Orphée (Orpheus)

Critics Consensus

Heavy with symbolism and deliberately paced, Orpheus may not be for everyone -- but as an example of Jean Cocteau's eccentric genius, it's all but impossible not to recommend.



Reviews Counted: 28

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Audience Score

User Ratings: 4,644


All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0


Average Rating: 4.2/5

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Movie Info

Cinematic poet Jean Cocteau explored the myth of Orpheus on no fewer than three occasions: Le Sang d'Un Poete (Blood of a Poet, 1930), Orphee (Orpheus, 1949) and Le Testament d'Orphee (1960). This second of his "Orpheus" trilogy stars Jean Marais in the title role. Updated to contemporary Paris (albeit a Paris never seen before or since), the story concerns a sensitive young poet named Orpheus, who is married to the lovely Eurydice (Marie Dea). Orpheus' friend Cegeste (Edouard Dermit) is killed in a traffic accident. In the hospital morgue, Cegeste's patroness, The Princess of Death (Maria Casares), revives the young man; then, both Cegeste and Princess pass into the Underworld. Back on earth, Orpheus receives cryptic messages from Cegeste's spirit, as well as nocturnal visitations from the Princess. Meanwhile, Orpheus' wife enters into an affair with Heurtebise (Francois Perier). After seeking advice on her mixed-up love life, Eurydice is herself struck down and killed by the same cyclist who snuffed out Cegeste's life. It appears to Heurtebise that the ghostly Princess has claimed Eurydice so that she, the Princess, can be free to love Orpheus. Heurtebise persuades Orpheus to accompany him into the Underworld in hopes of returning Eurydice to life. By now, however, Orpheus cares little for his wife; he is completely under the Princess' spell. Offered her own liberation from the Underworld by the powers-that-be, the Princess dolefullly agrees to restore Eurydice to life, and to never have anything to do with Orpheus again. Orpheus has weathered much controversy to take its place among the director's most acclaimed works. Originally released at 112 minutes, the film was whittled down to 95 minutes for its American release. ~ Hal Erickson, Rovi


Critic Reviews for Orphée (Orpheus)

All Critics (28) | Top Critics (7)

  • It has the mystery and elasticity of a dream, and all the farcical comic horror of chancing across the intricate contents of the Blessed Virgin's lingerie collection.

    Oct 18, 2018 | Rating: 5/5 | Full Review…
  • Jean Cocteau's scripting and directing give the film its proper key of unworldliness.

    Mar 26, 2009 | Full Review…

    Variety Staff

    Top Critic
  • Somnambulistic symbolism may be art for art's sake. Maybe not. This writer finds it slightly tiresome.

    Mar 25, 2006 | Full Review…
  • Its tight cross-lacing of paranoid dreaming and poetic realism grips like a bondage corset.

    Feb 11, 2006 | Full Review…
  • Full of haunting imagery plucked from the realm of fairy tales, Orphée is one of the great cinematic fantasies of the 20th century.

    Mar 16, 2004 | Rating: 5/5 | Full Review…

    Jamie Russell

    Top Critic
  • Cocteau's film technique is as eccentrically sui generis as ever -- his apparent mistakes are often among his most expressive moments.

    Jan 1, 2000 | Full Review…

Audience Reviews for Orphée (Orpheus)

a modern (or at least 50s paris) retelling with beautifully simple effects; almost as magical as la belle et la bete. wonderfully poetic dialogue. gotta love the death bikers :p i read cocteau wanted garbo or dietrich for casares' part. that's fun to imagine.

Stella Dallas
Stella Dallas

Super Reviewer


A modern retelling of the Greek myth of Orpheus and Eurydice. Eurydice dies and Orpheus goes to the underworld to bring her back, with the understanding that he can never look at her. I heard raves about this and was excited about seeing it, especially knowing that director Jean Cocteau had directed the magical, brilliant La Belle et La Bete. But I was profoundly disappointed in this. Yes, the effects were interesting, but La Belle did them SO much better. The underworld, instead of seeming ominous and threatening, just seemed to be a dark street in a bad neighborhood. And finally, I just didn't buy that these characters had a love that transcended death itself. Vastly overrated. But maybe I'm just missing something.

Cindy I
Cindy I

Super Reviewer

Another stunning work of art by a true artist

Arash Xak
Arash Xak

Super Reviewer


The special effects are what really standout about this really interesting film. A precursor to David Lynch, Tim Burton, Rex Meyer and Guillermo del Toro.

Ken Stachnik
Ken Stachnik

Super Reviewer

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