The Transporter Refueled

Critics Consensus

The Transporter Refueled has little to offer beyond a handful of decent action sequences, leaving this reboot's title feeling more like wishful thinking than a restatement of purpose.



Total Count: 101


Audience Score

User Ratings: 14,123
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Movie Info

Frank Martin (played by newcomer Ed Skrein), a former special-ops mercenary, is now living a less perilous life - or so he thinks - transporting classified packages for questionable people. When Frank's father (Ray Stevenson) pays him a visit in the south of France, their father-son bonding weekend takes a turn for the worse when Frank is engaged by a cunning femme-fatale, Anna (Loan Chabanol), and her three seductive sidekicks to orchestrate the bank heist of the century. Frank must use his covert expertise and knowledge of fast cars, fast driving and fast women to outrun a sinister Russian kingpin, and worse than that, he is thrust into a dangerous game of chess with a team of gorgeous women out for revenge.

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Ed Skrein
as Frank Martin
Lenn Kudrjawizki
as Leo Imasov
Ray Stevenson
as Frank Martin Sr.
Anatole Taubman
as Stanislav Turgin
Mikael Buxton
as Russian Mafia
Samir Guesmi
as Inspector Bectaoui
Robbie Nock
as Co-Pilot Air Yuri
Michael Morris
as Captain Guesdon
Jochen Hägele
as Bank Manager
Cédric Chevalme
as Maintenance Engineer
Jerome Zybala
as Air Traffic Controller
Stephane Moreno Carpio
as Airport Security Officer
Jean-Baptiste Puech
as Wine Store Cashier
Laurent Ferraro
as Hospital Clerk
Jean Baptiste Puech
as Wine Store Cashier
Reginal Kudiwu
as West African Pimp
Jua Amir
as Robbie
Christophe LaValle
as Airport Policeman
Mickael Collart
as Airport Policeman
Christophe Touraud
as Airport Policeman
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Critic Reviews for The Transporter Refueled

All Critics (101) | Top Critics (26)

Audience Reviews for The Transporter Refueled

  • Jun 03, 2016
    Transporter Refuelled is no Transporter 2, and Ed Skrein is no Jason Statham. Though Ray Stevenson is a champ as per usual, the film itself feels lazy.
    Gimly M Super Reviewer
  • Dec 19, 2015
    Refueled (spelt wrong) because the franchise has been...refueled, refreshed, revitalised, rebooted...get it? clever huh (ahem!). Frank is back and ready to errr...transport things once again, only this time he's played by newcomer Ed Skrein. It seems Statham realised what a trashy mess this franchise was and decided to bail, probably a good decision there matey. So what are we left with now, well it appears to be a rather cheap and tacky looking reboot chock full of terrible action sequences, wait...yes I'm right. Frank is still a transporter of anything no questions asked. He takes on a job for a quartet of women, the lead female turns out to be an ex-prostitute out for revenge against her ex-pimp. Now normally this probably wouldn't be an issue for old Frank, but these women alter the deal and also kidnap his father in order to gain his cooperation. Now Frank is forced to assist these women in bringing down a dangerous crime boss. That's the crux of it yet there are a few minor twists, nothing mind blowing though so don' get excited. Right first up, the new boy, Ed, apparently a British actor and rapper, never heard of him but he does have a Statham-esque appearance I suppose. He has an odd look though, his lips are pretty thick with an usually strong pink shade to them, either that or it was the films lighting, just something that stood out to me. Plus I've not seen a man clench his jaw this much since Cruise and co in 'Top Gun', like wow! He is joined by Ray Stevenson who plays his father, a slick, womanising vintage wine drinker. A real slimy ladykiller of sorts who clearly knows the business his son is involved in, presumably used to do it himself, I think that was the gist. Despite that he's pretty bloody useless, I've never know someone get kidnapped so easily and so quickly. The ladies in question are a bland quartet also, they all look the same (attire and wigs don't help of course) and none of them can act too well either. What's really funny is they are clearly suppose to be desirable sex objects, but they sooo aren't, not for me anyway. Its actually quite amusing watching them trying to act and pose sexually at various times, very awkward. Action, right well its pretty standard stuff really. Frank drives around in his top of the line Audi S8 D4, it never gets damaged...ever, and this time he has two apparently. The other just sits parked up in a multi-storey car park just waiting to be used. Although this entire notion makes no sense in itself because the first Audi he drives can change license plates at the push of a button, ala James Bond. So why would he need to abandon it, and then blow it up whilst changing cars, surely the changing plates cover you. Anyway the star of the show is clearly the car lets be honest, this thing has so many slow motion flybys and close ups you'd think it was car porn, oh is car porn. Heck even the car chases are a typically predictable affair with lots of small crappy police cars flippin' all over the show as they try to stop the Audi (all in slow motion of course, with lots of explosions). The fisticuffs we see are again standard fluff and nothing to rave about, in fact its actually low quality fluff. All the fights looked terribly choreographed to me, very fake looking and quite slow, you can see the blokes getting ready to duck. Skrein handles himself OK but there is nothing impressive going on here, its all cookie cutter crapola and half of it feels totally unnecessary too. Example, Frank and the ladies are all in the Audi, the gates ahead are shut and there are a few bad guys lingering. So Frank puts the car into neutral (I think) and lets it slowly coast towards the gates. He then gets out and starts to fight the various henchmen surrounding the car as it slowly rolls towards the gates. Inside the ladies are frantic and don't know what to do as the car slowly gets closer to the gates. Frank beats all the bad guys up just in time, then leaps back into the car, puts his foot down and smashes through the gates. Now, what was the fucking point in all that?? why didn't he just drive the car through the gates in the first place whilst driving through the bad guys, I'm sure they would have jumped out of the way. This entire action sequence was utterly pointless and merely serves to showcase a fight, a pointless, waste of time fight that made no sense. Most of the fighting in this movie felt very much like this. The main bad guys are you're typical Euro trash, plenty of bling and no brains, plus they all drink like fish. Anyone ever noticed this with movie villains and their henchmen? they always drink like crazy, everywhere they go, every scene, they're drinking expensive alcohol like water. Also, with all movie bad guys, none of them can shoot straight either. In the finale everyone is standing in a small cabin on a boat, all are armed with automatic weapons or whatever, everyone is pointing at everyone, yet when it all kicks off, they all miss each other at point blank range. Well a few faceless guys get blown away of course but the main characters all manage to dodge the hail of bullets. Despite all that, one of many problems is the fact that there is no real tension or suspense here. The ladies kidnap Frank's dad, but he's such a man whore that he ends up trying it on with all of them! during his kidnapping! At no point was there ever any real threat because this guys trying to pull all the time and the ladies end up falling for it. To top that, in the end they all join forces and continue against the crime boss, so, why did we need the previous pointless plot about hiring Frank and kidnapping his dad originally. The ladies could of just hired Frank for the caper right from the start, the first half of the movie is, again, rendered pointless. I had to giggle at the scene where Frank's dad extracts a bullet from one of the girls and then seals the wound using an unusually large amount of spider cobwebs. Admittedly I have no clue if what he says about cobwebs is true, but it was the comically large amount the other girl manages to collect which just seemed so daft. Plus wouldn't the webs just fizzle away to nothing when set alight? its bloody spider webs! You have to wonder just what exactly was the point in all this, this whole movie is such a poor mishmash of various other action flicks, its not even relatable to the original movie concept really. The original Statham flicks were almost like graphic novel adaptations, comicbook type actioners. But here they have tried to blend the serious aspects of James Bond with 'Ronin', they have actually tried to make a serious dramatic action heist...but its woefully lacking. But who actually wanted more from this long dead franchise? especially without Statham, bizarre reboot.
    Phil H Super Reviewer
  • Nov 18, 2015
    This film lacked any real action and is a poor reboot sequel or whatever it is. The lead actor just suffers in comparison to Stathem who really was well cast in the previous films. The story really isn't good and the action is really basic, I loved the lunacy of the original series.
    Brendan N Super Reviewer
  • Sep 20, 2015
    Camille Delamarre's bland 90 minute reboot flop of the superior 2002 high-octane action thriller that starred Jason Statham. Ed Skrein fails big time trying to take over Statham's role of Frank, a laconic no-nonsense getaway driver and martial arts expert who moves people and things for a price. Skrein uses a carbon-copy accent and zero charm, he does not have Statham's bullet-head charisma or his commanding presence or fighting skill. The story concerns Frank's new job for a vengeance-seeking prostitute named Anna, well-played by loan Chadbanol, she and three other whores pull off some big money robberies to get back at their former pimp, Frank does not want to get involved, but Anna kidnaps Frank's father, a superb Ray Stevenson, Frank than is forced to help them. The action sequences are well done but dumb, and the villains are laughable 80s stereotypes. Standard boring direction by Delamarre, this reboot is running on empty. Not Recommended.
    Danny R Super Reviewer

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