Carnage

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Cast & Crew

Jodie Foster
Penelope Longstreet

Kate Winslet
Nancy Cowen

Christoph Waltz
Alan Cowen

John C. Reilly
Michael Longstreet

Elvis Polanski
Zachary Cowan

Eliot Berger
Ethan Longstreet

Joseph Rezwin
Walter (telephone voice)
Voice

Nathan Rippy
Dennis (telephone voice)
Voice

Roman Polanski
Director

Roman Polanski
Screenwriter

Yasmina Reza
Screenwriter

Saïd Ben Saïd
Producer

Paweł Edelman
Cinematography

Hervé de Luze
Film Editing

Alexandre Desplat
Original Music

Dean Tavoularis
Production Design

Franckie Diago
Set Decoration

Milena Canonero
Costume Design

Fiona Weir
Casting

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Audience Reviews for Carnage

• Jan 06, 2014

  Why can't they leave? From <i>El Ángel Exterminador</i> (1962), the answer has been implied. "It's absurd, but it's in their nature. They just can't!" Based on Yasmina Raza's play titled <i>Le Dieu du Carnage</i> (God of Carnage), Polanski adapts wonderfully and with a truly underrated array of great, though theatrical performances (especially Foster, who gets a lot of unfair criticism) a roller-coaster intellectual exercise of how your typical middle-class veil of politeness and mutual caring is broken down when either your ethical, social or moral standards are challenged by external factors that you cannot avoid because you were unwillingly involved in them since the very beginning. In this case, such factor is the son of a family hitting the son of the other. Catalogued in my book as one of the best "verbally gory" films, <i>Carnage</i> seems to carry some <i>Who's Afraid of Virginia Woolf</i> (1966) parallelism of degradation, moral assault and lots of liquor, while two couples unrealistically, though justifiably theatrically, "word" each other to death, taking contradictory sides when the situation seems convenient and mirroring the impulses that they so much condemn in minors. After all, the immature impulses of adults are not that much different, now are they? Unfortunately, the adaptation to the big screen seems to drag along some unrealistic moments that seem to be placed in order for the plot to advance, e.g., the Cowans reaching the elevator twice and still not leaving because of secondary coffee invitations. Those moments could have been easily rewritten. Also, "realistically", any couple would have left after 15 or 20 minutes of arguing, so the script asks us to some suspension of disbelief and dig deeper into the original social criticisms and statements that the original material (the play) had instead of judging the film in terms of cinematic realism. Still, Polanski is still an expert in scenario construction and suspense escalation, not as masterfully as Hitchcock's single-location mysteries would manage, but more or less as interestingly as Polanski did in the 60s. 79/100
  Edgar C Super Reviewer
• Apr 12, 2013

  Too unsubstantial to be a great movie. Pretty much two couples in one room arguing about a physical fight their sons got into. I believe it is adapted from a play. As such it feels unnatural and strained that they all stay in the room, annoyed as they are at each other. Performances are good. I'm not a parent, so the topic was not overly exciting to me. Maybe others would get more out of it.
  Nicki M Super Reviewer
• Jan 06, 2013

  I did not know that this story was a play until right before watching this film. With that knowledge I enjoyed this much more. The performances were good and it felt as though I was watching a play. The apartment serves as the stage as it does not move or change. I thought the concept was well put together with Polanski behind the camera.
  Chris C Super Reviewer
• Dec 25, 2012

  It's an atypical theatrical adaptation which works thanks to a top cast.
  Marcus W Super Reviewer

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