Playing by Heart Reviews

  • Jan 03, 2019

    1/3/2019 A much younger Angelina Jolie right before her career took off top bills this star-studded romantic comedy (and some little bit of drama). It is the story of four couples and their own little struggles with falling in (and out) of love. It is heartstrings-tugging for the most part, peppered with hilarity. Angelina and Ryan Phillippe are extremely gorgeous here by the way.

    1/3/2019 A much younger Angelina Jolie right before her career took off top bills this star-studded romantic comedy (and some little bit of drama). It is the story of four couples and their own little struggles with falling in (and out) of love. It is heartstrings-tugging for the most part, peppered with hilarity. Angelina and Ryan Phillippe are extremely gorgeous here by the way.

  • Jan 03, 2018

    A great cast keep this relationship talkie ticking over. It plays out like a play and relies on the chemistry of the characters relationships. Another small role for Gillian Anderson as one of the sisters but a young Angelina Jolie rises above the ensemble cast as the unlucky in love sister.

    A great cast keep this relationship talkie ticking over. It plays out like a play and relies on the chemistry of the characters relationships. Another small role for Gillian Anderson as one of the sisters but a young Angelina Jolie rises above the ensemble cast as the unlucky in love sister.

  • Apr 27, 2017

    really liked this good family drama

    really liked this good family drama

  • Jul 03, 2016

    When you bring out the big guns for your giant 90's romcom acting ensemble: Jay Mohr and Jon Stewart.

    When you bring out the big guns for your giant 90's romcom acting ensemble: Jay Mohr and Jon Stewart.

  • Dec 31, 2015

    "Playing By Heart" is Robert Altman lite, talky, ensemble-driven fare where comedy and romance come easily but not necessarily believably, warmly but not always invitingly. It's faux deep and desperate to be insightful regarding the pains of modern love. The movie is more of an exercise than it is a film, a chance for its sophisticated actors to exchange witty bits and pieces of dialogue and for writer/director Willard Carroll to microphone his talents as someone with an ear for rich, almost musical conversation. It's minor, sure. But it's attractive and easy to engage with, good until rugs are pulled out from under each promising storyline in favor of cringeworthy sentimentality. And considering how many storylines characterize the film, such a factor is displeasing; "Playing By Heart" is delightful before the time comes to wrap things up. Then and there do we have to decide if its last few moments are going to take away from the joys coming previously. In the film, interweaving tales of love in Los Angeles tangle, all well-acted (the cast is scrumptiously starry) but differing in terms of success. Couples range from young to old, happy to depressed, content to empty (but mostly empty) - the most resonant narrative follows Joan (Angelina Jolie) and Keenan (Ryan Phillippe), young club-hoppers who carry loneliness they downplay; Joan is a quirky flibbertigibbet, Keenan a secretive loner. They need each other, the former realizing it much more than her object of affection. Another focuses on Hannah (Gena Rowlands) and Paul (Sean Connery), an old married couple approaching their fortieth wedding anniversary and marital trouble. Paul confesses to have had an affair during the middle years of the union, though he assures his wife that his love for her grew stronger because of it. Right. More of the film, in the meantime, is spent with characters in underdeveloped, or, at worst, uninteresting storylines, those involving couples played by Gillian Anderson and Jon Stewart (in which a burgeoning romance is burdened by irritating distrust on the former's part), and Madeleine Stowe and Anthony Edwards (where parties to an affair begin to reflect on their realities). A particular character (Dennis Quaid), whose relation to these people is revealed later, goes from bar to bar pretending he's someone he isn't; a touching detour revolves around a mother (Ellen Burstyn) dealing with the final days of her AIDS afflicted son (Jay Mohr). How the individuals of "Playing By Heart" are ultimately associated is ingenious enough for us to want to hit ourselves for not guessing the connections earlier. So it's too bad that facts are revealed a while after most of the storylines have defined themselves as being love stories unafraid to climax in made-for-TV predictability. Carroll spends so much time flashing his writing talents that we expect that this is going to be something akin to a minor Woody Allen classic - why he takes the romance novel way out results in a head-scratch edged out with a little bit of blood. This could have been a subversive romantic comedy classic had he trusted his talents more. He's got the actors to prove it. The cast is unbelievably noteworthy, Angelina Jolie standing out in particular as a twenty-something with a personality so divine and smart you'd swear her character were based on an old flame of Carroll. Bluntly, Joan is the only portion of "Playing By Heart" that doesn't feel playfully phony, Jolie delivering her director's slippery dialogue as if someone would really speak like a Broadway oddity. Why Joan so quickly falls in love with the mostly personality-less Keenan is baffling. She could have had a film all to herself. But as "Playing By Heart" is like "Magnolia" era Paul Thomas Anderson minus the heaviness, the cast is integral, and, here, are well-suited for this sort of material (playing similarly to likable Off-Broadway). They don't disappoint - the film's faults move in the direction of Carroll, who shows compelling talent but isn't as sure of himself as we are of him. "Playing By Heart" is not anything besides breezy, bubbling entertainment with a taste for the saccharine. Whether you're sold by it is up to you.

    "Playing By Heart" is Robert Altman lite, talky, ensemble-driven fare where comedy and romance come easily but not necessarily believably, warmly but not always invitingly. It's faux deep and desperate to be insightful regarding the pains of modern love. The movie is more of an exercise than it is a film, a chance for its sophisticated actors to exchange witty bits and pieces of dialogue and for writer/director Willard Carroll to microphone his talents as someone with an ear for rich, almost musical conversation. It's minor, sure. But it's attractive and easy to engage with, good until rugs are pulled out from under each promising storyline in favor of cringeworthy sentimentality. And considering how many storylines characterize the film, such a factor is displeasing; "Playing By Heart" is delightful before the time comes to wrap things up. Then and there do we have to decide if its last few moments are going to take away from the joys coming previously. In the film, interweaving tales of love in Los Angeles tangle, all well-acted (the cast is scrumptiously starry) but differing in terms of success. Couples range from young to old, happy to depressed, content to empty (but mostly empty) - the most resonant narrative follows Joan (Angelina Jolie) and Keenan (Ryan Phillippe), young club-hoppers who carry loneliness they downplay; Joan is a quirky flibbertigibbet, Keenan a secretive loner. They need each other, the former realizing it much more than her object of affection. Another focuses on Hannah (Gena Rowlands) and Paul (Sean Connery), an old married couple approaching their fortieth wedding anniversary and marital trouble. Paul confesses to have had an affair during the middle years of the union, though he assures his wife that his love for her grew stronger because of it. Right. More of the film, in the meantime, is spent with characters in underdeveloped, or, at worst, uninteresting storylines, those involving couples played by Gillian Anderson and Jon Stewart (in which a burgeoning romance is burdened by irritating distrust on the former's part), and Madeleine Stowe and Anthony Edwards (where parties to an affair begin to reflect on their realities). A particular character (Dennis Quaid), whose relation to these people is revealed later, goes from bar to bar pretending he's someone he isn't; a touching detour revolves around a mother (Ellen Burstyn) dealing with the final days of her AIDS afflicted son (Jay Mohr). How the individuals of "Playing By Heart" are ultimately associated is ingenious enough for us to want to hit ourselves for not guessing the connections earlier. So it's too bad that facts are revealed a while after most of the storylines have defined themselves as being love stories unafraid to climax in made-for-TV predictability. Carroll spends so much time flashing his writing talents that we expect that this is going to be something akin to a minor Woody Allen classic - why he takes the romance novel way out results in a head-scratch edged out with a little bit of blood. This could have been a subversive romantic comedy classic had he trusted his talents more. He's got the actors to prove it. The cast is unbelievably noteworthy, Angelina Jolie standing out in particular as a twenty-something with a personality so divine and smart you'd swear her character were based on an old flame of Carroll. Bluntly, Joan is the only portion of "Playing By Heart" that doesn't feel playfully phony, Jolie delivering her director's slippery dialogue as if someone would really speak like a Broadway oddity. Why Joan so quickly falls in love with the mostly personality-less Keenan is baffling. She could have had a film all to herself. But as "Playing By Heart" is like "Magnolia" era Paul Thomas Anderson minus the heaviness, the cast is integral, and, here, are well-suited for this sort of material (playing similarly to likable Off-Broadway). They don't disappoint - the film's faults move in the direction of Carroll, who shows compelling talent but isn't as sure of himself as we are of him. "Playing By Heart" is not anything besides breezy, bubbling entertainment with a taste for the saccharine. Whether you're sold by it is up to you.

  • Jun 09, 2015

    One of my favorite movies!

    One of my favorite movies!

  • Mar 04, 2015

    I was actually an extra in this movie and other than it having Angelia & Ryan Phillippe, and a bunch of great actors...? The movie itself really is NOT Good :( Oh wait! Some of the dialogue is really awesome, overly pedantic..? But awesome :)

    I was actually an extra in this movie and other than it having Angelia & Ryan Phillippe, and a bunch of great actors...? The movie itself really is NOT Good :( Oh wait! Some of the dialogue is really awesome, overly pedantic..? But awesome :)

  • Jan 08, 2015

    Best part about this movie is the font on the credits. Definitely a Chick-flick that has not aged gracefully.

    Best part about this movie is the font on the credits. Definitely a Chick-flick that has not aged gracefully.

  • Carlos M Super Reviewer
    Aug 22, 2014

    A passable yet rather predictable romantic drama that, despite a top-notch cast, seems more interested in its element of surprise at the end, reducing all the complexity of its situations and themes to a happy ending where everything works out and is wrapped up in easy fashion.

    A passable yet rather predictable romantic drama that, despite a top-notch cast, seems more interested in its element of surprise at the end, reducing all the complexity of its situations and themes to a happy ending where everything works out and is wrapped up in easy fashion.

  • Jul 23, 2014

    I'ts one of those typical cases in which the movie is better recieved by the audience than the criticts. I'm glad to see that me, as part of the audience, I share my peer's view. It's always nice to see Sean Connery.

    I'ts one of those typical cases in which the movie is better recieved by the audience than the criticts. I'm glad to see that me, as part of the audience, I share my peer's view. It's always nice to see Sean Connery.