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Gregory Nussen

Gregory Nussen's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Pompei: Below the Clouds (2025) 96% 9/10 EDIT “The poetry of Rosi's images hits with a church bell's vibrations.” – Screen Rant Mar 6, 2026 Full Review Youngblood (2025) 71% 7/10 EDIT “Sure, the film still skates along the familiar grooves of an underdog story, but the context of the film's production within a culture of exclusion elevates the material above its clichés.” – Screen Rant Mar 4, 2026 Full Review THE BRIDE! (2026) 60% 8/10 EDIT “Gyllenhaal's second feature is an explosive representation of social disruption. A screaming cry, The Bride! utilizes its influences to belt a clarion call against hedonism, police complicity, violence against women, and the patriarchal system that binds.” – Screen Rant Mar 4, 2026 Full Review Hoppers (2026) 94% 7/10 EDIT “Daniel Chong's film isn't perfect, but it reaches such a strange fever pitch of hilarity and political prescience that it demands respect.” – Screen Rant Mar 2, 2026 Full Review A Body to Live In (2025) 8/10 EDIT “Yet, despite the intense acts depicted on the screen, A Body to Live In is a surprisingly smooth watch thanks to its careful attention to the intentionality of a trailblazer.” – Screen Rant Feb 27, 2026 Full Review Paul McCartney: Man on the Run (2025) 100% 8/10 EDIT “It's a beautiful film that entertains in as much measure as it deconstructs an often untouchable icon, making him seem more human, and thus, more impressive.” – Screen Rant Feb 26, 2026 Full Review The Napa Boys (2025) 58% 7/10 EDIT “If this all sounds rather asinine, it's because it is, but very much by intelligent design. But most of the hard plot points are merely springboards for Corirossi, Weitzman and their impeccable cast to wander in persistently surprising ways.” – Screen Rant Feb 26, 2026 Full Review Scream 7 (2026) 31% 3/10 EDIT “Scream 7 injects nostalgia and self-referentiality like a weak drug, a stash of weed purchased so long ago it has gone so stale it crumbles to the touch. ” – Screen Rant Feb 26, 2026 Full Review Micro Budget (2024) 8/10 EDIT “Micro Budget is packed with superstar improvisers, immortalizing the no-budget film set life through the eyes and ears of a team of the stupidest possible people. It's a deliriously perfect, laugh-a-second satire. ” – Screen Rant Feb 25, 2026 Full Review Undercard (2025) 47% 3/10 EDIT “The film's first half hits its beats fine, if without uniqueness, but the back half is packed to the gills with every requisite trope one can think of for an underdog sports film.” – Screen Rant Feb 25, 2026 Full Review Ghost Elephants (2025) 100% 7/10 EDIT “Ghost Elephants is an almost diaristic documentary, eschewing normal pathways for a more esoteric exploration of survival, science, intuition and mortality.” – Screen Rant Feb 24, 2026 Full Review Dreams (2025) 53% 4/10 EDIT “Dreams deconstructs the parasitic relationship between the 1% and undocumented immigrants with club-footed grace.” – Screen Rant Feb 24, 2026 Full Review The Bluff (2026) 62% 7/10 EDIT “The script, by Flowers and Joe Ballarini, is mostly bare-bones, with an appreciable efficiency, quickly becoming a ninety-minute showcase for extremely tense, bloody fight choreography.” – Screen Rant Feb 23, 2026 Full Review Psycho Killer (2026) 11% 1/10 EDIT “Psycho Killer is filled with stilted and cartoonish performances, and, for all of its genuflecting towards satanic panic and its own seediness, it is an extremely dry and normal affair.” – Screen Rant Feb 19, 2026 Full Review Midwinter Break (2026) 56% 5/10 EDIT “To put it simply: it's just not very stimulating to watch two people who have a hard time talking... have a hard time talking.” – Screen Rant Feb 18, 2026 Full Review How to Make a Killing (2026) 47% 4/10 EDIT “A surprisingly bland film that somehow manages to dampen even Glen Powell's usual brand of effortless charm, How to Make a Killing is sketched together with thin characterizations, limp commentary and a sluggish pace.” – Screen Rant Feb 18, 2026 Full Review Redux Redux (2025) 97% 8/10 EDIT “Sometimes the central metaphors of the film are so cleanly didactic they risk becoming preachy, but, more often than not, the film tilts in such inventive ways that recognition only breeds appreciation.” – Screen Rant Feb 16, 2026 Full Review Hellfire (2026) 4/10 EDIT “Richard Lowry's script is bare bones, but mostly in a way that allows space for the main attraction, which is Lang, sweaty, bloodied and broken, to mow down scores of bad dudes. It's not complicated.” – Screen Rant Feb 14, 2026 Full Review Kokuho (2025) 93% 7/10 EDIT “When it focuses on their artistry and their individual relationships to it, the piece sings. That's in large part thanks to two extraordinary performances from Yoshizawa and Yokohama, who bring a largess to their respective characters' inner lives.” – Screen Rant Feb 12, 2026 Full Review Dracula (2025) 53% 4/10 EDIT “...but it never leans far enough into that area to even register as purposefully funny. Most damning, however, is that the film looks just terrible. Garishly colored and overly lit, it can feel like we are a vampire who is suddenly subjected to sunlight.” – Screen Rant Feb 12, 2026 Full Review The Strangers: Chapter 3 (2026) 18% 3/10 EDIT “The finale of this tired franchise only finds a moment of intrigue in the dying gasp of its final seconds, if only because Harlin’s choices are so bonkers it’ll make you momentarily wake up to laugh incredulously.” – Screen Rant Feb 12, 2026 Full Review Misdirection (2025) 6/10 EDIT “Because everyone is lying to some degree, motives are suspect throughout, which provides for an effective, if simple, formula for persistent tension. Generic from top to bottom isn't always a bad thing, and Misdirection goes down easy.” – Screen Rant Feb 12, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% 4/10 EDIT “The film has a fun time satirizing a world that is so broken and seems to be rushing headlong into techno-authoritarianism, but its not precise enough to hit its target effectively. And, in its place is an endless slog of cutesy, saccharine humor. ” – Screen Rant Feb 12, 2026 Full Review GOAT (2026) 83% 7/10 EDIT “It makes the progressive implication that if ball is ball, then all belong, and that our courts and fields and rings should not be discriminatory. That's an especially needed message when queer, trans and non-white athletes are being villainized.” – Screen Rant Feb 12, 2026 Full Review My Father's Shadow (2025) 97% 8/10 EDIT “A deceptively complex film which marries the tentative hopes and fears of a country on the brink of a new age with the dynamic of a family caught in the web of financial scarcity, My Father's Shadow captures a rare feeling of heartache, and of love.” – Screen Rant Feb 12, 2026 Full Review
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