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This road-trip movie about an autistic savant and his callow brother is far from seamless, but Barry Levinson's direction is impressive, and strong performances from Tom Cruise and Dustin Hoffman add to its appeal.
All Critics (76)
| Top Critics (15)
| Fresh (68)
| Rotten (8)
| DVD (16)
Barry Levinson directs in masterful style It is his best effort in what promises to be a distinguished career.
It's Hoffman's most exposed performance in that he must work almost entirely with his character's landlocked interior life.
Everything about the acting and direction of Rain Man is so exquisitely calibrated and so right that it's all too easy to forget how much could have gone wrong.
A fascinating, often very moving, frequently funny film.
It's an honorable effort, touched by a certain lightness and grace.
What no one can argue is that Rain Man is Cruise's quantum leap, so that it can be said unblushingly that he holds his own with the masterly Hoffman.
[A] poignant and involving comedy drama.
Rain Man cheers up its audience but avoids sentimentality. Films like that are rare.
A professionally made, commercial film, no doubt, but its secrets can be uncovered with a second viewing. [Full Review in Spanish]
Rain Man is a buddy picture with one buddy missing, a road movie without much to see along the way.
The story may be too black for many looking for a light comedy, or entertainment-escape. But it's a film that's haunting in the way it unravels the love at the core of two brothers who discover each other.
The best films are those that manage to generate emotion in their audience without ever feeling phony or melodramatic. Rain Man does exactly that.
One of the better family films, w/o the schmaltz oozing around every single corner, and firmly grounded by three stellar turns in the leads, well written and very well directed, this work asks tough questions of everyone involved, including the viewers, but mainly: how to love someone who is not lovable? What about not even likable? Interestingly, the dynamic chosen is that the brother here who is apparently unlikable is actually the nicer one, and vice versa. Recommended.
Charlie Babbitt's transformation is convincing, Dustin Hoffman is excellent and the chemistry between the brothers is touching. The art direction and music are hella dated but the movie is otherwise timeless.
I must have been about ten or eleven when Rain Man was released and I remember enough about this time that it was seemingly heralded as a modern classic. The fact that it went on to win several oscars - including Best Picture - would further back this up. In hindsight, it's not the classic that its proclaimed to be but still remains a solid human drama.
Charlie Babbitt (Tom Cruise) is a self-centred car salesman who discovers that his recently deceased father has left his fortune to his older, autistic brother Raymond (Dustin Hoffman) - that he didn't know he had. In a bid to get his hands on the money, he kidnaps his brother but rather than it turning into a money making scheme, Charlie finds himself bonding with Raymond on their cross-country journey.
On the surface, Rain Man comes off as a film about family ties, responsibilities and an exploration of learning disabilities. This is true to a great extent but essentially it's a road movie with two mismatched characters and actors. Hoffman delivers another masterful performance and one that gained him his second Best Actor Oscar after "Kramer Vs Kramer" in 1979. There's a real sensitivity to his performance, which in turn, brings a lot of humour. The humour can sometimes come across as unintentional but that's all the more credit to Hoffman's abilities. As for Cruise, he's all cocksure arrogance - like most of his performances throughout the 80's - but he's perfectly fitting and delivers one of the more grounded and mature performances of his career. He plays off Hoffman brilliantly and after playing alongside Paul Newman in "The Color Of Money" two years previously, this marked the second time that Cruise held his own against two of the screen greats - the two of them also on Oscar winning form at the time. Behind the camera, Levinson does an admirable job but his main strengths lie in capturing the subtleties of the performances. Anything else other than that is generic filmmaking. That's not to say that it's poor. It far from that, but I wonder whether it was deserving of a Best Director Oscar. Other candidates from that year included Martin Scorsese for "The Last Temptation of Christ" and Alan Parker for "Mississippi Burning". At least two, that could arguably have taken the award. However, this is the type of material that the Academy laps up; it's a difficult subject in highlighting the complexities of autism and although it's one of very few film's to tackle it, it doesn't provide any answers and doesn't probe as well as it should. Maybe the lack of probing is exactly the point? Autistic savants can't be understood and it confirms that through Cruise's frustrated character. Either way, I found that it became a little contrived and formulaic. This is a small gripe though, as the journey that these two go on is filled with humour and pathos and manages to be both touching and emotionally uplifting.
A thoughtful and affecting story that benefits from exemplary performances and great chemistry from the two leads.
I love this film. I usually have issues with 80s films made in this format but this film is one of the best 80's films I've seen. Dustin Hoffman is phenomenal in this film and it shows the progression of the relationship between his character and Cruise's. To anyone who thinks Tootsie is Hoffman's best 80's film, first off you're wrong, secondly this could wipe the floor with Tootsie any day of the week. Rain Man is one of my favorite films of all time and the only reason for it not getting 5 stars in my book is due to the unnecessary foul language on Cruise's part. If it didn't have that than this film could have been one of the top films ever.
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