The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's not surprising, but it's engaging enough that most patrons will likely cut the director some slack for the out-of-period details and convoluted plot contrivances that make the film seem at once sloppy and too neat.
A generic thriller that aims for deeper resonance, We Own The Night is an intriguing feature, undermined by a plot that stretches credulity, yet which still manages to conform to predictable gangster flick cliché.
Although We Own the Night is never as suspenseful as it wants to be and can be a little formulaic, it never comes close to being boring, and that's something you can't say too often about movies these days.
Eva Mendes seems to basically be around just to work hard feeding her man Joaquin's erotic fantasies for some relaxation on his down time, in this grim, meandering excursion through Brooklyn's mean streets.
haraktires poy tha mporoysan aneta na perasoyn arketo hrono akoma se skoteina syrtaria, mpas kai mporesoyn na skoteiniasoyn arketa oi idioi gia na metamorfothoyn se kati esto endiaferon an ohi diaforetiko