May 06, 2018
MENACE, ANYONE? - My Review of BORG VS. MCENROE (3 1//2 Stars)
Do you prefer your anger quiet or seething? BORG VS. McENROE, the debut feature of documentarian Janus Metz, who along with writer Ronnie Sandahl, explore rage, passion and isolation under the guise of a famous 1980 tennis match between the Swedish 4-time reigning Wimbledon World champ and the unhinged American upstart who would stake his own claim in the sport. Although the results land clearly in the mixed category, this somewhat thin, overextended film captures something psychologically thrilling.
Shia LaBeouf, an actor not known for a real-life gentle demeanor, may not resemble McEnroe, but he perfectly embodies the loudest, most aggressive player the sport has ever seen. Moreover, LaBeouf finds McEnroe's little boy charm, innocence and also his fiery passion for the sport. This represents, by far, the best film performance he has yet to give. Sverrir Gudnason, strangely enough, has the trickier role as Borg, who despite his famously icy demeanor, experienced his own rage as a young man. It's also a remarkable performance of very little dialogue but still filled with a wealth of intensity.
While both characters get their fill of flashbacks, the filmmakers skimp on the details and instead stay focused on the concentration and loneliness the sport requires to earn that number one spot. Interestingly enough, Borg's own teen son Leo plays him as a young man who rails against his father (an excellent Stellan Skarsgård) and feverishly lobs tennis balls against the family garage. The spitting image of his father, Leo Borg does well with some of the film's more heavyweight emotional lifting. Tuva Novotny, last seen in ANNIHILATION, also makes an impression as Borg's first wife Mariana, who tries valiantly to understand her fairly impenetrable husband.
In fact, the people who seem to understand each other best, our title character, remain almost complete strangers to each other throughout the film. Metz and Sandahl have found terrifically cinematic ways to communicate this trick bond between the rivals. It culminates in a sweetly understated scene which brought me to tears with the subtle way they communicate with each other.
Oddly enough, last year's BATTLE OF THE SEXES, about the famous exhibition match between Billie Jean King and Bobby Riggs, had more dramatic stakes. The fate of womens' roles in society hanged in the balance. BORG VS. McENROE has a more interior approach, carrying the audience along beat by beat as each man summons up every bit of their strength to succeed. The last half of the film consists entirely of their battle, allowing the filmmakers to pull out every montage trick in the book. It also allows for a wonderful plethora of sports commentary, adding much-needed humor to the proceedings.
Technically, except for the big match, the film stays tight on our protagonists. Cinematographer Niels Thastum leans in on a docu-style approach to filming, allowing for subtle dramatic scenes and loving recreations. All of McEnroe's outbursts feel genuine and not the work of an actor showboating. Borg's hard stare in close-ups feels rich and pained. You have to read a lot more into the film than what it gives you externally. It's beautiful and intense, but just not very deep.
Verified