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Ana Laura Pérez Flores

Tomatometer-approved critic

Reviews

Movies TV Shows
Women Talking (2022) 90% 2/5 EDIT “Although what is explored has been elaborated in a much deeper and more detailed way on countless platforms, the film seems to offer us a synthesis to be easily consumed that does not contribute much to a constant discussion” – Butaca Ancha Mar 16, 2023 Full Review Promising Young Woman (2020) 90% EDIT “Promising Young Woman tactfully takes its photogenic nature and doesn't relent as it claims women have the right to be very angry and to tear it all down. [Full Review in Spanish]” – Butaca Ancha Feb 18, 2020 Full Review Underwater (2020) 48% 3/5 EDIT “Underwater wants nothing more than excite us, entertain us and cause us fear. It achieves it. [Full review in Spanish]” – Cine Premiere Jan 30, 2020 Full Review The Third Wife (2018) 88% 5/5 EDIT “Far from succumbing to the melodrama trap, director Ash Mayfair adopts a position that respects her protagonist's concerns. [Full review in spanish]” – Cine Premiere Jan 29, 2020 Full Review Father (2016) 4/5 EDIT “Padre is not a story that needs to be understood but experienced. [Full Review in Spanish]” – Cine Premiere Dec 27, 2019 Full Review EDIT “The Dove and the Wolf is a story of love as a fallible strategy of resistance in the midst of a context of terror and Carlos Lenin finds a way to make the uneasiness poetic. [Full Review in Spanish]” – Butaca Ancha Nov 19, 2019 Full Review She Was Dania (Dania) (2016) 4/5 EDIT “By turning this fictionalization of a real case into a transgressive..., Ludlow questions her own role as a filmmaker and photographer while demonstrating a clear sense of commitment to the audience. [Full review in Spanish]” – Cine Premiere Nov 6, 2019 Full Review The Chambermaid (2018) 99% EDIT “This is where lies the great success of The Chamberlain: in its ability to hold its gaze on what is orchestrated to escape sight. [Full Review in Spanish]” – Butaca Ancha Apr 12, 2019 Full Review The Farewell (2019) 97% EDIT “Lulu Wang's film sympathetic film goes far beyond showing the cultural clash between the family. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review We Are Little Zombies (2019) 93% EDIT “Nagahisa jumps over formal narrative conventions to bring us a challenging and weirdly moving film. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review The Last Black Man in San Francisco (2019) 93% EDIT “The claim for the right to a territory is addressed in this microuniverse giving it a concrete face and thus turning it into an intimate, personal, and extremely endearing fight. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review The Wolf Hour (2019) 44% EDIT “Banks Griffin constructs an ambience of interior terror that finds its strength in its subtlety. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review The Souvenir (2019) 90% EDIT “A well-crafted story about love's ambivalence. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review Divine Love (2019) 85% EDIT “The futuristic film dissects dissects the desire and interference that religion, society and bureaucracy have in the female body. [Full Review in Spanish]” – Butaca Ancha Feb 6, 2019 Full Review
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