A Screaming Man

A Screaming Man Photos

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Cast & Crew

Youssouf Djaoro
Adam

Diouc Koma
Abdel

Emile Abossolo M'bo
Le chef de quartier

Marius Yelolo
David

Djénéba Koné
Djeneba

Hadje Fatime N'Goua
Mariam

Heling Li
Mme Wang

Rémadji Adèle Ngaradoumbaye
Souad

John Mbaiedoum
Etienne

Mahamat-Saleh Haroun
Director

Mahamat-Saleh Haroun
Screenwriter

Sébastien Delloye
Co-Producer

Diana Elbaum
Co-Producer

Florence Stern
Producer

Wasis Diop
Original Music

Laurent Brunet
Cinematographer

Marie-Hélène Dozo
Film Editing

Ledoux Madeona
Production Design

Mahamat-Saleh Haroun
Writer

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News & Interviews for A Screaming Man

Critics Consensus: Rio is Certified Fresh

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Audience Reviews for A Screaming Man

• Sep 21, 2012

  Disturbing yet heart wrenching, A Screaming Man is one of the most provocative films to come out of Africa. Real and raw. Prepare for the emotional roller coaster.
  

  John B Super Reviewer
• Aug 18, 2012

  With the civil war raging across Chad, Adam(Youssouf Djaoro) and David(Marius Yelolo) have more immediate concerns like possibly losing their jobs at a hotel resort in the upcoming privatization but reassure themselves that they are safe due to their thirty years' service. However, their confidence proves ill-founded when David is fired and Adam is reassigned away from his precious pool and to work as gatekeeper, with his son Abdel(Diouc Koma) becoming the sole pool attendant. As you can imagine, this makes for some awkward family dinners. To make matters worse, Ahmet(Emile Abossolo M'bo), the local chief, informs Adam that he has three days to pay his share of the army tax. "A Screaming Man" is a prime example of economic and sparse filmmaking in the neo-realist tradition. While it might seem more than a little strange to outsiders the importance Adam places on his pool job, it is probably best to remember the high value of water in such an arid country as Chad. It is maybe instead the tourists who should be chided for their partying in a time of war but then they are probably just believing the government propaganda. On another level, this allegorical movie could also said to be about how scary change can be, as we get a couple of reminders that Adam is not quite the person he used to be. Of course, who knows what the future will bring any of us?
  Super Reviewer
• Sep 22, 2011

  A former swimming champion is replaced by his son as the pool attendant at a posh Chadian hotel. I understand why this film got rave reviews. There is a quiet power to Emile Abossolo-M'bo's performance, and the filmmaking is full of subtle moments of his character's quiet desperation. And the film doesn't make an overt, in-your-face political point, but by the end, we can't escape the folly of war. But the film is remarkably slow. One moment of strong acting is also an example of the film's main flaw: the camera starts at a three-quarter shot of Adam, and over the course of about forty-five seconds, it zooms in to a extreme close-up just as a tear forms in Adam's right eye. It takes an amazing amount of talent for an actor to make that work, and even though M'bo does, it's an incredibly long way to travel for the payoff. If this were the only slow moment in the film, I'd be raving, but cumulatively, there are at least fifteen minutes composed of Adam walking down the same streets he later rides a motorcycle down. And on and on. When Stanley Kubrick employed some of the same camerawork, it built suspense; when director Mahamet Saleh Haroun tries these tricks, it's too much, comprising a film that is tortuously slow. Overall, I'm sympathetic to the film's political points and subtle filmmaking, but if only there were a character with youthful energy (Adam's son is a prime candidate), then it would balance the film's overall meandering style.
  Jim H Super Reviewer
• Mar 22, 2011

  Searing drama about a man who finds his livelihood threatened when he is replaced by his own son. Pits this family drama against a backdrop of social unrest in Chad, as the older generation resists reforms from rebels. Its themes of generational conflict resonate in affecting and sobering ways.
  Matthew L Super Reviewer