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Clara Cuccaro

Clara Cuccaro's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Cover-Up (2025) 98% EDIT “Cover-Up succeeds as a portrait of a journalist shaped by a recently bygone era... [and] reminds viewers of what investigative journalism once demanded, and why those demands still matter.” – In Review Online Jan 9, 2026 Full Review Landmarks (2025) 93% EDIT “Martel, who archived every family photo and interview with permission, is effectively creating a new record with Landmarks that will hopefully counter the historical rhetoric that haunts Indigenous communities across Argentina to this day.” – In Review Online Oct 2, 2025 Full Review 100 Sunset (2025) EDIT “A promising debut from a filmmaker with a distinctly minimalist yet confident vision.” – In Review Online Sep 24, 2025 Full Review Bad Apples (2025) 83% EDIT “Drifts along as an amusing but ultimately shallow exercise, offering shock and discomfort without insight, leaving little to linger after the credits roll.” – In Review Online Sep 24, 2025 Full Review A Private Life (2025) 81% EDIT “Eventually... Zlotowski’s film too comfortably settles into mere murder-mystery tropes... The real victim, it turns out, is the film’s own sense of purpose.” – In Review Online Sep 8, 2025 Full Review Freakier Friday (2025) 73% EDIT “Doesn’t reinvent itself so much as retrace familiar territory... At this point, maybe it’s simply time for Disney to invest in something new. ” – In Review Online Aug 22, 2025 Full Review In the Land of Arto (2025) EDIT “Stepanyan overstuffs her narrative feature with enough themes and geopolitical context to fill a six-part documentary. Her instinct to educate and preserve is admirable, but the result feels didactic and overburdened.” – In Review Online Aug 16, 2025 Full Review The Dells (2024) EDIT “The Dells could stand reasonably well on [its] own as montage, but in this case, [it functions] to complement a more zoomed-out portrait of a Wisconsin vacation town that is undeniably beautiful but complicated, rich in both misery and delight.” – In Review Online Jul 14, 2025 Full Review Wicked (2024) 88% EDIT “While Erivo and Grande pull their weight as performers, both vocally and otherwise, Chu fails to match their energy.” – In Review Online Dec 9, 2024 Full Review The Taste of Mango (2023) 100% EDIT “The Taste of Mango is most notable for making a compelling argument for nonfiction cinema as therapy.” – In Review Online Dec 4, 2024 Full Review Harvest (2024) 74% EDIT “Tsangari [builds] a pervasive sense of anxiety into the film, one heightened by a cacophony of non-diegetic music hammered into the narrative and Sean Price Williams’ cinematography, which ladles increasing distress onto the mounting unease.” – In Review Online Oct 7, 2024 Full Review The Outrun (2024) 82% EDIT “None of this would have worked with Ronan lending the film its luster. Her transformation into Rona is entire, digging into the best and worst of her, delivering the kind of ego-free performance that obscures the actor's stardom.” – In Review Online Oct 4, 2024 Full Review The Mother of All Lies (2023) 100% EDIT “El Moudir recreates several versions of the past in an effort to understand both her family and country's history that have been lost due to fear and negligence, prompting us to question: how do we remember the past without proper proof or documentation?” – In Review Online Sep 12, 2024 Full Review Rule of Two Walls (2023) 100% EDIT “In a Rule of Two Walls, people come first and the war comes second. ” – In Review Online Sep 7, 2024 Full Review It Ends With Us (2024) 55% EDIT “The plot... along with the co-mingled romantic comedy tropes, [date] and [cheapen] the film drastically, despite the care it brings to its more sensitive elements. ” – In Review Online Sep 7, 2024 Full Review
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