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Evan Rodriguez

Evan Rodriguez's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Lucky (2017) 97% EDIT “With nods to some of Stanton's earlier roles such as Bud in Repo Man and Asa Hawkes in Wise Blood, Lucky holds a tortoise's pace but is layered with myriad avenues of thought and exploration.” – Austin American-Statesman Mar 30, 2017 Full Review Hot Summer Nights (2017) 46% EDIT “Hot Summer Nights is a sneaky slice of dark Americana, a gorgeously shot, hard truth coming-of-age tale rendered through a lens of innocence and grandeur, a sexy 20th century fairy tale.” – Austin American-Statesman Mar 15, 2017 Full Review The Ceremony (2014) EDIT “Make no mistake. This film is not solely about sex, at least not the physical act, it is supra-sexual, more about pushing sensual boundaries.” – Austin American-Statesman Dec 27, 2016 Full Review Kill Me Please (2015) 65% EDIT “Kill Me Please is gorgeous. It's a slow-burn teenage slasher flick, where most of the action takes place off-screen, creating an electric tension throughout.” – Austin American-Statesman Mar 23, 2016 Full Review The Space in Between: Marina Abramovic and Brazil (2016) EDIT “There is no doubt that Abramovic is bold as she puts her physical and mental self on raw display through some intense situations. The cinematography in itself is beautifully psychedelic and offers some transcendence in its own right.” – Austin American-Statesman Mar 23, 2016 Full Review Bodkin Ras (2016) EDIT “The structure and tone of Bodkin Ras makes for a unique experience, refreshingly leaving us with more questions than answers. It has elements of Albert Camus' The Stranger and is scored beautifully by Mohsen Namjoo” – Austin American-Statesman Mar 22, 2016 Full Review Honky Tonk Heaven: Legend of the Broken Spoke (2016) EDIT “It's a must-see for fans of country music and Austin lore.” – Austin American-Statesman Mar 15, 2016 Full Review The Greasy Strangler (2016) 62% EDIT “The film is hilarious at times, revolting at others, a slasher rom-com turned on its head, set to an awesome original electronic score. At the very least Michaels' and Elobar's on-screen dynamic is worth the hour and a half.” – Austin American-Statesman Mar 15, 2016 Full Review Sing Street (2016) 95% EDIT “Sing Street is a feel-good New Wave/pop coming-of-age love story.” – Austin American-Statesman Mar 15, 2016 Full Review In a Valley of Violence (2016) 78% EDIT “In a Valley of Violence is just downright entertaining, with all the tropes of a Sergio Leone-esque gunslinger flick without being gratuitously explicit in the formulaic recreation of probably the most enduring of all the American genre.” – Austin American-Statesman Mar 15, 2016 Full Review Hardcore Henry (2015) 51% EDIT “The film is not all smash-em-up testosterone, adrenaline and bloodshed. Its viscera is comic-like camp.” – Austin American-Statesman Mar 15, 2016 Full Review The Automatic Hate (2015) 73% EDIT “You might not be able to fully commit to a side through this one, but it undoubtedly will force you to think.” – Austin American-Statesman Feb 8, 2016 Full Review Peace Officer (2015) 100% B+ EDIT “Scott Christopherson's and Brad Barber's first full-length documentary Peace Officer has the potential to be one of the most pertinent films of the year.” – Austin American-Statesman Sep 15, 2015 Full Review The Ecstasy of Wilko Johnson (2015) 100% EDIT “For fans of a type of extended visual spirituality threaded with a philosophy of mild nihilism and hope, it is recommended.” – Austin American-Statesman Jul 30, 2015 Full Review The Little Death (2014) 61% EDIT “The film is truly much more than it reads on its surface, a far cry from the tired and formulaic rom-coms moviegoers have come to expect from Hollywood.” – Austin American-Statesman Mar 27, 2015 Full Review Mavis! (2015) 97% EDIT “Mavis! is important documentation of the American musical tradition, witness to the civil rights movement and a testament to the overall power of family, revealing the fortitude of an artist who must be heard.” – Austin American-Statesman Mar 20, 2015 Full Review
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