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Though Streisand charms, she's miscast as the titular middle-aged widow in Gene Kelly's sluggish and over-produced final directorial effort.
All Critics (30) | Top Critics (5) | DVD (4)
It relies almost exclusively on the celebrated eyes, ears, nose and throat of Streisand. Her musicianship remains irreproachable. But her mannerisms are so arch and calculated that one half expects to find a key implanted in her back. Apr 2, 2019 | Full Review…
It relies almost exclusively on the celebrated eyes, ears, nose and throat of Streisand. Her musicianship remains irreproachable. But her mannerisms are so arch and calculated that one half expects to find a key implanted in her back.
TIME Staff
Gene Kelly directed, a long way from Terpsichore apparently, though not, alas, from the Thanksgiving turkey. Mar 26, 2019 | Full Review…
Gene Kelly directed, a long way from Terpsichore apparently, though not, alas, from the Thanksgiving turkey.
Pat Graham
Streisand is a unique performer, with that inborn vitality which marks great personalities. Mar 26, 2009 | Full Review…
Streisand is a unique performer, with that inborn vitality which marks great personalities.
Variety Staff
The Jerry Herman score is unmemorable, Michael Kidd's choreography is foreshortened to accommodate yards of additional dialogue by Ernest Lehman, and the rest is Streisand capably doing her thing in a series of plushily colossal sets. Jun 24, 2006 | Full Review…
The Jerry Herman score is unmemorable, Michael Kidd's choreography is foreshortened to accommodate yards of additional dialogue by Ernest Lehman, and the rest is Streisand capably doing her thing in a series of plushily colossal sets.
Paul Taylor
[Director Gene Kelly and produce Ernest Lehmann] have been reverential to the point of idiocy, since, by preserving something basically thin and often witless on a large movie screen, they have merely inflated the faults to elephantine proportions. May 9, 2005 | Full Review…
[Director Gene Kelly and produce Ernest Lehmann] have been reverential to the point of idiocy, since, by preserving something basically thin and often witless on a large movie screen, they have merely inflated the faults to elephantine proportions.
Vincent Canby
Emphasis has been placed on extravaganza, when it should really have been placed on getting good performances out of a talented cast. Apr 2, 2019 | Rating: 3/5 | Full Review…
Emphasis has been placed on extravaganza, when it should really have been placed on getting good performances out of a talented cast.
David Parkinson
...fares best with the ensemble dance numbers that elegantly combine group movement and individual footwork. Apr 2, 2019 | Rating: 2/4 | Full Review…
...fares best with the ensemble dance numbers that elegantly combine group movement and individual footwork.
Josh Larsen
It's an exercise in star turns, surrounded by elephantine blandness. Mar 26, 2019 | Full Review…
It's an exercise in star turns, surrounded by elephantine blandness.
TV Guide Staff
Hello, Dolly! is only the fourth best screen musical of 1969, and I find that a relaxing thought. Mar 26, 2019 | Full Review…
Hello, Dolly! is only the fourth best screen musical of 1969, and I find that a relaxing thought.
Robert Cushman
The design, use of colour and, particularly, the marvellous score are quite breathtaking. Mar 26, 2019 | Rating: 4/5 | Full Review…
The design, use of colour and, particularly, the marvellous score are quite breathtaking.
Tony Sloman
[Barbra Streisand] was really too young for the role... But she was certainly in fine voice, making more of the songs by Jerry Herman than did Herman himself. Mar 26, 2019 | Rating: 4/5 | Full Review…
[Barbra Streisand] was really too young for the role... But she was certainly in fine voice, making more of the songs by Jerry Herman than did Herman himself.
Sky Staff
This is a flawed movie, there's no question of that, but at the same time there are some enjoyable moments. Mar 18, 2019 | Rating: 2.5/4 | Full Review…
This is a flawed movie, there's no question of that, but at the same time there are some enjoyable moments.
Scott Nash
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