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Iana Murray

Iana Murray's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Eternity (2025) 77% 4/5 EDIT “It may be a tad predictable, but Eternity skirts the trappings of its romcom tropes by elevating the love triangle to a riveting existential quandary.” – Empire Magazine Dec 8, 2025 Full Review Die My Love (2025) 74% 4/5 EDIT “Lynne Ramsay’s raw and animalistic character study proves to be the perfect vehicle for Jennifer Lawrence. She’s never been better as a woman on the verge of a nervous breakdown.” – Empire Magazine Nov 7, 2025 Full Review Urchin (2025) 96% 4/5 EDIT “In tackling homelessness with deep empathy, one of our most exciting young actors proves himself to be a bold new voice in British filmmaking. Leave some talent for the rest of us, Dickinson.” – Empire Magazine Oct 3, 2025 Full Review A Big Bold Beautiful Journey (2025) 36% 4/5 EDIT “Operating on a grander scale, Kogonada still retains his singular, warm sensibility – and if you can succumb to the film’s heart-on-its-sleeve sentimentality, it’s a journey worth taking. ” – Little White Lies Sep 24, 2025 Full Review The Voice of Hind Rajab (2025) 95% EDIT “The most vital film of the decade.” – GQ Magazine [UK] Sep 9, 2025 Full Review 100 Nights of Hero (2025) 68% 4/5 EDIT “This feminist fairy tale features some of the richest world building you’ll see on such a small scale as Jackman crafts a fantasy world divorced from space and time.” – The Skinny Sep 8, 2025 Full Review The Smashing Machine (2025) 70% 2/5 EDIT “In many ways, Dwayne Johnson is the only person who could’ve embodied this role, but the subtext of casting the most famous wrestler-turned-actor is more interesting than the performance itself.” – The Skinny Sep 2, 2025 Full Review After the Hunt (2025) 37% 3/5 EDIT “Julia Roberts is superb in one of her best roles in years, masking vulnerability behind an intimidating wall that renders her unreadable, apt for a film concerned with the corrosive power of secrets and the stories we tell about ourselves.” – The Skinny Sep 1, 2025 Full Review Friendship (2024) 88% 4/5 EDIT “This zany debut dials up the cringe comedy to its most excruciating extremes — and it’s a riot. Andrew DeYoung and Tim Robinson are a match made in heaven.” – Empire Magazine Jul 16, 2025 Full Review The Mastermind (2025) 90% B+ EDIT “So yes, “The Mastermind” is not about [any grand genius], and this isn’t a heist film, but a clever, dreary, quiet deconstruction of one.” – The Playlist May 28, 2025 Full Review The Love That Remains (2025) 95% B EDIT “There’s a noble search for meaning in the grass, sea and mountains, but it couldn’t hurt to have characters vocalize their feelings even just once. There is a story here, though Pálmason only really alludes to it. ” – The Playlist May 19, 2025 Full Review The Phoenician Scheme (2025) 77% 4/5 EDIT “It’s impossible to even entertain the idea that all Wes Anderson films are the same when The Phoenician Scheme proves that the director is at his most fun when he bends his rules. ” – Empire Magazine May 18, 2025 Full Review Renoir (2025) 87% EDIT “It’s a strange and oftentimes brutal portrait of a singularly curious child, left to wrestle with grief in her imagination when real life can’t provide the answers.” – Little White Lies May 18, 2025 Full Review Drop (2025) 83% 4/5 EDIT “Landon and writers Jillian Jacobs and Chris Roach explore every wild extreme of the film’s digital hell, but it’s Fahy that finds the humanity of it all.” – Empire Magazine Apr 10, 2025 Full Review Holland (2025) 21% 2/5 EDIT “Nicole Kidman has perfected the art of the wronged housewife, but that’s not enough to elevate the shallow nightmare of Holland. This derivative thriller is in need of some Dutch courage.” – Empire Magazine Mar 31, 2025 Full Review The End (2024) 56% 3/5 EDIT “Oppenheimer’s uncompromising, apocalyptic odyssey thoughtfully unpacks the stories people tell themselves to survive — but don’t expect to be tapping your feet to its collection of lacklustre songs.” – Empire Magazine Mar 25, 2025 Full Review Presence (2024) 88% 4/5 EDIT “Steven Soderbergh’s first-person experiment is a gamble that pays off massively. This is an eerie family drama that turns the horror genre inside out and infuses it with greater empathy.” – Empire Magazine Jan 22, 2025 Full Review Super/Man: The Christopher Reeve Story (2024) 98% 4/5 EDIT “As far as documentaries go, this doesn’t reinvent the wheel, but its emotional account of Reeve’s life is a fitting tribute to a true superhuman.” – Empire Magazine Nov 6, 2024 Full Review The Summer Book (2024) 83% B EDIT “Close avoids allowing the old-age make-up, dentures and her Finnish accent to do the heavy lifting, and in a film as delicate as this, the actress builds her character in a slow accumulation of quietly crushing details over any emotional bulldozer moments” – AwardsWatch Oct 23, 2024 Full Review Blitz (2024) 81% B- EDIT “London is populated with countless stories, but Blitz feels especially crowded in trying to do justice to them all.” – AwardsWatch Oct 9, 2024 Full Review A Different Man (2024) 93% 4/5 EDIT “Come to this clever satire for Sebastian Stan’s radical transformation, beyond the prosthetics, but stay for Adam Pearson’s remarkable performance as a bona fide matinée idol.” – Empire Magazine Oct 4, 2024 Full Review Starve Acre (2023) 81% 3/5 EDIT “Starve Acre is sometimes overly derivative as a folk-horror — but Daniel Kokotajlo’s second film crafts a sinister Yorkshire, replete with impressively gnarly special effects and a strong performance from Morfydd Clark.” – Empire Magazine Sep 5, 2024 Full Review Fly Me to the Moon (2024) 66% 2/5 EDIT “Berlanti's revisionist comedy offers a fresh take on the Apollo 11 moon landing, but its convoluted conspiracy fails to capitalise on the charms of Johansson and Tatum's workplace romance.” – Empire Magazine Jul 10, 2024 Full Review Godzilla Minus One (2023) 99% EDIT “Despite the film’s charming background and ostensible small size, Minus One is tapping into the same thrills of blockbuster filmmaking with the support of hard-earned pathos.” – GQ Magazine [UK] Jun 6, 2024 Full Review The Apprentice (2024) 82% EDIT “Director Ali Abbasi certainly has guts -- his film is an unflattering portrait with a surprising, well-judged turn from Sebastian Stan at its centre.” – GQ Magazine [UK] May 29, 2024 Full Review
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