Sep 9, 2024 Full Review Dahomey (2024) 97% A EDIT “Amongst the larger-than-life narration and the multifaceted conversations within the community, Diop also makes sure to capture the quiet and intimate moments.” – AwardsWatch Sep 9, 2024 Full Review The Last Showgirl (2024) 83% A EDIT “Pamela Anderson lends a real humanity and glowing optimism to Shelley.” – AwardsWatch Sep 9, 2024 Full Review The Idea of You (2024) 80% EDIT “Galitzine and Hathaway anchor the film and their chemistry is palpable, making every touch feel electric.” – TheWrap Aug 8, 2024 Full Review I Saw the TV Glow (2024) 85% 3.5/5 EDIT “It’s a powerful depiction of what media can do for us, especially as young people. ” – Austin Chronicle May 9, 2024 Full Review Immaculate (2024) 72% 3/5 EDIT “It’s deranged, but also at times curiously defanged. At least it’s still a fun, bloody watch, even if it frustrates along the way.” – Austin Chronicle Mar 13, 2024 Full Review Love Lies Bleeding (2024) 94% 4.5/5 EDIT “The all-out Love Lies Bleeding is a love story that won’t work for everyone. However, for those who can revel in the blood-soaked, complicated, sapphic delights that make up the backbone of the film, the saga of Lou and Jackie will be one for the ages. ” – Austin Chronicle Mar 13, 2024 Full Review Kryptic (2024) 67% EDIT “The movie lays out a lot of interesting ideas about autonomy, self-discovery, and sexuality but it leaves them all at a surface level.” – Austin Chronicle Mar 12, 2024 Full Review The In Between (2024) EDIT “Filmmaker Robie Flores takes... small, precious moments and creates something mesmerizing in The In Between.” – Austin Chronicle Mar 11, 2024 Full Review Look Into My Eyes (2024) 91% EDIT “Wilson doesn’t solve the mysteries of the universe, but she does do something remarkable: unveiling the very human desires and drives that motivate us to reach out for something bigger than ourselves.” – TheWrap Feb 27, 2024 Full Review Love Me (2024) 46% EDIT “It’s a sweeping, sweet and unique romance that works across different mediums to deliver something thoughtful that isn’t afraid to wear its heart on its sleeve.” – TheWrap Jan 19, 2024 Full Review Freaky Tales (2024) 75% EDIT “Underdog stories are beloved for a reason. And “Freaky Tales,” the latest movie from directors Anna Boden and Ryan Fleck, gives us a host of underdogs to root for, along with a bloody, fun, very ‘80s time on the weirder side of Oakland, California.” – TheWrap Jan 19, 2024 Full Review The Book of Clarence (2023) 65% 3/5 EDIT “Buoyed by... creative bursts of fresh air and great performances from its ensemble cast, The Book of Clarence has a lot to offer but is weighed down by its tonal irregularities.” – Austin Chronicle Jan 11, 2024 Full Review
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