Shirley
Da 5 Bloods
On the Record
I May Destroy You
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
Verified
Super Reviewer
Rate this movie
Oof, that was Rotten.
Meh, it passed the time.
It’s good – I’d recommend it.
Awesome!
So Fresh: Absolute Must See!
You're almost there! Just confirm how you got your ticket.
Step 2 of 2
Fandango
AMCTheatres.com or AMC AppNew
Cinemark Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
Regal Coming Soon
Theater box office or somewhere else
By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
All Critics (23) | Top Critics (5) | Fresh (22) | Rotten (1)
... it is her unforgettable and, for many, unforgivable achievements in behalf of Hitler that give the program its force. December 9, 2017 | Full Review…
... it is her unforgettable and, for many, unforgivable achievements in behalf of Hitler that give the program its force.
Walter Goodman
This is more often self-portrait than portrait; like Hitler in Riefenstahl's Triumph of the Will, she's presented as a fully formed deity without family background or ideology save a reverence for beauty and strength. March 14, 2007 | Full Review…
This is more often self-portrait than portrait; like Hitler in Riefenstahl's Triumph of the Will, she's presented as a fully formed deity without family background or ideology save a reverence for beauty and strength.
Jonathan Rosenbaum
Sometimes clunky but consistently fascinating. August 30, 2004 | Rating: 3.5/5 | Full Review…
Sometimes clunky but consistently fascinating.
Vincent Canby
Overly long, but fascinating. January 1, 2000 | Full Review…
Overly long, but fascinating.
Desson Thomson
This movie is fascinating in so many different ways: As the story of an extraordinary life, as the reconstruction of the career of one of the greatest of film artists, as the record of an ideological debate, as a portrait of an amazing old woman. January 1, 2000 | Rating: 3.5/4 | Full Review…
This movie is fascinating in so many different ways: As the story of an extraordinary life, as the reconstruction of the career of one of the greatest of film artists, as the record of an ideological debate, as a portrait of an amazing old woman.
Roger Ebert
A riveting docu about the controversial filmmaker who made some great propaganda art for Hitler July 25, 2011 | Rating: B | Full Review…
A riveting docu about the controversial filmmaker who made some great propaganda art for Hitler
Emanuel Levy
Overlong examination of the life of an enigmatic, willful, disengenuous, fascinating, influential and enormously gifted filmmaker. March 19, 2009 | Rating: B | Full Review…
Overlong examination of the life of an enigmatic, willful, disengenuous, fascinating, influential and enormously gifted filmmaker.
Robert Roten
Fascinating documentary about controversial director Len Riefenstahl. January 27, 2009 | Rating: 3/5
Fascinating documentary about controversial director Len Riefenstahl.
Beth Accomando
Quote not available. September 13, 2007 | Rating: 5/5
Quote not available.
Cole Smithey
A riveting and encyclopaedic biography of an extraordinary woman. But it also poses heavy questions. Can art ever be isolated from its political context? Are Riefenstahl's claims about her political innocence valid? March 14, 2007 | Full Review…
A riveting and encyclopaedic biography of an extraordinary woman. But it also poses heavy questions. Can art ever be isolated from its political context? Are Riefenstahl's claims about her political innocence valid?
Mueller's dialectical approach allows him to expose many half-truths (and a few outright lies) by adducing contrary evidence; by the film's end, Riefenstahl's apologia emerges clearly as an elaborate mythification of self and history. March 14, 2007 | Rating: 3.5/4 | Full Review…
Mueller's dialectical approach allows him to expose many half-truths (and a few outright lies) by adducing contrary evidence; by the film's end, Riefenstahl's apologia emerges clearly as an elaborate mythification of self and history.
Riefenstahl masterfully dissects her own Triumph of the Will and forcefully denies that artists bear any special political responsibility. July 22, 2004 | Rating: 5/5
Riefenstahl masterfully dissects her own Triumph of the Will and forcefully denies that artists bear any special political responsibility.
Martin Scribbs
There are no approved quotes yet for this movie.
View All