Knowing2009
Knowing (2009)
TOMATOMETER
AUDIENCE SCORE
Critic Consensus: Knowing has some interesting ideas and a couple good scenes, but it's weighted down by its absurd plot and over-seriousness.
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Movie Info
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Cast
as John Koestler
as Caleb Koestler
as Diana Wayland
as Lucinda Embry/Abby Wayland
as Phil Beckman
as Allison
as Grace Koestler
as Miss Taylor (2009)
as Priscilla Taylor
as Reverend Koestler
as The Stranger
as Younger Caleb
as Principal Clark (1959)
as Lucinda's Mother
as Lucinda's Father
as Donald
as Stacey
as Spencer
as Teacher
as Principal (2009)
as Carlpool Mate 1
as Boy
as Carpool Mate 2
as Patrolman
as Paramedic
as Paramedic
as Flight Attendant
as Jessica
as John's Mother
as Kim
News & Interviews for Knowing
Critic Reviews for Knowing
All Critics (181) | Top Critics (31) | Fresh (60) | Rotten (121) | DVD (9)
Mixing Spielbergian child-like wonder, disaster movie spectacle and the cod-religious silliness of M Night Shyamalan's 'Signs'. The premise is compelling, but the execution is over-cooked.
There's nothing really special about this film, other than an interesting premise.
Things started to fall off of the deep end very quickly.
If Alex Proyas' Knowing were reasonably entertaining -- instead of just dour, pointless and tedious -- it would be a camp classic.
If you want to know how inept the movie is...well, it's so inept that you may wish you were watching an M. Night Shyamalan version of the very same premise.
The movie begins shameless, grows stupid and winds up silly. If the ending had less of the air of a crackpot religion and more pretentiousness, you could almost call it Shyamalanish.
Audience Reviews for Knowing
Enjoyable Science Fiction thriller, Knowing managed to be a more impressive film than what I'd initially thought. Although not a great movie, this is nonetheless a good film, well worth your time. The film had a very good concept, which kept me entertained, however at times I did feel that there were aspects of the film could have been improved upon. Halfway through the film, the film seems to lose its vigor, and in turn, the vibe of the film sort of falters a bit, and instead of being a truly memorable, standout feature, it lingers on as a good, entertaining picture that never realizes its ambition of being a thought provoking, truly interesting film. I mean, the film is good, and it's entertaining, but it could have been so much more as well. Director Alex Proyas, who has experience in the Sci Fi genre, helms the project, and through his lens, he captures a good atmosphere that is engaging, but does lack in terms of unrealized potential. I was hoping for something truly great with this film, but as a whole, it's a good affair, one that is one of the better of recent Nicholas Cage films. If you can forget the film's flaws, you'll like it for what it is, just don't expect a truly grand sci fi epic, as the film leaves a bit to be desired. Proyas has directed better movies, but Knowing for what it is, is worth seeing if you enjoy mindless entertainment, and it's far better than what you might think. Although not a great movie, this film definitely doesn't deserve the negativity it has received. Go into the film with an open mind, and you might enjoy it.
Super Reviewer
John Koestler: The numbers are the key to everything. "Knowing is Everything..." By no means is Knowing a perfect or great film, but it isn't nearly as bad as everyone claims it to be. In fact, I've always enjoyed this movie. Sure it's silly in ways, sure the ending leaves a lot to be desired, but come on this is a visual masterpiece and an extremely interesting take on the whole doomsday, apocalypse prophesy. There's a lot of people out there that just won't like it no matter what because of Nicholas Cage and the obsession that goes along with hating the guy. Is he great in this movie? No, but he isn't bad either, and movies like this don't call for amazing acting. They call for silliness from the actors, so Cage fits the bill perfectly. 50 years prior to the events that unfold an elementary school buried a time capsule to be dug up 50 years into the future. The children of the school were to draw a picture of what they thought the future would look like and then 50 years later, the future kids would get to see them. One girl, Lucinda, didn't draw a picture. Instead, she wrote endless, "random" numbers. When the capsule is dug up a little boy named Caleb gets Lucinda's numbers. He takes it home and his father who is a M.I.T. professor decides to try to decode the number sequences. When he does, he is left with startling information. Whenever this movie is brought up around me, it is constantly ridiculed for its stupidity and silliness. When in fact this one of the more serious doomsday movies you'll probably ever see. Silliness comes with the territory for sure though, but why is that a bad thing? It's the genre, either accept it or stop watching the movies. Like 2012, The Day After Tomorrow, and countless others; the movie is built around accepting the silly factor. Shouldn't all you of haters had learned this by now? Overall, this is an enjoyable, entertaining, and often suspenseful movie that has good pacing, amazing effects, mesmerizing cinematography, and a nice little score to boot. It's not going to change the face of cinema or anything, but as an addition to the apocalypse thriller genre; it's one I accept with arms wide open.
Super Reviewer
A school girl puts a list of numbers into a time capsule. When the time capsule is opened 50 years later, a MIT professor discovers that the list predicted global disasters - the date, the location and number of fatalities. There are 3 future dates, but what happens when the numbers run out? Good cast, storyline and special effects. The movie is exciting and will have you on the edge of your seat until the end. The ending was very lame though. It's like A.I. good movie until the last half hour. If you like disaster and thriller movies like Unbreakable, Final Destination, Mercury, Deep Impact or A.I. you will like this movie.
Super Reviewer
Knowing Quotes
| Reverend Koestler: | This isn't the end, son. |
| John Koestler: | I know. |
| John Koestler: | Everybody Else. |
| John Koestler: | Everybody else. |
| John Koestler: | Don't let him watch the news. |
| Diana: | What happens when the numbers run out? |