Mary Poppins Returns
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All Critics (70)
| Top Critics (20)
| Fresh (60)
| Rotten (10)
| DVD (1)
It's one of those films you have to reconstruct in your mind.
Some of the dialogue is overloaded, but the formidable cinematography, by Nicolas Karakatsanis, envelops us in an ever-darkening world.
Many terms applied to action movies - muscular, animalistic, testosterone-fueled - are literally true of Bullhead.
Even though the crime story winds up overwhelming the proceedings, it's the characters that make Bullhead so powerful and so unique.
[It] has enough strands of story for an epic tale. But Roskam appears more interested in trying to combine genres that don't easily cohere.
Bullhead proves that you can make an underworld movie pumped up with pretension.
A well-executed film, it is, nonetheless, a tough sell.
At two hours, there's a lot of grunting and knuckle-cracking but it never lacks for dramatic heft.
Bullhead is the Oscar nominee you should be obsessing over. This Belgian dark horse with bite is tucked away in the Best Foreign Film category, but it might be one of the best films of the year.
Roskam hooks us like a master and leads us where he needs to and wants to - on HIS terms and those that the story demands.
Roskam has created a convoluted but airtight plot involving undercover investigations, betrayals and revenge, it doesn't go in the direction one might expect.
[A] bleak, dense, complex thriller ...
The Belgian film "Bullhead" stars Matthias Schoenaerts as a cattle farmer who traffics in black-market steroids to fatten his livestock and himself. Over time, we learn why he's fixated on developing his musculature. I won't give away the details. I'll just say that it stems from an event in his childhood and that this event is horrifying.
The film was nominated for an Oscar as Best Foreign-Language Film of 2011. (It lost to Iran's "A Separation.")
"Bullhead" is effective and haunting, and Schoenaerts' performance is magnetic. But it has a number of weak aspects. First and foremost, its story is all over the place. There are about six different stories chaotically thrown together. If the film had focused more on the Schoenaerts character, it would have been greatly improved.
Instead, first-time writer/director Michael Roskam introduces us to just about everyone in the man's village, including the boy who witnessed Schoenaerts' childhood atrocity and is now secretly in love with him. And the sister of the perpetrator, whom Schoenaerts has secretly loved for 20 years. Plus about 15 men with whom Schoenaerts is involved in the black market. Plus several police officers closing in on Schoenaerts and his fellow farmers in an attempt to crack the black market.
Everything but the kitchen sink is thrown in. I often complain about thin stories in contemporary cinema. Almost as frustrating is when a filmmaker has too many story ideas and cannot edit himself. Someone has to teach Roskam how to narrow the focus of his stories so his audience is less dizzy and confused.
Focus and prioritization is required during the writing of the screenplay. It also must happen in the editing booth when the shooting is done. Roskam doesn't know how to edit there either. For this film to have a 125-minute running time is ridiculous. Roskam definitely had 90 minutes of good story-telling in the footage he shot. He couldn't find a way to cut away the excess to spotlight those 90 choice minutes. I could see many viewers tuning out at 100 minutes, just from exhaustion. There's nothing more annoying than two hours of meandering footage.
However, there are some amazing moments in "Bullhead," and it's nice to see a young male filmmaker turning his attention to the remarkable fixation on musculature among males today. Is it a form of self-worship? Body worship? When did this fascination with male muscles begin? In the 1980s? That appears to be when it started skyrocketing as a cultural phenomenon. It's quite astonishing and appears to be global. What does it say about the male psyche today?
I appreciate very much that Roskam is one of the few filmmakers venturing into this thematic territory. He has a lot of talent. Did he deserve an Oscar nomination on his first film? I would say no. I don't know who was responsible for that, but I think it was entirely too generous.
But if Roskam gets better at editing his own ideas and his own footage, he could turn into a major filmmaker. He's already responsible for turning Schoenaerts into a global movie star. (Schoenaerts currently stars in "Rust and Bone" with Marion Cotillard.) What's next for Roskam? I'm eager to watch and find out.
Fresh, beautifully executed, Matthias Schoenaerts is amazing. If the Academy hadn't made a political pick for the Oscar in 2012, this would have won!
"Sometimes in a man's life stuff happens that makes everyone go quiet"
A young cattle farmer is approached by a veterinarian to make a deal with a notorious beef trader.
A hypermasculine, steroid-shooting bull of a man seeks revenge for a boyhood wrong amidst the Belgian agrarian hormone trading underground. A well-plotted crime drama with a twist that makes you feel a strange sympathy for its intensely frightening protagonist.
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