La frusta e il corpo (The Whip and The Body)

Cast

Daliah Lavi
as Novenka

Tony Kendall
as Christian Menliff

Christopher Lee
as Kurt Menliff

Ida Galli
as Katia

Harriet White
as Giorgia

Dean Ardow
as Count Menliff

Max Allan Collins
as Losat

Harriet Medin
as Giorgia

Jacques Herlin
as Priest

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Critic Reviews for La frusta e il corpo (The Whip and The Body)

Audience Reviews for La frusta e il corpo (The Whip and The Body)

• Aug 23, 2011

  Wow, this was a really cool movie. Lee is fantastically terrifying and sexy at the same time. The story is a spooky romance filled with murder and mystery. Also the costumes, set, and colours are beautiful. I really enjoyed this movie, it's exciting and I loved the end. If the rest of the cast had been more well known, this would be a more popular movie, though. But overall, I really liked it.
  Aj V Super Reviewer
• Apr 14, 2011

  As I slowly get to watch more Mario Bava movies my enthusiasm for his extraordinary body of work grows and grows. I was already hooked after watching 'Black Sunday' for the first time, but after subsequently seeing 'Kill, Baby...Kill!', 'Planet Of The Vampires', 'Black Sabbath', 'Diabolik' and 'Lisa And The Devil' (and others) I was convinced that he's THE most underrated director of the Fantastic. Now I've watched 'The Whip And The Body' three times and listened to Tim Lucas' informative DVD commentary I'm almost ready to bow down and worship Bava like a god! This is such a fascinating movie... Visually it's stunning, as to be expected, Bava being a top cinematographer before turning to directing. The subject matter is still provocative, but forty years ago it must have been scandalous! In fact the movie was heavily censored and when eventually released in America given the lousy title 'What'. Christopher Lee counts this among his favourite roles and it is essential viewing for his fans. He plays Kurt Menliff, an evil sadistic nobleman returning to his family home after hearing his younger brother has wed. Lee's family has disowned him after a scandal concerning a servant girl he seduced who subsequently suicided. His father the Count despises him, the dead girl's mother, who still works for the Count, curses him, and his brother's new bride Nevenka (Daliah Lavi) fears him. Kurt and Nevenka have a past, not only that, a complicated sadomasochistic relationship. The whipping scenes between the two actors were a bit too much for the censors to handle back in the day, and while they aren't all that explicit, they are still unsettling even today. Lee and the stunning Lavi (best know to most people for her later appearance in the star-studded Bond spoof 'Casino Royale') make a truly unforgettable couple. Many people regard 'The Whip And The Body' as Bava's single best movie. I wouldn't go that far myself, but it's definitely one of his very best films, and is sure to impress anyone who has enjoyed his other pictures. Ghost story, murder mystery, psychosexual character study, whatever you want to call it, it's a highly original movie that will stay with you for a long time. Newcomers to Bava are still best to start with 'Black Sunday' in my opinion, but this movie comes with my highest recommendation.
  Cassandra M Super Reviewer
• Jul 20, 2010

  Under the name "John M. Old," Mario Bava directed this gothic melodrama of love, murder, sadomasochism and a ghost. The best reason to see "The Whip and the Body" (sometimes known as "What") is its spectacular lighting, as lurid red, violet and green bathes every corner of the decrepit mansion (a shot of a "green" hand slowly extending toward the camera is especially memorable). The ending almost saves the film, but otherwise the plot is rather trivial and belabored, with all the standard tricks like darkened stairways, halting footsteps, creaky doors and ominous coffins. And of course, we know unseen, maniacal laughter will echo through the rafters and frighten someone. Christopher Lee's whipping scenes are electrifying, but it's hard to forgive that his famous voice is inexplicably overdubbed. The score is maddeningly hokey, with a few florid lines of melody repeated over and over until they cause smirks rather than chills. Interesting that such a short film includes an intermission.
  

  Eric B Super Reviewer
• Mar 18, 2009

  Gorgeous, so gorgeous. The score, the colours, the setting, the clothing. The haunting scenes were exquisitely beautiful. Oh, if only the woman hadn't been so annoying.
  vieras e Super Reviewer

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