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Russell Crowe's rough charm is put to good use in this masterful adaptation of Patrick O'Brian's novel.
Russell Crowe's rough charm is put to good use in this masterful adaptation of Patrick O'Brian's novel.
All Critics (213)
| Top Critics (44)
| Fresh (180)
| Rotten (33)
| DVD (23)
Thanks in no small measure to Perfect Storm designer William Sandell, this handsomely mounted actioner exudes the authentic tang of salt, sweat and gunpowder.
It never achieves the visual elegance or majesty that a David Lean might have provided. The story line isn't the freshest. And yet the film is satisfying all the same.
If this is the stuff that rings the bell on your macho meter, go with my blessing.
To put it plainly, two ships playing tag across the seas is no longer my idea of whoopee, especially at a time when grown-ups are popping up all over the screen with uncensored stories of the eternal affinities and all their variations.
A gentleman's action movie.
A plain old good movie.
Crowe and director Peter Weir have thrown the cliche overboard and replaced them with great storytelling. Run -- don't walk. I liked it so much i wanted to enlist.
an exciting film
So much fun to watch that the fact it's also quite ingenious and crafty can be surprisingly difficult to notice.
Intense battle scenes and a strong story of friendship.
Peter Weir makes the Surprise a world to explore, not a splashy CGI simulation. Like a human body, the boat stays afloat through complex processes. A knockout mix of organic elegance, reflective drama and aggressive action on par with Sir David Lean.
an expansive cinematic achievement that sits well against such adventure classics as Lawrence of Arabia, and is a sure bet for fans of ocean bound drama.
The fictional epic sea yarns of Captain Jack Aubrey during the Napoleonic Wars in the early 1800's. This movie is an adaptation of a series of sea naval novels by Patrick O' Brian. The plot and characters being comprised of various segments from various novels in the Maturin series, the main two being obviously [i]Master and Commander[/i] and [i]HMS Surprise[/i] (there are 20 novels in the series).
The story starts of seeing Aubrey (Russell Crowe) of the HMS Surprise under attack from the French vessel (Privateer) Acheron, the very vessel Aubrey is under orders to seek and destroy basically. The French ship is stronger and faster leaving the Surprise heavily damaged, nevertheless Aubrey carries on with the hunt. The British follow the ship to hell and back through savage storms and freezing weather conditions trying to stop the French from attacking British whaling ships. Eventually whilst docked within the Galapagos Islands they stumble across the French and see an opportunity for attack, but in order to secure victory Aubrey must come up with something devilishly cunning in order to get in close to the French vessel.
Now admittedly this plot might seem dull if you think about it, blokes on old galleons, old fashioned Euro politics, period costumes, stiff upper lips everywhere etc...but you'd be wrong. The movie starts with a bang as Aubrey must fend off the French frigate that appears out of a thick sea fog like a ghost. The flash of multiple cannons is seen in the fog and the Surprise is hit seconds later in an explosion of timber. Men and boys scurry for their lives as various wooden features across the ships main deck are torn apart by the blast, showering everyone in splinters. The frigate emerges from its advantageous position to the shock and annoyance of Aubrey, hundreds of men toil feverishly to get the ships guns primed and ready before the frigate can come about for another attack. Aubrey remains cool and collected as he prepares himself, [i]sharp shooters to the top Mr Howard[/i], [i]stand tall on the quarter deck son, all of us[/i], [i]Mr Boyle, run up the colours[/i], [i]note for the log Mr Watt[/i]...as he is handed his tricorne. The Surprise is hit again and again, men are blown inwards by the shells, cut to pieces by the shrapnel. Those that are still alive are dragged down below for the ships doctor Maturin (Paul Bettany) to try and keep alive in his blood soaked quarters. The two warships are now virtually on top of each other, the Surprise heavily damaged with a smashed rudder. In desperation boats are dropped full of men to tow the lame Surprise as the French Acheron closes in. With luck the Surprise is pulled into another fog bank and manages to evade the French frigate, all is calm.
From this one sequence you can see how much of a rip-roaring epic this movie is gonna be, it also highlights the immense levels of realism and authenticity on display. So lets talk about that, the realism. Well for starters most the of scenes were filmed on a huge full scale replica of the HMS Rose (later renamed Surprise in honour of this film), a ship based on a 17th century 20 gun frigate. Now admittedly you can tell this, or I could, by the way the camera always pans around the hull of the ship and never drops below to actually show the sea, but apart from that this large set on gimbals is amazingly realistic looking from bow to stern. At other times the cast were shot on-board the real HMS Rose to capture some awe-inspiring panoramic shots at sea. Sure I don't exactly know how an 18th century vessel would look, but I have a rough idea like many people would, and what we see here is really impressive right down to the tiniest details. The main deck is a mass of ropes, rope ladders and knots, draped, hanging and looping all over the place. Everything is of course made of wood which naturally seems very fragile but rigid (the fear of splinters plays on ones mind), the doctor uses sand on the blood soaked floor to get a better grip when dealing with injuries, hourglasses are used as a measure of time, and everything is generally very dim because only candles light the way.
Its not all about battles and blood though, much of what we see is simply natural life on-board ship as they sail from point to point. The officers quarters are, as you would expect, spic-and-span with a grand but not overly lavish trim. The ships top gentry may enjoy a fine drink in the Captains quarters whilst discussing their next move, or they dine together whilst surrounded by their lower ranking officers, or the Captain and the doctor might engage in some classical music renditions utilising cello and violin. This one aspect shows their upbringing, their well-rounded, cultural backgrounds, as does their boardroom-esque arguments which often swing from strategy to philosophy again displaying the wealth of knowledge both men have. On the flips side the lower sections of the ship are a much darker, bleaker affair where the grunts sleep in hammocks, space is limited, the air is probably pungent and where sickness most probably spreads very easily, although the top decks wouldn't escape that either. Yet despite this its clear to see that Aubrey is a decent man, a well-rounded, genuine, good Captain who cares for his crew no matter which station. He is of course stern but fair, displaying strength and leadership when needed to keep his men in line and loyal to him, but the crew clearly show they are happy to follow their Captain.
Overall on a visual standpoint this film is damn near perfect as far as I'm concerned. The sets and props are all faultless, the costumes are authentic, every actors hairstyle looks actually genuine, the workings of an old 18th century ship seem spot on, the knowledge of the day medically and universally, and distance shots of the Surprise at sea at various times of the day are breathtaking. The fact they managed to film on the Galapagos Islands was also a notch on the movies belt for sure, the film is chock full of money shots.The film also teaches and informs you along the way too. Its amazing to think so many men managed to all cram on-board a ship like this, that there was actually enough room for them, enough food and water etc...It also shows you how strong men must have been back then, when you see the pitch battle between vessels, wood being blown into millions of deadly splinters, bodies flying, blood, limbs, smoke, the noise etc...How on earth did the Captain manage to keep control?! its incredible how every man knew what to do, each and every one of them all very important cogs and gears in a large machine.
It also gets you thinking about the little things, like what did they do with wet clothes? did they have other spare clothes or were they often wet? Did they really manage to rebuild parts of their damaged ship as we see in the film? At the start the Surprise is hit hard and badly damaged, yet the men toil like worker ants and get it all shipshape again, is that accurate? I did also wonder about the whaling ships too, like why were the French so obsessed with sinking British whaling ships? I'm guessing because they were carrying precious blubber which would later be transformed into oil? Did these ships really have many young, high ranking boys on them? You see a good historical film makes you want to know more.
Director Weir definitely captures the essence of a long period at sea, the loneliness, desperation, boredom etc...But this is alleviated by the addition of subplots which allow us to get to know the various crew members better. This being another of the films plus points, the fact that all the characters are well fleshed out, we see small story arcs , we care about them, from the bottom of the barrel, to the officers. On one hand we have the situation where one of the young officers is having real problems instilling discipline amongst the men, he is weak willed and at times shy, the men do not respond to him and refer to him as a 'Jonah'. Then we have a situation where the good doctor is accidentally shot by the Marine officer (who was trying to shoot an Albatross), and must undergo surgery, performed by his own hand with the help of his friend Aubrey. We also see the doctor performing major surgery on an elderly sailor whom we follow throughout, and we see the conflict between Aubrey and Maturin as one wants to defeat the French, and the other wants to push science. [i]'I command a King's ship, not a private yacht, we do not have time for your damned hobbies, Sir!'[/i]. Finally there is the young officer Blakeney who comes under the tutelage of Maturin and Aubrey but for very different things. The young boy shares a passion for biology which Maturin is happy to encourage, where as Aubrey is slowly instilling a sense of authority and honour into the boy, so he can himself, one day, captain a ship. Both main leads show their true character with this development whilst at the same time showing how they play off each other and the crew.
It may sound a tad boring to just follow this band of men around the seas on-board an old galleon, especially as the movie does have that strong vibe of passing time, but this passage is so thoroughly engaging I fail to see how anyone could not get caught up in the adventure. Especially seeing as the producers even went as far as to change the setting from the 1813 Anglo-American war to the 1805 Napoleonic wars so as not to offend any American audiences (ugh!). Nevertheless this film has pretty much everything you could want, its virtually perfect in every field from visuals to acting to score. A rousing high seas adventure with tense, realistic, heart-pounding action. Grand in scope, and deep on human character.
Interesting to see how naval battles were fought in the early 1800's. If only they knew then what we know now. To the chagrin of some of his senior crew, Cptn Jack Aubrey sets out to defeat a technically superior ship.
Master and Commander based on the Aubrey/Maturin novels by historical author Patrick O'Brian is, unfortunately a mediocre film that doesn't quite cut it. The books are terrific, filled to the brim with rich descriptions of that time. The novels are beautifully written, highly entertaining and above all brilliant. But, this is not the case with this film adaptation. Before, I go any further, I loved the look of the film, and I thought director Peter Weir captured the look of the period perfectly. Unfortunately, a good looking film doesn't necessarily mean it's a good film. Master and Commander is a mediocre film that could have been much better than this, considering that the books are wonderful. Despite the somewhat lacking material on-screen, the performances delivered by the actors, especially Crowe and Bettany are terrific. I've enjoyed what I read by Patrick O'Brian and love the historical aspect of his works. Unfortunately, Master and Commander is a boring film that nothing happens for long periods of time. Don't get me wrong, I absolutely love films where it takes time for the plot to unfold, but unlike the book, this film went nowhere. I saw this in the theatre and the audience seemed bored. Peter Weir is a good director, but with this film, he just doesn't cut it. Considering that the books are filled with adventure, action and are exciting to read; the film adaptation of Master and Commander could have been an exhilarating adventure film, and though it somewhat captures the essence of novel, this is a mediocre film that doesn't deliver what the books do so well. If you haven't seen this film, read the books instead, they're better and better conceived. Master and Commander for me was a disappointment.
2003 was an interesting year for nautical films. A revival of sorts almost happened, but not quite. In that year there was Pirates of the Caribbean: The Curse of the Black Pearl and this film. While that one was a rip-roaring action film that proved to be great for popcorn entertainment, this film takes a more intelligent and artsy approach, proving to be a technical masterpiece that will mostly appeal only to some, namely due to lots of quiet moments of dialogue, sparse action scenes, and a greater eye for attention to detail and period accuracy.
This film has a story, and it's a good one, but it's not about the plot. It's more about the characters, namely the two principals: the strong captain played by Russell Crowe, and his friend- the ship's docter and naturalist played by Paul Bettany. Both are terrific in their roles, drawing apt comparisons to Sherlock Holmes and Watson.
This is not a film for everyone though. A lot of people may find it boring, and I'll admit, there could have been another action scene or two, and some more development with some of the other characters, but all in all, I found this to be a very fascinating film. I know some but not a lot about the nautical world of this time period, but from what I do know, this film gets a great deal of it correct, and that's something I really appreciate. If you ever wanted to know about the ins and outs of being on a early 19th Century British warship, than this is the film for you.
The film was nominated for many Academy Awards, but only came away with a couple. One of those, however, was for cinematography, and that one was well deserved. Then again, this is a Peter Weir film, so I kind of expected that. I also liked that the film used a mixture of techniques to get thingsdone, including models and replicas, instead of putting too great of a reliance on cg. Something I found quite striking was the music. There's not as much of it as you might think, adding to the atmosphere and setting greatly.
If you want a movie that is both thrilling (at times), yet has very high artistic merits, then you really need to see this. Despite a few nitpicks, I thought it was amazing. There needs to be some sequels to this one, and I'm surprised they haven't happened yet. Someone make it happen.
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