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Geek Vibes Nation

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Rating Title | Year Author Quote
7.5/10
Ha-Chan, Shake Your Booty! (2026) Dillon Gonzales It is a special, often hilarious movie that makes you want to tap your toe and give an extra shimmy through your everyday life.
Posted Feb 10, 2026  Edit critic review
9/10
Disneyland Handcrafted (2026) Phil Walsh Disneyland Handcrafted is more than a story about the park or Walt Disney's creative genius. The film is a piece of living history and speaks with gusto about the need for film preservation.
Posted Feb 10, 2026  Edit critic review
5/10
Wuthering Heights (2026) Brandon Lewis Sadly, the conversation falls apart as Fennell loses her grip on the material and slips into primary-color melodrama that teeters between vulgarity and tedium.
Posted Feb 09, 2026  Edit critic review
6/10
GOAT (2026) Joshua Mbonu GOAT’s more cliched story elements and weak humor make it just a step under the quality of Sony Animation’s recent films, but its constant visual flair and showcase of its own unique brand of basketball help it come out as a solid enough family flick.
Posted Feb 09, 2026  Edit critic review
9/10
The Best Summer (2026) Dillon Gonzales The Best Summer feels like a minor miracle. This footage could have easily stayed stored away in a box until it disintegrated, allowing a rich slice of music history to fade away into the ether.
Posted Feb 08, 2026  Edit critic review
7/10
The Gallerist (2026) Dillon Gonzales she was compelled to make a film that explores the nature of artistic purity versus compromise, the maddening nature of influencer culture, and so much more–all done with a piercing, satiric touch that keeps you giggling through the madness.
Posted Feb 07, 2026  Edit critic review
8/10
Iron Lung (2026) Roberto Tyler Ortiz Iron Lung offers a uniquely suffocating descent into psychological and cosmic horror. It’s slow, weird, and draining in a way that feels oddly beautiful.
Posted Feb 07, 2026  Edit critic review
8/10
Redux Redux (2025) Phil Walsh Redux Redux lives up to its title and feels like a stirring reinvention of the revenge story.
Posted Feb 06, 2026  Edit critic review
7.5/10
Dracula (2025) Phil Walsh Dracula commits to the legend yet leaves a mark that will not be forgotten.
Posted Feb 06, 2026  Edit critic review
6.5/10
Whistle (2025) Phil Walsh Whistle puts out a clarion call that is sure to appeal to horror fans, even if the story is at times derivative and predictable.
Posted Feb 06, 2026  Edit critic review
7/10
How to Divorce During the War (2026) Dave Giannini How to Divorce During the War may not be perfectly gratifying, but sometimes even having one great scene (and several good moments) is enough to keep the film afloat and make for an easy recommendation for those who can deal with a stylistic challenge
Posted Feb 06, 2026  Edit critic review
9/10
Lady (2026) Megan Loucks LADY is an instant feminist classic that examines the complexities of female friendship and how women endure
Posted Feb 06, 2026  Edit critic review
9/10
Viva Verdi! (2024) Phil Walsh Viva Verdi! is a beautiful work (as all great art is) that unspools the threads of humanity and ties them together into a tapestry that celebrates human beauty and joy. Bravo!
Posted Feb 05, 2026  Edit critic review
9/10
Josephine (2026) Roberto Tyler Ortiz Josephine is a harrowing and deeply empathetic examination of fear and how it embeds itself, how it reshapes behavior, and how ill-equipped even loving families can be when faced with it.
Posted Feb 05, 2026  Edit critic review
8/10
If I Go Will They Miss Me (2026) Roberto Tyler Ortiz By the time If I Go Will They Miss Me reaches its final moments, it has established itself as a major artistic statement from a filmmaker with a clear sense of purpose.
Posted Feb 04, 2026  Edit critic review
8.5/10
Once Upon a Time in Harlem (2026) Phoenix Clouden The prime reason this film exists is to make sure that the Harlem Renaissance is remembered and remembered with great depth and empathy. That its legacy isn’t forgotten, no matter how messy or narrow it may be.
Posted Feb 04, 2026  Edit critic review
Camille (1936) Dillon Gonzales There is a fantastic amount of detail present with nice textures on the clothing including so many fancy dresses and handsome suits.
Posted Feb 04, 2026  Edit critic review
9/10
The Muppet Show (2026) Michael Cook It's everything a longtime Muppet fan could hope for while also ushering the show into the modern day. It's sweet, it's funny, and it's wholly chaotic in the best way possible.
Posted Feb 03, 2026  Edit critic review
Arabesque (1966) Dillon Gonzales Arabesque is a bit messy on a script level, but the performances from Gregory Peck and Sophia Loren elevate otherwise more middle-of-the-road material.
Posted Feb 02, 2026  Edit critic review
6/10
zi (2026) Megan Loucks Zi is a film that only gets as interesting as it appears on its surface, and rarely goes beneath it to be worthwhile.
Posted Feb 02, 2026  Edit critic review
7/10
Untitled Home Invasion Romance (2025) Cameron Ritter Untitled Home Invasion Romance is a solid comedy and a delightful directorial debut from Jason Biggs. He utilizes a sharp script and good performances all around to piece together an entertaining, unique story that’s a true joy to watch.
Posted Feb 02, 2026  Edit critic review
5.5/10
Rock Springs (2026) Roberto Tyler Ortiz The film may stumble in bringing its horror elements to a satisfying conclusion, but its commitment to honoring real suffering and confronting inherited violence gives it a seriousness that lingers even after its missteps.
Posted Feb 02, 2026  Edit critic review
6.5/10
Bedford Park (2026) Roberto Tyler Ortiz Bedford Park stands out for treating pain as something lived, embodied, and, with the right kind of care, survivable.
Posted Feb 02, 2026  Edit critic review
8/10
Time and Water (2026) Roberto Tyler Ortiz Time and Water isn’t interested in persuading or alarming. It’s concerned with preservation on a human scale. When landscapes vanish and people pass on, what survives are stories, images, and voices passed from one generation to the next.
Posted Feb 01, 2026  Edit critic review
7.5/10
Union County (2026) Roberto Tyler Ortiz Union County may not offer new insight into recovery, but it treats the struggle with honesty and care, and that alone gives the film a quiet, enduring dignity.
Posted Feb 01, 2026  Edit critic review
4.5/10
The Musical (2026) Roberto Tyler Ortiz Maybe it should’ve been called Spite: The Musical after all.
Posted Feb 01, 2026  Edit critic review
7/10
Shelter (2026) Dom Fisher if the sharp, bone-breaking fight sequences aren’t enough, the wholesome fathers-daughter-esque relationship will warm your bullet-riddled heart.
Posted Feb 01, 2026  Edit critic review
7.5/10
Joybubbles (2026) Dave Giannini Joybubbles manages to be about many subjects, but they are all housed in one, that being the man that it is based on. If all of us had a little of his openness and childlike exuberance, the world would be a much better place, indeed.
Posted Feb 01, 2026  Edit critic review
6/10
Ghost in the Machine (2026) Dave Giannini Ghost in the Machine is mostly effective but feels incomplete. Not that many of us know what is next, but there does not seem to be a call to action to close the film.
Posted Feb 01, 2026  Edit critic review
8/10
All About the Money (2026) Phil Walsh There are both ironies and contradictions galore. Ultimately, that is O'Shea's most significant strength with this film. Personalities aside. This is a documentary profiling the facets and reaches of ungodly wealth and unbridled connections.
Posted Jan 30, 2026  Edit critic review
7.5/10
Closure (2026) Liselotte Vanophem Closure is a heartbreaking, up-close, subtle portrayal of grief, uncertainty, and the fear of finally having to let go.
Posted Jan 30, 2026  Edit critic review
5/10
The Wrecking Crew (2026) M.N. Miller The Wrecking Crew loses all its charm amid all the pointless chaos.
Posted Jan 30, 2026  Edit critic review
8/10
Big Girls Don't Cry (2026) Roberto Tyler Ortiz Big Girls Don’t Cry may not redefine the coming-of-age film, but it announces a filmmaker with real sensitivity and confidence, and introduces Ani Palmer as a remarkable new presence.
Posted Jan 29, 2026  Edit critic review
7.5/10
The Incomer (2026) Roberto Tyler Ortiz The Incomer remains an enjoyable, funny, and heartfelt experience.
Posted Jan 29, 2026  Edit critic review
My Bloody Valentine (1981) Dillon Gonzales My Bloody Valentine is a classic slasher that really goes for the jugular in terms of violence. The characters are fairly well-defined in terms of gaining your interest before being served up as fodder for the killer.
Posted Jan 28, 2026  Edit critic review
8.5/10
Barbara Forever (2026) Dave Giannini Barbara Forever is a necessary documentary even now, in the way it shows lesbian relationships with zero concern for the male eye or entertainment.
Posted Jan 28, 2026  Edit critic review
8/10
Seized (2026) Dom Fisher Seized is a subtle yet powerful reminder to stand firm in the face of corruption.
Posted Jan 28, 2026  Edit critic review
10/10
Birds of War (2026) Dave Giannini Birds of War may seem like an unapproachable, highly dramatic story that will make it difficult to connect, given our very different lives. However, there is enough eerie similarity between their world and ours to easily lock in with their story.
Posted Jan 27, 2026  Edit critic review
6/10
Shame and Money (2026) Roberto Tyler Ortiz This is cinema that refuses comfort. It asks you not to feel better, not to hope, not to look away, but only to understand how fragile stability truly is when pride becomes the last thing left to lose.
Posted Jan 27, 2026  Edit critic review
8/10
Night Nurse (2026) Megan Loucks Bernstein’s directorial voice is strong and focused, with Night Nurse being a scrumptious tease for whatever she does next—a genre-defining work of taboo and eroticism that delves into how deception and manipulation fester
Posted Jan 27, 2026  Edit critic review
8/10
Send Help (2026) Joshua Mbonu Send Help is the culmination of everything that makes a great Raimi film tick in all kinds of genre filmmaking; meaning spirited chaos, non-stop thrillers, a kinetic camera, and bodily fluids of all kinds flying across the screen.
Posted Jan 26, 2026  Edit critic review
7/10
Solo Mio (2026) M.N. Miller Kevin James stars in Solo Mio, a funny, thoughtful, and unexpectedly warm romantic comedy that finds real charm in emotional maturity.
Posted Jan 25, 2026  Edit critic review
8/10
Mum, I'm Alien Pregnant (2026) Phil Walsh a sharply written script that uses an alien conception as a means to tell a story about expectation, choice, and parenthood. Sprinkle in at-times shocking body horror, and this has the makings of a film that, at a minimum, will have people talking.
Posted Jan 24, 2026  Edit critic review
8.5/10
TheyDream (2026) Dave Giannini TheyDream, if nothing else, offers us a look deep into one story that matters, one like our own, despite our many differences. Despite all of our personal imperfections, we can find, through memory, our own liberation.
Posted Jan 24, 2026  Edit critic review
3/10
Return to Silent Hill (2026) Gaius Bolling There is a madness associated with Silent Hill that makes the game series such an effective horror video game brand, but the madness here is just a deafening mess of a film that proves to be disappointing because of how well this film series started.
Posted Jan 24, 2026  Edit critic review
7.5/10
The Oldest Person in the World (2026) Dave Giannini When faced with impending death, it must be remembered that life is nothing if not full of promise and value. These folks may have lived for a century, but we never know when our time is up. Every moment matters.
Posted Jan 23, 2026  Edit critic review
8/10
Everybody To Kenmure Street (2026) Dave Giannini Given recent events in the United States, this film could not be more topical to show the importance of building community, not only for enrichment, but sadly to protect one another from the impending harm of overreaching governmental agencies.
Posted Jan 23, 2026  Edit critic review
2.5/10
Mercy (2026) Joshua Mbonu Mercy isn't quite as poorly executed visually as, say, last year's War of the Worlds, but the fact that it’s even remotely close to that level of quality is bad in and of itself.
Posted Jan 21, 2026  Edit critic review
8/10
Mother of Flies (2025) Phil Walsh This is a special film. It is grotesque in the manner in which it presents death, yet blunt for a purpose. The fact that this film draws on the filmmakers' personal experiences makes the story all the more impactful.
Posted Jan 20, 2026  Edit critic review
5/10
All You Need Is Kill (2025) Phoenix Clouden Unfortunately, All You Need Is Kill doesn’t quite know what story it wants to tell, so as a viewer, you’re mostly left confused. If there’s more to add to the story, it could really be intriguing, but as it stands right now, it feels incomplete.
Posted Jan 18, 2026  Edit critic review
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