Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (25)
| Top Critics (4)
| Fresh (24)
| Rotten (1)
| DVD (3)
A fine, freewheeling musical.
The pep, enthusiasm and apparent fun the makers of On the Town had in putting it together comes through to the audience and gives the picture its best asset.
On the Town is exhilarating, brash spectacle, all rip-snorting, wisecracking attack, and maybe just a teensy bit unlikeable.
Gaiety, rhythm, humor and a good, wholesome dash of light romance have been artfully blended together in this bright Technicolored comedy.
...as fresh as the day it was minted.
Kelly and Donen take the MGM musical outdoors, the New York minute is stretched to 24 hours
Delightful, athletic stuff with some unusual -- but wonderful -- location shooting. New York never looked better.
One of the last great movie musicals.
On the Town is so energetic and vital that the screen barely contains it.
Its aww-shucks charm becomes hard to resist as the three sailors dart around Manhattan, looking for culture, sights, and, of course, 24-hour love.
With Donen and Kelly at the musical helm, it's no surprise that the song-and-dance numbers are top notch.
It's romp, it's a romance, it's a songfest, it's everything that has now become rather passe in a musical comedy.
Exuberant, nonstop dashing about the streets of New York City while on shore leave, three sailors chase down love in one of the first musicals to use actual location shooting. The three sailors, Gene Kelly, Frank Sinatra, and Jules Munshin, each have their own idiosyncratic charms, but it's their gal friends who keep the movie from getting stale. Especially Betty Garrett (who'd later go on to play neighbor to both Archie Bunker and Laverne and Shirley), whose super-sexed taxi driver character chases down a poor, bewildered Frank Sinatra (and he just wants to see the sights of the city, not get all involved with some wacky dame). There is one particularly memorable song ("New York, New York, it's a wonderful town!"), and some less memorable ones, but they are all pretty entertaining. And that's probably the best way to describe On The Town, not very memorable, but entertaining.
This one and Anchors Aweigh act as perfect companion pieces! But this is definitely more rowdy, more sexually charged, and I must say I do prefer it, if not just for Ann Miller's awesome museum tap dancing.
I have to confess a secrt love for Gene Kelly, the man is a fascinating dancer with a style of his own. This fun 40's musical is typically corny, extremely predictable and the songs (bar one or two) are easily forgettable and yet there is something here that catches this era of musicals in a fun, easy watching way, that brings the stage to the screen.
24 hours in New York turns into a wild ride of girls, dance routines, and memorable songs. Munshin, Sinatra, and Kelly make an excellent trio. They blend well as a comedic triplet, but when they tell each other "I love you" it feels genuine and true. Sinatra perhaps shines the most as a sailor more interested in culture. Each guy encounters a fairly saucy girl. It's Frank's partner, an aggressive female cabbie, that steals most of the show. Her direct approach, and the brotherhood of the lead three make this more than just a guys getting some film. It's surprising to see an older film more progressive than many today. The dance routines are fascinating, even today, and the singing is just darn catchy. A treat for the eyes and ears.
There are no approved quotes yet for this movie.