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Neil Young

Neil Young's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Conclave (2024) 93% EDIT “Conclave is an engrossing ecclesiastical hoot which elegantly compresses a prestige-miniseries’ worth of meaty intrigue and lively incident into two brisk hours.” – Sight & Sound Dec 18, 2025 Full Review Afternoons of Solitude (2024) 88% EDIT “The Spanish auteur’s mesmerising bullfighting documentary shows the beauty and the barbarism of the controversial tradition. ” – Sight & Sound Dec 18, 2025 Full Review Maspalomas (2025) EDIT “Maspalomas is built around an empathetic and involving performance by Soroiz, who is present in every scene. ” – Sight & Sound Sep 30, 2025 Full Review The Falling Star (2023) 30% EDIT “The Falling Star’s belly-laugh hit-rate proves patchy, and the studied air of zaniness occasionally comes across as more infantile than inspired. Scenes reliant on dialogue tend to fall flat.” – Screen International Aug 13, 2024 Full Review Samsara (2023) 100% 5/5 EDIT “A quiet, radical masterwork, surely destined for high rank in many year-end top tens.” – Little White Lies Jan 24, 2024 Full Review The Human Surge 3 (2023) 94% EDIT “A film in which, over two hours, the maverick Argentinian virtuoso quietly blows up and rebuilds the established language of cinema in challenging but ultimately exhilarating ways.” – Screen International Sep 8, 2023 Full Review Europa (2023) EDIT “A solidly-crafted affair that handles topical issues of economic inequality and trans-border exploitation in an intelligent manner.” – Screen International Aug 22, 2023 Full Review What's to Be Done (2023) EDIT “An invaluable microcosm of what happened to so many organisations that prospered in the Yugoslavian days only to messily collapse in the wake of the federation’s downfall, Devic’s exercise in unfussy empathy also has significantly wider implications.” – Screen International Aug 22, 2023 Full Review Medium (2023) EDIT “The casting of the central role is absolutely crucial to the film’s success, and newcomer Beveratou pulls her weight with engaging aplomb...” – Screen International Aug 18, 2023 Full Review Bottlemen (2023) EDIT “A work of hardscrabble humanistic empathy that balances sensitive ethnography with immersive sensorial impact.” – Screen International Aug 18, 2023 Full Review Excursion (2023) EDIT “Excursion is especially strong when it comes to dramatising the social and emotional dynamics between those caught in the tricky middle-ground between girlhood and maturity.” – Screen International Aug 18, 2023 Full Review Guardians of the Formula (2023) EDIT “A conventional but mostly engaging medical procedural set in the France and Yugoslavia of 1958.” – Screen International Aug 17, 2023 Full Review Critical Zone (2023) EDIT “Ahmadzadeh, serving as his own editor, derails his own film with... overlong excess, and never quite manages to get back on track.” – Screen International Aug 15, 2023 Full Review Dreaming & Dying (2023) EDIT “An intellectual exercise in quasi-narrative magical realism — a confection of enticingly glittery surfaces with insufficient real substance.” – Screen International Aug 15, 2023 Full Review Family Portrait (2023) 96% EDIT “Despite touches of affectation that creep into both her directing and screenwriting, Kerr overall displays sufficient confidence, skill and stylistic distinctiveness to mark her down as a name to watch. ” – Screen International Aug 9, 2023 Full Review Sweet Dreams (2023) 100% EDIT “The sour taste of colonialism is pungently evoked in Sweet Dreams, a largely accomplished second feature by Bosnian-Dutch writer-director Ena Sendijarevic. ” – Screen International Aug 8, 2023 Full Review Terrestrial Verses (2023) 96% EDIT “The quotidian mechanics of social repression are crisply evoked in Terrestrial Verses, the first directorial collaboration between rising Iranian talents Alireza Khatami and Ali Asgari.” – Screen International May 23, 2023 Full Review Marguerite's Theorem (2023) 60% EDIT “About half an hour in it’s possible to accurately forecast nearly every significant narrative beat.” – Screen International May 22, 2023 Full Review The Other Laurens (2023) 67% EDIT “While the main narrative is only haltingly engaging, there are plentiful compensations and distractions along the way as the picture ambles at a slow-burn pace towards a heavily signposted violent finale.” – Screen International May 22, 2023 Full Review My Father's Prison (2023) EDIT “Making the most of extensive home-video footage shot across several decades but executed in familiar, sometimes heavy-handed fashion, it’s an example of a documentary-director being too close to their chosen material.” – Screen International May 2, 2023 Full Review The Arc of Oblivion (2023) 100% EDIT “A likeably offbeat and disarmingly self-aware documentary essay on how humans deal with the immutable transience of the universe, Ian Cheney’s globetrotting Arc Of Oblivion should leave a trace in the minds of receptive viewers.” – Screen International Mar 21, 2023 Full Review Munch (2023) EDIT “Unusual in structure if disappointingly conventional in content. ” – Screen International Jan 25, 2023 Full Review Displaced in Heaven (2018) EDIT “Stands out for its raw, propulsive immediacy.” – Screen International Nov 23, 2022 Full Review My Lost Country (2022) EDIT “Tender and empathetic on this personal level, with several particularly effective examples of fluent montage, the film gains extra relevance as a tribute to the stoic humanism of individuals like Mohsen Yasin.” – Screen International Nov 23, 2022 Full Review Journey Through Our World (2022) EDIT “This is an irresistibly warm work of solid humanism.” – Screen International Nov 22, 2022 Full Review
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