The LEGO Movie 2: The Second Part
Green Book
Widows
The Walking Dead
Log in with Facebook
OR
By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
Critics Consensus: From its brilliant cinematography to its compassionate characters, Lights in the Dusk is another successful exercise in deadpan minimalist comedy from Aki Kaurismäki.
Critic Consensus: From its brilliant cinematography to its compassionate characters, Lights in the Dusk is another successful exercise in deadpan minimalist comedy from Aki Kaurismäki.
All Critics (42) | Top Critics (18) | Fresh (29) | Rotten (13) | DVD (3)
Kaurismaki creates some beautiful frames, carefully composing his affectless characters against the rooms' colors, but there's something wrong with your story when people are upstaged by the decor.
It's a deceptively satisfying, almost magical achievement, like being stranded in a desert yet never going thirsty.
Kaurismäki is self-consciously tapping into the raw pathos of an earlier time in cinema (the pain and loss that often accompanied Charles Chaplin's Little Tramp, for example). The idea works, though it is finally wearing.
The director's existential sarcasm is muted here.
The distance Kaurismki creates belies his deeply humanistic streak. He engages characters in the direst of situations not to see them suffer but to search for hope.
Lights In The Dusk plays out in the expected Kaurismäki style, with flavorful musical interludes, great affection for the city's outcasts, and lots of bleakness chased by the faintest sliver of hope.
Though it's the weakest of the three panels that form Kaurismaki's trilogy, which began with Drifting Clouds in 1996, it's still worth seeing.
Un relato crudo, probablemente desconcertante y extrañamente tragicómico, sólo para seguidores incondicionales del director, que repite su estilo sin sorpresas.
A wholly satisfying comic-existential bit of fluff.
It's exactly the picture he wanted to make; that's for sure. But in this case that's not quite enough.
Kaurismäki's spare style and economical storytelling are well-suited to this particular story about loneliness, as the director never muddies the frame with sentimental dross or lugubrious inclinations.
Aki Kaurismaki's gloomy take on film noir... is pure Kaurismaki, done in the director's inimitable deadpan and surreally dispassionate style and grim sensibility.
An ironic, existential portrait of loneliness. From the start, Koistinen is painfully out of sync with his environment and ostracized by almost every person he encounters. The tight, lingering frame compositions, remarkably open and suggestive, emphasize this discordant, askew vision. Amidst this bleakness, hope triumphs in the final, life-affirming shot. A positive end to Kaurismaki's Loser Trilogy.
Super Reviewer
[font=Century Gothic]Written and directed by Aki Kaurismaki in a deadpan style, "Lights in the Dusk" is about lonely Koistinen(Janne Hyytiainen), who has worked as a security guard for the past three years. Despite having neither experience or money, he wants to open his own security firm. One day, into his life walks blonde Mirja(Maria Jarvenhelmi) and they go out on a date. He falls for her but has no idea of her ulterior motive. Nor does he question the possibility that she is quite frankly out of his league.[/font] [font=Century Gothic][/font] [font=Century Gothic]Considering "Lights in the Dusk" is centered around a heist, it should come as no surprise that none of the characters see working for a living as anything remotely honorable. Mirja is employed by Lindholm(Ilkka Koivula), a gangster, who looks down his nose at Koistenen while using him to get the security codes for a shopping mall that he regularly patrols. Mirja is torn but fears having to actually work in a regular job too much to stop.[/font]
A night-watchman with a simple, lonely life is framed by mobsters.
There are no approved quotes yet for this movie.
View All