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No consensus yet.
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Release date: Jul 17, 1996
All Critics (9) | Top Critics (2) | Fresh (6) | Rotten (3)
At 40 minutes, the shortest film in the cycle; though it is methodically paced, the colorful, confectionary visuals of its Busby Berkeley-style, football stadium-based musical revue move it along quickly enough. Oct 11, 2010 | Rating: 6.4/10 | Full Review…
At 40 minutes, the shortest film in the cycle; though it is methodically paced, the colorful, confectionary visuals of its Busby Berkeley-style, football stadium-based musical revue move it along quickly enough.
Ian Buckwalter
Barney's outlandish mise-en-scène, forever emphasizing the organic, the amorphous, the massive, the adhesive, and the fluorescent in quite literal ways, also retains those very qualities in my memory. May 19, 2010 | Rating: A | Full Review…
Barney's outlandish mise-en-scène, forever emphasizing the organic, the amorphous, the massive, the adhesive, and the fluorescent in quite literal ways, also retains those very qualities in my memory.
Nick Davis
two Goodyear blimps hover overhead, attached to the lead dancer by long cords, like testicles or perhaps ovaries. Feb 2, 2004 | Full Review…
two Goodyear blimps hover overhead, attached to the lead dancer by long cords, like testicles or perhaps ovaries.
Anton Bitel
Makes no sense but looks very intriguing with its repetitive shapes and colours. Feb 2, 2004 | Rating: 2/5 | Full Review…
Makes no sense but looks very intriguing with its repetitive shapes and colours.
Rich Cline
Beautiful... Feb 2, 2004 | Rating: 2/4
Beautiful...
Ian Mantgani
As with all of [Barney's] films, translating Cremaster 1into words is a disservice to the elevating intensity and intrigue communicated through sound and imagery. Jan 14, 2004 | Full Review…
As with all of [Barney's] films, translating Cremaster 1into words is a disservice to the elevating intensity and intrigue communicated through sound and imagery.
Anita Schmaltz
A fascinating forty-odd minute long look in, above, under, and around a complex visual metaphor. Sep 5, 2003 | Rating: 4/4 | Full Review…
A fascinating forty-odd minute long look in, above, under, and around a complex visual metaphor.
Jeremy Heilman
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