Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (19) | Top Critics (6) | Fresh (15) | Rotten (4)
Not a masterwork perhaps, but certainly the work of a master, and, judging from the work of many of his young French disciples (including Leos Carax), one of his most influential features. March 5, 2013 | Full Review…
Not a masterwork perhaps, but certainly the work of a master, and, judging from the work of many of his young French disciples (including Leos Carax), one of his most influential features.
Jonathan Rosenbaum
Bresson, as always, holds on to that grace, gives us that beauty. While watching this great rapt film, with its hideous vision of a moral void, we almost can see light flickering in darkness, feel a spirit descending. March 5, 2013 | Rating: 4/4 | Full Review…
Bresson, as always, holds on to that grace, gives us that beauty. While watching this great rapt film, with its hideous vision of a moral void, we almost can see light flickering in darkness, feel a spirit descending.
Michael Wilmington
Both the world and Bresson's cinema are in disarray, and the signs of his inner conflict are deeply troubling and tremendously moving. March 5, 2013 | Full Review…
Both the world and Bresson's cinema are in disarray, and the signs of his inner conflict are deeply troubling and tremendously moving.
Richard Brody
Hold on to something, Bresson implies, or you may fall in love with boredom itself. See it for the mood. April 17, 2012 | Rating: 4/5 | Full Review…
Hold on to something, Bresson implies, or you may fall in love with boredom itself. See it for the mood.
Joshua Rothkopf
Its case is presented rather than argued: one buys its cosmic bleakness or one doesn't, but there is no doubt about the conviction with which it is put. January 26, 2006 | Full Review…
Its case is presented rather than argued: one buys its cosmic bleakness or one doesn't, but there is no doubt about the conviction with which it is put.
Verina Glaessner
No other director I can think of has come as close as Bresson to molding his players into what are, in effect, variations on a continuing personality, much the way a painter might. May 20, 2003
No other director I can think of has come as close as Bresson to molding his players into what are, in effect, variations on a continuing personality, much the way a painter might.
Caryn James
Robert Bresson works with ideas first and actors second, therefore, his characters chat, love, and confess like ambiguous intellectual beings. They never thrill or move us. [Full Review in Spanish] July 31, 2019 | Full Review…
Robert Bresson works with ideas first and actors second, therefore, his characters chat, love, and confess like ambiguous intellectual beings. They never thrill or move us. [Full Review in Spanish]
Jesús Fernández Santos
Despite Bresson's characteristic evenness of tone and technical curtness -- his trademark is an almost contemptuous dismissal of flashiness -- I felt involved and moved by his pessimistic picture of four young French students. July 21, 2015 | Full Review…
Despite Bresson's characteristic evenness of tone and technical curtness -- his trademark is an almost contemptuous dismissal of flashiness -- I felt involved and moved by his pessimistic picture of four young French students.
Clancy Sigel
Robert Bresson's most earnest film is also his least engaging. May 22, 2014 | Rating: 2/5 | Full Review…
Robert Bresson's most earnest film is also his least engaging.
David Parkinson
Thirty-five years on, The Devil, Probably can still trigger a shock of recognition. May 22, 2014 | Full Review…
Thirty-five years on, The Devil, Probably can still trigger a shock of recognition.
Dennis Lim
One of the great Robert Bresson's greatest, and least-seen, movies. May 22, 2014 | Full Review…
One of the great Robert Bresson's greatest, and least-seen, movies.
J. Hoberman
The resonant, purposefully ambiguous story is filmed with razor-sharp clarity. April 25, 2014 | Full Review…
The resonant, purposefully ambiguous story is filmed with razor-sharp clarity.
David Sterritt
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