1917
Just Mercy
The Lighthouse
Dare Me
Got more questions about news letters? Email support@rottentomatoes.com
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
Tap to review this movie
Super Reviewer
Rate this movie
Oof, that was Rotten.
Meh, it passed the time.
It’s good – I’d recommend it.
Awesome!
So Fresh: Absolute Must See!
You're almost there! Just confirm how you got your ticket.
Step 2 of 2
Fandango
AMC (Coming Soon)
We won’t be able to verify your ticket today, but it’s great to know for the future.
Cinemark (Coming Soon)
Regal (Coming Soon)
Bought somewhere else
By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
Rent or buy
All Critics (21) | Top Critics (9) | Fresh (19) | Rotten (2)
Unspools like a Françoise Sagan novel: purposefully, enigmatically and with a raw emotional purity that makes its volatile central couple appear even more defenseless than they really are. Apr 25, 2013 | Rating: 5/5
Unspools like a Françoise Sagan novel: purposefully, enigmatically and with a raw emotional purity that makes its volatile central couple appear even more defenseless than they really are.
Jeannette Catsoulis
Writer-director Amy Seimetz's oddly sunny film noir is a classic tale of young lovers on the run, reminiscent in tone of the darkly comic moments in Terrence Malick's "Badlands." Apr 25, 2013 | Rating: 3.5/4
Writer-director Amy Seimetz's oddly sunny film noir is a classic tale of young lovers on the run, reminiscent in tone of the darkly comic moments in Terrence Malick's "Badlands."
John Hartl
[Audley's] richly textured debut is assured in every choice, from first frame to last. Apr 25, 2013 | Rating: 4/5 | Full Review…
[Audley's] richly textured debut is assured in every choice, from first frame to last.
Miriam Bale
Working wonders on a tight budget, Seimetz uses handheld cameras and tight compositions to create an air of claustrophobic intensity interspersed with moments of ragged beauty. Apr 25, 2013 | Rating: B+ | Full Review…
Working wonders on a tight budget, Seimetz uses handheld cameras and tight compositions to create an air of claustrophobic intensity interspersed with moments of ragged beauty.
Nathan Rabin
Seimetz hasn't quite figured out how to sustain long-form tension; by the time this modest microindie noir starts laying its cards on the table, your attention will have already folded. Apr 23, 2013 | Rating: 2/5
Seimetz hasn't quite figured out how to sustain long-form tension; by the time this modest microindie noir starts laying its cards on the table, your attention will have already folded.
David Fear
This is the feature directorial debut of actress Amy Seimetz, and while it doesn't quite go all the way, it demonstrates an interesting sense of style and a firm handle on expressing an inner world on film. Apr 22, 2013 | Rating: b-
This is the feature directorial debut of actress Amy Seimetz, and while it doesn't quite go all the way, it demonstrates an interesting sense of style and a firm handle on expressing an inner world on film.
Katie Walsh
A sweaty slow-burn thriller, [director Amy Seimetz] throws us right in the mix and manages to keep us intrigued with a satisfying mix of emotions and murderous intentions right to the very end. Aug 12, 2019 | Full Review…
A sweaty slow-burn thriller, [director Amy Seimetz] throws us right in the mix and manages to keep us intrigued with a satisfying mix of emotions and murderous intentions right to the very end.
Nicholas Bell
Sheil is a revelation here in a role that should hopefully help launch her career, and Seimetz (along with cinematographer Jay Keitel) shows an incredible handle of tone/mood for a first time filmmaker. Jun 21, 2019 | Full Review…
Sheil is a revelation here in a role that should hopefully help launch her career, and Seimetz (along with cinematographer Jay Keitel) shows an incredible handle of tone/mood for a first time filmmaker.
C.J. Prince
Seimetz' direction succumbs to systematics and a desire to mimic her idols rather than create something entirely unique and reflective of her own talents. Aug 13, 2018 | Rating: 2/5 | Full Review…
Seimetz' direction succumbs to systematics and a desire to mimic her idols rather than create something entirely unique and reflective of her own talents.
Jamie Neish
What Seimetz accomplishes is a unity of camera style, acting style, editing style, and narrative rhythm; it's no small feat to make a small film this smartly assured. Jan 9, 2018 | Full Review…
What Seimetz accomplishes is a unity of camera style, acting style, editing style, and narrative rhythm; it's no small feat to make a small film this smartly assured.
Ignatiy Vishnevetsky
In its moodiness and slow pace, it resembles Curtis Harrington's Night Tide, but it's also as funny, violent and vertiginous as George Armitage's Miami Blues. Sep 27, 2017 | Full Review…
In its moodiness and slow pace, it resembles Curtis Harrington's Night Tide, but it's also as funny, violent and vertiginous as George Armitage's Miami Blues.
Leah Churner
Seimetz assuredly updates the pulp scenario with contemporary indie-film vernacular. Feb 4, 2014 | Full Review…
Seimetz assuredly updates the pulp scenario with contemporary indie-film vernacular.
Jonathan Kiefer
There are no approved quotes yet for this movie.
View All