Susan Green
Susan Green's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Ping Pong Playa (2007)
64%
1.5/5
EDIT
“Very broad humor and sloppy storytelling pave the way to a requisite Rocky ending.” –
Boxoffice Magazine
Sep 5, 2008
Full Review
Boy A (2007)
88%
4/5
EDIT
“In director John Crowley's wrenching drama, "moving on" proves to be an illusion.” –
Boxoffice Magazine
Jul 25, 2008
Full Review
Irina Palm (2007)
65%
3/5
EDIT
“Remember Mick Jagger and Marianne Faithfull as a youthful rock 'n' roll power couple in 1960s London? Now both wrinkly, he's still singing and prancing; she's become an accomplished actress, judging by her role in Sam Garbarksi's ironic Irina Palm.” –
Boxoffice Magazine
Mar 21, 2008
Full Review
Holly (2006)
65%
EDIT
“Gritty and wrenching, Holly is fiction with the heart of an expose.” –
Boxoffice Magazine
Nov 9, 2007
Full Review
Body of War (2007)
80%
4.5/5
EDIT
“Almost by definition, documentaries about Iraq are gut-wrenching reminders of the unaccomplished mission. Body of War transcends even that tough standard.” –
Boxoffice Magazine
Nov 3, 2007
Full Review
New York City Serenade (2007)
8%
1/5
EDIT
“Prinze's limited range as an actor drags down a spirited performance by Klein, but the script is too awful to give either of them much hope.” –
Boxoffice Magazine
Oct 6, 2007
Full Review
Caramel (2007)
93%
EDIT
“Feminist issues that may be dangerous to tackle in the conservative Middle East are rendered silly by uneven performances and soap-opera overkill.” –
Boxoffice Magazine
Oct 6, 2007
Full Review
Married Life (2007)
56%
EDIT
“delves into the subtext of conventional American society before progressive politics and the counterculture changed everything.” –
Boxoffice Magazine
Oct 6, 2007
Full Review
Shoot 'Em Up (2007)
67%
3/5
EDIT
“Bang! An instant cult hit...” –
Boxoffice Magazine
Sep 7, 2007
Full Review
Slow Burn (2005)
9%
2/5
EDIT
“A derivative mess.” –
Boxoffice Magazine
Apr 13, 2007
Full Review
The Page Turner (2006)
77%
3.5/5
EDIT
“Dercourt's subtle waiting game holds surprises for even the most seasoned fan of revenge thrillers.” –
Boxoffice Magazine
Mar 23, 2007
Full Review
The Half Life of Timofey Berezin (2006)
57%
2.5/4
EDIT
“This sad but intriguing premise wanes in a mish-mash of attempted Russian accents and clumsy storytelling.” –
Boxoffice Magazine
Dec 7, 2006
Full Review
Ever Since the World Ended (2001)
78%
4/5
EDIT
“It's The Blair Witch Project with brains and a social conscience.” –
Boxoffice Magazine
Nov 23, 2006
Full Review
Bobby (2006)
47%
2/5
EDIT
“A Nashville wannabe without Robert Altman's subtle wit, Bobby is an ambitious attempt by writer-director Emilio Estevez to capture a turbulent era through a single historic event.” –
Boxoffice Magazine
Sep 19, 2006
Full Review
The Namesake (2006)
85%
2.5/5
EDIT
“The cast as a whole excels, in fact, and the sumptuous cinematography by Frederick Elmes helps rescue a movie that should have been better than it is.” –
Boxoffice Magazine
Sep 14, 2006
Full Review
Saint of 9/11 (2006)
82%
2.5/5
EDIT
“... a muddled enterprise.” –
Boxoffice Magazine
Sep 8, 2006
Full Review
3 Needles (2005)
36%
3/5
EDIT
“The [AIDS] virus knows no boundaries, and chaos easily overcomes social order. With breathtaking cinematography by Thomas M. Harting, Thom Fitzgerald's take on this dilemma does not offer much hope.” –
Boxoffice Magazine
Jun 24, 2006
Full Review
Wassup Rockers (2006)
38%
2.5/4
EDIT
“[An] overlong but endearing culture-clash movie.” –
Boxoffice Magazine
Jun 23, 2006
Full Review
Twelve and Holding (2005)
73%
2.5/5
EDIT
“Cuesta's overkill approach to black comedy, reminiscent of the hyperrealism Gregg Araki uses in Mysterious Skin, allows cheap laughs to subvert understanding and compassion for his troubled tweens.” –
Boxoffice Magazine
May 27, 2006
Full Review
Sketches of Frank Gehry (2005)
82%
3.5/5
EDIT
“It's really a compelling homage with insight into the creative process.” –
Boxoffice Magazine
May 6, 2006
Full Review
Transamerica (2005)
77%
3.5/5
EDIT
“Emmy-winning Felicity Huffman leaves the desperate housewives behind to create a memorable bigscreen presence in Duncan Tucker's Transamerica.” –
Boxoffice Magazine
Dec 2, 2005
Full Review
Christmas in the Clouds (2001)
69%
3/5
EDIT
“Periodically in danger of becoming too self-consciously quirky, this otherwise enjoyable indie effort bills itself as 'the first Native American screwball romantic comedy.'” –
Boxoffice Magazine
Oct 30, 2005
Full Review
Pride & Prejudice (2005)
87%
3/5
EDIT
“Schmaltz doesn't quite eclipse the book's critique of British class snobbery and male dominance.” –
Boxoffice Magazine
Oct 15, 2005
Full Review
Thank You for Smoking (2005)
86%
4/5
EDIT
“A comedy likely to delight both mainstream and art-house audiences.” –
Boxoffice Magazine
Oct 15, 2005
Full Review
Now & Forever (2001)
18%
1/5
EDIT
“Heaven help us avoid saccharine sentiments, especially if they're wrapped in a candy-colored package like Now & Forever.” –
Boxoffice Magazine
Aug 9, 2005
Full Review
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