Richard Jack Smith
Richard Jack Smith's reviews do not count toward the Tomatometer®. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.
Underwater (2020)
48%
EDIT
“Although 'Underwater' might not hold up as a cult classic, the entertainment value is heightened by bouts of terror, some good performances and impressive set pieces.” –
ReelTalk Movie Reviews
Jan 23, 2021
Full Review
Mank (2020)
83%
EDIT
“A great deal might be made about 'Mank' appearing in black and white. However, what we get resembles an ocean of muddy greys. The format comes across as an affectation or afterthought.” –
ReelTalk Movie Reviews
Dec 5, 2020
Full Review
Cutthroat Island (1995)
40%
EDIT
“There's a Saturday morning pictures nostalgia behind Harlin's adventure: the promise of riches and triumphing over evil, which struck a chord with me.” –
ReelTalk Movie Reviews
Dec 4, 2020
Full Review
Trancers (1984)
89%
EDIT
“An easy film to recommend, 'Trancers' plays very well due to Tim Thomerson's innate comic gifts and the cheesiness of its presentation.” –
ReelTalk Movie Reviews
Nov 26, 2020
Full Review
Blumhouse's Fantasy Island (2020)
9%
EDIT
“Hardly the worst case of pandering to the lowest common denominator, Fantasy Island remains a film without purpose or message... even the simple drive to entertain.” –
ReelTalk Movie Reviews
Oct 16, 2020
Full Review
Toy Soldiers (1991)
41%
EDIT
“Between them, director Daniel Petrie Jr. and composer Robert Folk coordinate enough sequences of high wire tension that 'Toy Soldiers' moves to the top of the class.” –
ReelTalk Movie Reviews
Sep 6, 2020
Full Review
The Call of the Wild (2020)
63%
EDIT
“If 'The Call of the Wild' had remained true to its concept, the entire production would unfold in animation. The filmmakers were halfway there, but it resembles an awkward 'Who Framed Roger Rabbit.'” –
ReelTalk Movie Reviews
Jul 23, 2020
Full Review
Rapa Nui (1994)
EDIT
“'Rapa Nui' takes risks as a love poem. There's a triangle, yet it's an organic branch on the tree of the story.” –
ReelTalk Movie Reviews
Jul 4, 2020
Full Review
Code 8 (2019)
85%
EDIT
“'Code 8' plays relatively well during the first hour, ultimately succumbing to sentimentality and a dodgy denouement.” –
ReelTalk Movie Reviews
May 29, 2020
Full Review
Surviving the Game (1994)
35%
EDIT
“There's a sweeping intimacy to the camera line, a jolt here and a nod there. Not to cinema for Dickerson employs the tongue of the street, the rhyme of the ghetto.” –
ReelTalk Movie Reviews
May 29, 2020
Full Review
The Professor and the Madman (2019)
41%
EDIT
“Synergy among the crafts people allows for an authentic presentation. Consider the lenses and light of Kasper Tuxen's cinematography or the period specific textures wrought by production designer Tom Conroy. It's impressive work!” –
ReelTalk Movie Reviews
May 25, 2020
Full Review
Mortal Kombat Legends: Scorpion's Revenge (2020)
90%
EDIT
“Director Ethan Spaulding has designed this project with fans and newcomers in mind. As such, humour and well-defined characters are prioritised.” –
ReelTalk Movie Reviews
Apr 23, 2020
Full Review
47 Meters Down: Uncaged (2019)
44%
EDIT
“Four friends don scuba gear to check out some cool Mayan catacombs. Both their air supplies and viewer patience run low as the screams begin.” –
ReelTalk Movie Reviews
Apr 4, 2020
Full Review
Uncut Gems (2019)
91%
EDIT
“'Uncut Gems' has a persistent tendency to get on the nerves. Frankly, there's little room for visual storytelling.” –
ReelTalk Movie Reviews
Mar 11, 2020
Full Review
Sonic the Hedgehog (2020)
64%
EDIT
“Although probably not the worst film to enter and exit 2020 with nary a whimper, 'Sonic the Hedgehog' might only work for those around six years old.” –
ReelTalk Movie Reviews
Feb 16, 2020
Full Review
Knives Out (2019)
97%
EDIT
“If I can guess the big mystery before the curtains close, it's usually game over.” –
ReelTalk Movie Reviews
Feb 15, 2020
Full Review
The Irishman (2019)
95%
EDIT
“'The Irishman' appears thin on the ground. People talk, get into assorted nefarious activities and yet very little could be construed as real drama. The only epic thing here would be the length.” –
ReelTalk Movie Reviews
Jan 14, 2020
Full Review
Last Christmas (2019)
47%
EDIT
“Paul Feig's 'Last Christmas' left me feeling a little despondent. If there's anything good to be felt here that happens only when the film lumbers towards its excoriating conclusion.” –
ReelTalk Movie Reviews
Dec 1, 2019
Full Review
Mean Guns (1997)
EDIT
“' Mean Guns ' falls apart because it takes way too long. Hoping for an epic, Pyun should have aimed for that sweet 75 minute happy spot.” –
ReelTalk Movie Reviews
Nov 23, 2019
Full Review
BeastMaster 2: Through the Portal of Time (1991)
EDIT
“This film proves so self-aware that the hero passes a cinema advertising the very film he's in. Few spoofs can carry the sight gag to such an absurd level of perfection.” –
ReelTalk Movie Reviews
Nov 19, 2019
Full Review
Anna (2019)
34%
EDIT
“In this pretzel shaped thriller, leading actress Sasha Luss guarantees distinction not only in stylistic presentation but emotional growth .” –
ReelTalk Movie Reviews
Nov 6, 2019
Full Review
Gemini Man (2019)
27%
EDIT
“The idea of Will Smith playing two versions of himself -- one a fully realized human being while the doppelganger has been trained to dismiss feelings of pain, emotional and physical -- works splendidly.” –
ReelTalk Movie Reviews
Oct 15, 2019
Full Review
Escape Plan: The Extractors (2019)
25%
EDIT
“Overall, 'Escape Plan 3' hews closer to the spirit of the original 2013 production. It's a testosterone saturated, fully armoured, high flying extravaganza.” –
ReelTalk Movie Reviews
Sep 29, 2019
Full Review
Crawl (2019)
84%
EDIT
“A snug buildup, numerous set-pieces, endless variety and injury details will make you squirm right down to your toenails.” –
ReelTalk Movie Reviews
Aug 30, 2019
Full Review
Dora and the Lost City of Gold (2019)
85%
EDIT
“While this family film won't knock down the house in the originality department, it does boast an increasingly rare commodity: charm. And Isabela Moner gives the audience a reason to care.” –
ReelTalk Movie Reviews
Aug 18, 2019
Full Review
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