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Jeremy Smith

Jeremy Smith's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Lux Æterna (2019) 64% B- EDIT “Knowing how dazzling Noé can be when he’s fully engaged on a full-length movie could’ve left Lux Æterna feeling like a bit of a letdown, but it’s a freaking Yves Saint Laurent advert!” – AV Club May 20, 2022 Full Review The Godfather, Coda: The Death of Michael Corleone (1990) 86% EDIT “What Coppola accomplishes is less a magic act than an elegant threading of a needle.” – Polygon Dec 1, 2020 Full Review Raising Cain (1992) 64% EDIT “It's a diabolical idea taken to deliriously absurd extremes by De Palma.” – Birth.Movies.Death. Oct 8, 2018 Full Review Madeline's Madeline (2018) 88% EDIT “All I can safely assert after one viewing is this: Decker and Howard are formidable talents, and Madeline's Madeline is a must for anyone who cares about the future of this medium.” – Birth.Movies.Death. Jan 29, 2018 Full Review Pass Over (2018) 93% EDIT “Lee's certainly been a part of this dialogue for a long time, and it's thrilling to see him hook into turbulent material from a talented young writer eager to throw some dramatic haymakers of her own.” – Birth.Movies.Death. Jan 29, 2018 Full Review The King (2017) 77% EDIT “Now we get to wrestle with The King, a Rorschach test of a documentary that bombards the viewer with wildly conflicting takes on the meaning of Elvis Presley in American life.” – Birth.Movies.Death. Jan 29, 2018 Full Review Sorry to Bother You (2018) 93% EDIT “Riley may come on like a goofball, but at heart he's a brawler. He's not trying to skillfully outpoint his opponents; he's out there headhunting. He's also a ferociously talented filmmaker.” – Birth.Movies.Death. Jan 26, 2018 Full Review Leave No Trace (2018) 100% EDIT “Granik and her Winter's Bone writing partner Anne Rosselini have once again burrowed into the lives of the truly forgotten people of the United States, only this time they're without a marketable whodunit hook.” – Birth.Movies.Death. Jan 25, 2018 Full Review A Futile and Stupid Gesture (2018) 67% EDIT “A conventionally raucous biopic that knows it's conventional and hopes to get away with said convention by occasionally breaking the fourth wall to goof on its deployment of these hoary tropes.” – Birth.Movies.Death. Jan 25, 2018 Full Review Hal (2018) 90% EDIT “A conventional yet wholly enjoyable journey through the life and filmography of the era's revered maverick.” – Birth.Movies.Death. Jan 24, 2018 Full Review Juliet, Naked (2018) 82% EDIT “I ... walked out grinning, looking forward to the moment when I get to share this beautiful little movie with my friends.” – Birth.Movies.Death. Jan 22, 2018 Full Review Pity (2018) 75% EDIT “Markridis has structured Pity as a slow burn, and this works just fine even though he tips his hand early.” – Birth.Movies.Death. Jan 22, 2018 Full Review Private Life (2018) 94% EDIT “Tamara Jenkins serves up hilariously uncomfortable moments like this throughout Private Life, and she never once pays them off in a conventionally satisfying manner.” – Birth.Movies.Death. Jan 22, 2018 Full Review Eighth Grade (2018) 99% EDIT “Adolescence was always a minefield, but the present-day situation feels like the Normandy Invasion.” – Birth.Movies.Death. Jan 22, 2018 Full Review
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