Shadows of Forgotten Ancestors (Tini zabutykh predkiv) (1967)
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Critic Reviews for Shadows of Forgotten Ancestors (Tini zabutykh predkiv)
It's one of the most unusual films I've seen, a barrage of images, music and noises, shot with such an active camera we almost need seatbelts.
Shadows was a leap in the dark like none other in Soviet film history, and a slap in the face of the officially sanctioned and artistically vacuous school of Socialist Realism.
In this overwhelmingly beautiful movie, a sad, short, brutalized life is elevated to ecstatic myth.
The athletic camerawork and the bizarre visual effects take their tone from the folk ballads that recur on the soundtrack, sometimes touching an authentically barbaric or tragic poetry.
There are hallucinatory sequences in Sergei Paradzhanov's 1964 film Shadows of Forgotten Ancestors when this eruptively colorful movie feels more like a folkloric tapestry sprung to life than a film about flesh-and-blood people.
Shadows of Forgotten Ancestors is one of those rare films that look totally fresh and uncorrupted -- as if the director hadn't pilfered a thing from other film makers but had simply discovered the camera, and how best to use it, by himself.
Audience Reviews for Shadows of Forgotten Ancestors (Tini zabutykh predkiv)
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