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Filipe Freitas

Tomatometer-approved critic

Reviews

Movies TV Shows
La Grazia (2025) 81% 4.5/5 EDIT “Never adverse to political themes, Sorrentino makes a triumphant return with a reflective, ironic, and witty political comedy brimming with value and spirit. ” – Always Good Movies Mar 3, 2026 Full Review Olmo (2025) 3/5 EDIT “I probably couldn't connect with the story and its characters in the way that Eimbcke would have liked but It's that kind of movie where life just happens, with hope and love surfacing in expected corners.” – Always Good Movies Mar 3, 2026 Full Review Blue Sun Palace (2024) 100% 3.5/5 EDIT “On the strength of this observant and affecting work, Tsang’s future projects merit close attention.” – Always Good Movies Mar 3, 2026 Full Review Sound of Falling (2025) 94% 4/5 EDIT “Sound of Falling is a rare, darkly beautiful movie experience and a powerful reflection on childhood, femininity, the body, and memory.” – Always Good Movies Mar 3, 2026 Full Review The Baltimorons (2025) 93% 2.5/5 EDIT “Highly uneven and oddly weighted, this love letter to Baltimore arrives with diminishing returns.” – Always Good Movies Mar 3, 2026 Full Review I Swear (2025) 100% 3/5 EDIT “Aramayo immerses himself so completely in the role that his performance feels refreshingly unforced.” – Always Good Movies Mar 3, 2026 Full Review Rebuilding (2025) 93% 3.5/5 EDIT “Capturing more than just lavish backdrops and romantic sentimentality, Rebuilding is a tolerant, poetic, and realistic work that earns its place in contemporary American cinema.” – Always Good Movies Mar 3, 2026 Full Review Pillion (2025) 99% 3.5/5 EDIT “Lighton’s approach replaces sentimentality with mordancy, while razor-sharp wit appears in measured, well-timed doses.” – Always Good Movies Feb 17, 2026 Full Review The Voice of Hind Rajab (2025) 95% 3.5/5 EDIT “Ben Hania confronts us with the tragedy of war and our powerlessness in the face of such inhuman brutality.” – Always Good Movies Feb 17, 2026 Full Review The Secret Agent (2025) 98% 4/5 EDIT “With Filho’s razor-sharp direction and actors fully inhabiting their roles, the film illustrates how absolute power and systemic corruption can corrode an entire country through lies, greed, and violence.” – Always Good Movies Feb 17, 2026 Full Review Marty Supreme (2025) 93% 4/5 EDIT “Safdie pushes the pace hard, and the actors keep up. At times, less might have been more, as the relentless intensity can become tiring, but Marty Supreme still delivers a compelling character study rich in unexpected twists, humor, and narrative momentum” – Always Good Movies Feb 17, 2026 Full Review Peter Hujar's Day (2025) 91% 3/5 EDIT “Ultimately, it is Whishaw and Hall who hold everything together, giving the dialogue its weight, rhythm, and emotional grounding.” – Always Good Movies Feb 17, 2026 Full Review Roofman (2025) 87% 3/5 EDIT “Even as the narrative settles into a familiar rhythm, Cianfrance’s approach retains a certain artfulness. He and Tatum deliver an acceptable, if not especially original, piece of work.” – Always Good Movies Feb 4, 2026 Full Review Urchin (2025) 96% 3.5/5 EDIT “Merciless and unsettling, it is a tightly focused indie drama perfectly scaled to the towering performance at its center. ” – Always Good Movies Feb 4, 2026 Full Review Ballad of a Small Player (2025) 49% 3/5 EDIT “The film never quite coheres as a whole, and its twists are unlikely to astonish, but Farrell remains a constant source of fascination.” – Always Good Movies Feb 4, 2026 Full Review Dreams (2024) 90% 3/5 EDIT “A tender meditation on first love, fantasy, and the gradual process of growing up and moving on.” – Always Good Movies Feb 4, 2026 Full Review The Mysterious Gaze of the Flamingo (2025) 95% 2.5/5 EDIT “An anemic blend of turbulent coming-of-age drama, social critique, and revenge tale.” – Always Good Movies Jan 27, 2026 Full Review If I Had Legs I'd Kick You (2025) 92% 4.5/5 EDIT “Viewers drawn to pungent, psychologically offbeat dramas will find much to savor in this fluid, slightly bruised, irresistibly skewed, and deliciously nightmarish experience.” – Always Good Movies Jan 27, 2026 Full Review Nuremberg (2025) 71% 2/5 EDIT “At times artificial, at others overtly sentimental, this historical-by-numbers drama never quite finds the path to grandeur or resonance.” – Always Good Movies Jan 27, 2026 Full Review The Mastermind (2025) 90% 4/5 EDIT “Simmering without boiling, The Mastermind peels off the surfaces of old-school heist genre, smartly avoiding commonplace, complacency, and demagogy to achieve something truly moody and dusky.” – Always Good Movies Jan 27, 2026 Full Review Sentimental Value (2025) 96% 4/5 EDIT “This is family drama at its most quietly devastating, sustaining a strong dramatic integrity as its characters grapple with unresolved pain and buried resentment.” – Always Good Movies Jan 27, 2026 Full Review Jay Kelly (2025) 75% 2/5 EDIT “Jay Kelly is built around a series of glittering but hollow exchanges between characters who always look and act like characters.” – Always Good Movies Jan 13, 2026 Full Review Springsteen: Deliver Me from Nowhere (2025) 61% 1.5/5 EDIT “Despite the suitably retro-flavored cinematography by Cooper’s regular collaborator Masanobu Takayanagi, Springsteen: Deliver Me from Nowhere remains dramatically inert.” – Always Good Movies Jan 13, 2026 Full Review The Running Man (2025) 62% 2.5/5 EDIT “The film struggles to find a stable rhythm, repeatedly tripping over its own noisy boom-crash-bang theatrics and a shaky script.” – Always Good Movies Jan 13, 2026 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% 2/5 EDIT “Wake Up Dead Man ultimately takes the shape of a hollow parody—a loud, overcooked puzzle that favors spectacle over substance. ” – Always Good Movies Jan 13, 2026 Full Review
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