Pin Cushion

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Pin Cushion: Trailer 1

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Cast

Joanna Scanlan
as Lyn

Lily Newmark
as Iona

Loris Scarpa
as Daz

Sacha Cordy-Nice
as Keeley

Bethany Antonia
as Chelsea

Saskia Paige Martin
as Stacie

Sophia Tuckey
as Peggy

John Henshaw
as Percy

Lennon Bradley
as Sam

Aury Wayne
as Sicko

Charlie Frances
as Dwayne

Isy Suttie
as Anne

Pamela DeAbreu
as Friendship Group Member

Lee Jacob
as Jordan

Phil Tillott
as Psychic Audience Member

Chanel Cresswell

Bruce Jones

Nadine Coyle

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Critic Reviews for Pin Cushion

Audience Reviews for Pin Cushion

• Aug 26, 2018

  It's a cruel, cruel world for kids. There are a lot of harsh truths that you never see coming, and, depending on your class status and family, they can be drastically more difficult to deal with. That's probably why Lady Bird hit so hard a year ago because intrinsic to its standard coming-of-age plot line was a subtler undercurrent of socio-economic struggle. Where many of these types of films focus almost exclusively on the protagonist's emotional state, Lady Bird and now Deborah Haywood's Pin Cushion have quite a lot to do with the mechanisms that surround the elucidation of adulthood. Starting life fresh in a new town, Lyn (Joanna Scanlan) and her teen daughter Iona (Lily Newmark) are eccentric and in sync with each other, but the insular and catty nature of their new home drives them apart in spite of themselves. Their naive and passive proclivities give them away to the most callous inhabitants of their community, and they fall prey to an almost hyperbolic series of bullyings. This thing gets dark then darker. If I were forced to provide a point of reference for the sense of unsettling dread that permeates this movie I would immediately say Hereditary. Yet somehow Pin Cushion seems more sincere than that critically acclaimed darling of a film because however absolutely bizarre Lyn and Iona act, there isn't some silly satanic cop-out. They really are struggling with not only sanity but the absurdly vindictive society that they isolated themselves from until it was too late for them to be able to deal with it. Much of the film focuses on Iona's experiences as she traverses her school's small social sphere like any film of this particular genre. But when she tries to fit in, she is subjected to passive aggressive agony all the way to outright slanderous hatred. That "small victory" sense of triumph characteristic of other similar set films is rarely seen. Instead we are treated to the darkest humor riddled with gorgeously shot fantasy sequences of how she would wish her life to be, so the highs are high enough that the lows are absolutely devastating. It's equal parts hilarious, depressing, and thoughtful, and it's a film that makes you want to be nicer to people.
  

  K Nife C Super Reviewer

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