The Invisible Man
The Whistlers
Knives Out
I Am Not Okay with This
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Dramatically gripping and frighteningly smart, this Lynchian thriller does wonders with its unlikely subject and shoestring budget.
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All Critics (58) | Top Critics (14) | Fresh (51) | Rotten (7)
Quote not available. September 7, 2011 | Rating: B | Full Review…
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Owen Gleiberman
Aronofsky, who has parlayed this movie's Sundance success into two Hollywood deals, is that rare indie filmmaker who doesn't want to make hip romantic sitcoms. He's a genuine experimenter with a spooky visual style. March 29, 2009 | Full Review…
Aronofsky, who has parlayed this movie's Sundance success into two Hollywood deals, is that rare indie filmmaker who doesn't want to make hip romantic sitcoms. He's a genuine experimenter with a spooky visual style.
Richard Corliss
We share Max's feelings of imminent psychological disintegration as the film probes our own insecurity in the face of the eternal. Maths meets millennial doom in one of the decade's true originals. February 29, 2008 | Full Review…
We share Max's feelings of imminent psychological disintegration as the film probes our own insecurity in the face of the eternal. Maths meets millennial doom in one of the decade's true originals.
Trevor Johnston
It's remarkable to what extent Aronofsky has rendered the cerebral kinetically intense. The film's imaginative, diverse images create a mind's-eye urban claustrophobia. June 6, 2007
It's remarkable to what extent Aronofsky has rendered the cerebral kinetically intense. The film's imaginative, diverse images create a mind's-eye urban claustrophobia.
Dennis Harvey
Audacious and bursting with ideas. July 12, 2002 | Rating: 3/4
Audacious and bursting with ideas.
Liam Lacey
The movie's low-budget look neatly matches the claustrophobia of Max's life, but the filmmakers have also devised some special shooting methods for certain scenes. These sequences -- breathless and jangly chases, for the most part -- look terrific. December 19, 2001 | Full Review…
The movie's low-budget look neatly matches the claustrophobia of Max's life, but the filmmakers have also devised some special shooting methods for certain scenes. These sequences -- breathless and jangly chases, for the most part -- look terrific.
Laura Miller
...Aronofsky's taste for including horror in his films is evident from his very first feature... November 3, 2018 | Rating: 7/10 | Full Review…
...Aronofsky's taste for including horror in his films is evident from his very first feature...
Sarah Boslaugh
Restricted as an up-and-coming filmmaker, Aronofsky didn't conform to convention and instead delivered his art full throttle... October 17, 2018 | Rating: 4/5 | Full Review…
Restricted as an up-and-coming filmmaker, Aronofsky didn't conform to convention and instead delivered his art full throttle...
Marisa Mirabal
A workout, no question, and not for everyone, but it has intellectual and spiritual fervor, and even when it stops dead for some mystical exposition, at least it assumes our intelligence (though also our patience). June 26, 2018 | Full Review…
A workout, no question, and not for everyone, but it has intellectual and spiritual fervor, and even when it stops dead for some mystical exposition, at least it assumes our intelligence (though also our patience).
Rob Gonsalves
A tour-de-force of grainy, high-contrast black-and-white photography and inventive editing and sound design, π at times ventures to the limits of cinematic legibility. April 11, 2018 | Full Review…
A tour-de-force of grainy, high-contrast black-and-white photography and inventive editing and sound design, π at times ventures to the limits of cinematic legibility.
Gavin Smith
Pi accomplishes so much more with...its micro-budget than a Hollywood production could. February 20, 2014 | Rating: A- | Full Review…
Pi accomplishes so much more with...its micro-budget than a Hollywood production could.
Christopher Runyon
a real treat January 30, 2013 | Rating: B+ | Full Review…
a real treat
John A. Nesbit
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