Mary Poppins Returns
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All Critics (19)
| Top Critics (12)
| Fresh (15)
| Rotten (4)
Dry humor alleviates the feeling of helplessness, whereas the actors, most of them amateurs, authenticate the story's real-world implications.
For all its technical skill and good intentions, the film doesn't quite have enough dramatic momentum to push it over the top.
Touré leaves no room for sentimentality in his tale of struggle, which has a lean but adventurous, docudrama look and feel.
The pirogue practice may still be going on, but at least Touré has done his job and has made a strong film in doing it.
It's as sadly repetitive a story for Europe as it is for the US: would-be immigrants risking all for a better opportunity elsewhere.
Every moment feels human and true, from the naive optimism of the trip's sendoff to its unsparingly realistic conclusion, which trades reckless hope for quiet honor.
La Pirogue is small compared with most Euro-American productions and has its vulnerabilities -- but its makers trusted it to do the big job of carrying the story of African emigration, and it has come through beautifully.
The storms, quarrels and casualties don't make any emotional waves since they are clinically checked off, as if the filmmakers themselves recognize the predictability of it all and would rather just hurry on to the gloomy finale we all see coming.
Director Moussa Touré's allegorical underpinning transforms this rather predictable plot, ripped from familiar headlines around the world, into a decidedly Senegalese story.
A key to the realism is tribal and linguistic diversity so often ignored in films about Africans. . memorably captures the staggering determination it takes to go to Europe.
Moussa Touré's worldview, like Ousmane Sembene's, is characterized by the feeling that, at the end of the day, some degree of loss or defeat is inevitable.
Politically powerful neorealist treatment on Senegalese "boat people" done with a poet's touch.
Baye Laye(Souleymane Seye Ndiaye) has been recruited by Lansana(Laity Fall) to captain a pirogue to Spain, consisting of thirty men. On the one hand, Baye Laye is reluctant to leave his family behind, but does not feel comfortable with having young Kaba(Babacar Oualy), who dreams of playing soccer in Spain, in charge either. What eventually sways him in going is the increase in the fee. And everything goes smoothly at first at sea even with different tribes being represented, including those from Guinea who have never even seen the open sea before. And then Nafy(Mame Astou Diallo) is discovered as a stowaway.
As social drama, "The Pirogue" does its job in shining the light on the plight of those who are desperate enough to risk their lives to make a new life for themselves in Europe. According to the endnote, from 2005 to 2010, 30,000 started out from Africa, with 5,000 dying en route. The point being made here is that even with the most meticulous preparations, some things cannot be accounted for.(Or in other words, there is no such thing as an atheist on the open seas.) Even though a documentary might not have been the best route, this dramatic presentation is far from perfect, either, even as it is well filmed. To be honest, the movie should actually have been longer, as it is rather anticlimactic.
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