The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The second installment of the trilogy, co-scripted by Michael Chabon, is a real supe-opera, with the usual young adult turmoil pushed into the realms of comic-book mythology with the complications of his power, guilt, and responsibility.
The trick with Spider-Man is to swing both ways -- the superheroics and the super lack of self-esteem -- without getting mired in the dreary introspective moping that did for Ang Lee's awful Hulk. Spider-Man 2 balances it all but perfectly,
Emotionally deeper, better looking and twice as exciting as the blockbuster that kicked off the franchise two years ago, Spider-Man 2 just became the new gold standard for the current crop of super-hero movies.
Alfred Molina makes a more baroque supervillain than Willem Dafoe's Green Goblin, but the other stars seem happy to be giving us more of the same. Sam Raimi's direction, on the other hand, is even more fluent and well paced.
The web-slinging sequences are bigger-better-brighter-faster than the already spectacular ones in 2002's Spider-Man, and at the same time, the film's smaller emotional moments are denser, richer and more resonant than those in the first.