The One I Love Reviews

  • 5d ago

    Great little movie that reminded me of Charlie Kaufman's works like Being John Malkovich and Eternal Sunshine of the Spotless Mind. Nice to see a well-written movie for a change, given that most Hollywood scripts are written by morons for morons.

    Great little movie that reminded me of Charlie Kaufman's works like Being John Malkovich and Eternal Sunshine of the Spotless Mind. Nice to see a well-written movie for a change, given that most Hollywood scripts are written by morons for morons.

  • Sep 04, 2019

    Thought provoking, original, and a breath of fresh air.

    Thought provoking, original, and a breath of fresh air.

  • Aug 19, 2019

    I really liked this movie. I’ve never seen another movie like this before. Really interesting. One of the best movies I’ve found streaming these days.

    I really liked this movie. I’ve never seen another movie like this before. Really interesting. One of the best movies I’ve found streaming these days.

  • Aug 11, 2019

    Intriguing idea at first, but nothing is ever explained in any interesting way, fails to unravel, and just falls flat, prey to its own weirdness.

    Intriguing idea at first, but nothing is ever explained in any interesting way, fails to unravel, and just falls flat, prey to its own weirdness.

  • Apr 20, 2019

    Finally a good movie that worths watching.

    Finally a good movie that worths watching.

  • Nov 29, 2018

    If you could be with the ideal version of your partner would you be happier? Is embracing them for their flaws part of the accepted insanity that is love? The One I Love aims to answer that by reinventing a familiar premise with excellent performances and a quirky, clever script fusing relatable human drama with science fiction. When we first meet Ethan (Mark Duplass) and Sophie (Elizabeth Moss) they are in a rut, both describing a night to their marriage counselor during which they crept into a stranger's backyard for a late-night swim, fearful to be caught, before jumping into the pool and realizing that the owner is not home, floating in the water on their anniversary with only a cinder of excitement; but this isn't the first time this evening has happened-in fact it is a botched attempt at recreating their first date, to rekindle the fiery relationship they once had, now only at a simmer. Their marriage counselor (Ted Danson) suggests that perhaps their problem is trying to relive their past happiness when they should be replenishing their passion through new memories and experiences instead. He recommends a weekend getaway at a countryside vacation home where his other patients have stayed and the magic of the area made the couples "fall in love again." Willing to try anything, Ethan and Sophie agree to go. They arrive at a lush, private home with surrounding gardens, hillsides and a charming guest house where they indulge in food, wine and pot-all serving as a welcomed change to the tired, habitual aspects of their relationship. Twenty minutes into the film, nothing about the plotline seems radically diverse. There are some quirky lines of dialogue and visible chemistry between the two leads, but no single element that sets it apart from most indies that start similarly-but it is precisely when you think The One I Love is going to confine itself to overdone formulas - until - it surprises you in unexpected ways. Quickly into it, things turn unexpectedly, and a seemingly normal indie dramedy begins drifting into a dimension not only of sight and sound but of mind. When Ethan and Sophie discover two people that look exactly like their significant other every time they enter the guest house alone, they are baffled because they are not Ethan and Sophie. The "mirror image" of their partners look like them, speak like them, but have minor tweaks to their personality that represent every positive quality they feel is lacking with the "real versions" of their partners, acting as sort of a Stepford wife and husband, tempting both the real Ethan and Sophie into falling in love with inauthentic copies for reasons yet to be explained. Weren't expecting that were you? Neither was I, and that occurs within the first twenty minutes of the 91-minute film. Divulging any more about what transpires afterward is too spoiler-ridden and would ruin the fun and mystery of the film; but the couple's supernatural discovery tests their fading relationship in a series of unusual ways and raises many conflicts couples struggle with-albeit in a strange Rod Serling kind of way. When watching the film, I couldn't help but be reminded of Spike Jonze/Charlie Kaufmanncollaborations with its profound yet not garish weirdness. Although there is a speedy emergence of science fiction elements, the film shines by remaining grounded as a story about a man and woman struggling with temptation, and thankfully, the paranormal aspect never acclimates to a point of lunacy or camp. Excellent cinematography (by Doug Emmett), a quaint musical score (by Danny Bensi and Saunder Jurriaans.) and wonderful, confident direction by rookie filmmaker Charlie McDowell only bolster the production value of the film. Both Duplass and Moss give excellent performances - each actor displaying their range with two different characters, impeccably walking the tightrope between surrealism and profoundly emotive drama. The film has a keen sense of self-awareness and capitalizes on it, poking fun at clichés by bending them into unfamiliar shapes that is both humorous and inventive all together. The One I Love is a perfect addition to the genre fusion of recent years, not hindering itself with safe, expected choices or clumsy resolutions. A pleasant surprise.

    If you could be with the ideal version of your partner would you be happier? Is embracing them for their flaws part of the accepted insanity that is love? The One I Love aims to answer that by reinventing a familiar premise with excellent performances and a quirky, clever script fusing relatable human drama with science fiction. When we first meet Ethan (Mark Duplass) and Sophie (Elizabeth Moss) they are in a rut, both describing a night to their marriage counselor during which they crept into a stranger's backyard for a late-night swim, fearful to be caught, before jumping into the pool and realizing that the owner is not home, floating in the water on their anniversary with only a cinder of excitement; but this isn't the first time this evening has happened-in fact it is a botched attempt at recreating their first date, to rekindle the fiery relationship they once had, now only at a simmer. Their marriage counselor (Ted Danson) suggests that perhaps their problem is trying to relive their past happiness when they should be replenishing their passion through new memories and experiences instead. He recommends a weekend getaway at a countryside vacation home where his other patients have stayed and the magic of the area made the couples "fall in love again." Willing to try anything, Ethan and Sophie agree to go. They arrive at a lush, private home with surrounding gardens, hillsides and a charming guest house where they indulge in food, wine and pot-all serving as a welcomed change to the tired, habitual aspects of their relationship. Twenty minutes into the film, nothing about the plotline seems radically diverse. There are some quirky lines of dialogue and visible chemistry between the two leads, but no single element that sets it apart from most indies that start similarly-but it is precisely when you think The One I Love is going to confine itself to overdone formulas - until - it surprises you in unexpected ways. Quickly into it, things turn unexpectedly, and a seemingly normal indie dramedy begins drifting into a dimension not only of sight and sound but of mind. When Ethan and Sophie discover two people that look exactly like their significant other every time they enter the guest house alone, they are baffled because they are not Ethan and Sophie. The "mirror image" of their partners look like them, speak like them, but have minor tweaks to their personality that represent every positive quality they feel is lacking with the "real versions" of their partners, acting as sort of a Stepford wife and husband, tempting both the real Ethan and Sophie into falling in love with inauthentic copies for reasons yet to be explained. Weren't expecting that were you? Neither was I, and that occurs within the first twenty minutes of the 91-minute film. Divulging any more about what transpires afterward is too spoiler-ridden and would ruin the fun and mystery of the film; but the couple's supernatural discovery tests their fading relationship in a series of unusual ways and raises many conflicts couples struggle with-albeit in a strange Rod Serling kind of way. When watching the film, I couldn't help but be reminded of Spike Jonze/Charlie Kaufmanncollaborations with its profound yet not garish weirdness. Although there is a speedy emergence of science fiction elements, the film shines by remaining grounded as a story about a man and woman struggling with temptation, and thankfully, the paranormal aspect never acclimates to a point of lunacy or camp. Excellent cinematography (by Doug Emmett), a quaint musical score (by Danny Bensi and Saunder Jurriaans.) and wonderful, confident direction by rookie filmmaker Charlie McDowell only bolster the production value of the film. Both Duplass and Moss give excellent performances - each actor displaying their range with two different characters, impeccably walking the tightrope between surrealism and profoundly emotive drama. The film has a keen sense of self-awareness and capitalizes on it, poking fun at clichés by bending them into unfamiliar shapes that is both humorous and inventive all together. The One I Love is a perfect addition to the genre fusion of recent years, not hindering itself with safe, expected choices or clumsy resolutions. A pleasant surprise.

  • Nov 17, 2018

    A very trippy and interesting movie. The whole doppelgänger thing was taken to the next level here. Bits and pieces of puzzle are delivered slowly, until a great final twist at the end. The effects were great as it really felt there were 2 different couples with identical bodies. It wasn't a perfect movie, as it could've done so much more, but it was still a very fun watch.

    A very trippy and interesting movie. The whole doppelgänger thing was taken to the next level here. Bits and pieces of puzzle are delivered slowly, until a great final twist at the end. The effects were great as it really felt there were 2 different couples with identical bodies. It wasn't a perfect movie, as it could've done so much more, but it was still a very fun watch.

  • Jun 19, 2018

    I'm a bit speechless as to what I just watched. This movie is the cinematic equivalent of tripping on acid. Starring "The League"'s Mark Duplass, who brings with him his typically bone-dry wit along with a better ability to act than I would have thought, as well as the adorable Elisabeth Moss, "The One I Love" is one of the most unique films about love and relationships that I've ever seen. Though predictable at times, simplistic this movie was not. It's a headscratcher, but it's insane premise keeps you locked in wondering what in the world is going to happen next.

    I'm a bit speechless as to what I just watched. This movie is the cinematic equivalent of tripping on acid. Starring "The League"'s Mark Duplass, who brings with him his typically bone-dry wit along with a better ability to act than I would have thought, as well as the adorable Elisabeth Moss, "The One I Love" is one of the most unique films about love and relationships that I've ever seen. Though predictable at times, simplistic this movie was not. It's a headscratcher, but it's insane premise keeps you locked in wondering what in the world is going to happen next.

  • May 31, 2018

    This is a great independent feature made for a mere 100,000 dollars and all the great things that come with limited budget is on display here: minimal locations, great cast, fantastic dialogue delivery and great plot. This film is the birth of a great filmmaker in Charlie Mcdowell- Keep an eye out for the lad. (Great independent film by a new talent)

    This is a great independent feature made for a mere 100,000 dollars and all the great things that come with limited budget is on display here: minimal locations, great cast, fantastic dialogue delivery and great plot. This film is the birth of a great filmmaker in Charlie Mcdowell- Keep an eye out for the lad. (Great independent film by a new talent)

  • Nov 12, 2017

    Amazingly acted! Weird, somewhat disturbing and leaves you wondering what the hell just happened?!?

    Amazingly acted! Weird, somewhat disturbing and leaves you wondering what the hell just happened?!?