Jake Cole Movie Reviews & Previews - Rotten Tomatoes

Jake Cole

Jake Cole
Jake Cole's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Film.com, Slant Magazine, Movie Mezzanine

Movie Reviews Only

Rating T-Meter Title | Year Review
2/4 82% Deadpool 2 (2018) Deadpool 2 muddies the distinction between parodying comic-book-movie conventions and perfunctorily adhering to them. ‐ Slant Magazine
Read More | Posted May 14, 2018
1/4 22% Terminal (2018) Terminal's actors are awkward and stiff in trying to project hard-boiled cool, and all while delivering lines that sound as if they had been passed multiple times through an online translation tool.‐ Slant Magazine
Read More | Posted May 7, 2018
1.5/4 84% Borg Vs. McEnroe (2018) Even the depiction of how both men waver during the Wimbledon final, of Borg losing his cool while McEnroe avoids succumbing to petulance, fails to tie into the larger portrait of their rivalry.‐ Slant Magazine
Read More | Posted Apr 8, 2018
1/4 18% Submergence (2018) Submergence's globetrotting only succeeds at exposing the hollowness of the characters at the film's center. ‐ Slant Magazine
Read More | Posted Apr 6, 2018
1.5/4 90% Ava (2018) The film's constant cruelty is so inescapable that it starts to feel unfair not only to the protagonist, but to Iran itself.‐ Slant Magazine
Read More | Posted Mar 28, 2018
3.5/4 No Score Yet Milla (2017) Valérie Massadian's Milla begins with a stylistic bait-and-switch that neatly summarizes the film's overall sense of formal balance. ‐ Slant Magazine
Read More | Posted Mar 26, 2018
2.5/4 43% Pacific Rim Uprising (2018) Steven S. DeKnight's film lacks for Guillermo del Toro's visual acumen, but it makes up for that with an energetic sense of chaos throughout its front-and-center skirmishes.‐ Slant Magazine
Read More | Posted Mar 21, 2018
1/4 49% Tomb Raider (2018) This isn't an adaptation of a video game so much as an adaptation of a video game's tutorial level.‐ Slant Magazine
Read More | Posted Mar 14, 2018
2/4 39% A Wrinkle in Time (2018) The film may involve the instant movement among unfathomable distances and the shattered limits of space and time, but it's only Storm Reid's character who feels multidimensional.‐ Slant Magazine
Read More | Posted Mar 7, 2018
2.5/4 96% The Death of Stalin (2018) Armando Iannucci satirizes the manner in which political power is accorded to those who can mask cutthroat ambition behind an outward projection of bland inoffensiveness.‐ Slant Magazine
Read More | Posted Mar 5, 2018
0/4 17% Death Wish (2018) At a time when Americans are constantly bombarded with reports of unpunished police brutality, the film suggests that the true problem with justice in our country is that law enforcement isn't violent enough.‐ Slant Magazine
Read More | Posted Mar 1, 2018
1.5/4 40% Justice League (2017) When the film's tone slides so firmly back into the murk, it's hard not to see DC's notion of heroism as borderline nihilistic.‐ Slant Magazine
Read More | Posted Nov 15, 2017
1/4 8% The Snowman (2017) The Snowman is missing so much basic connective tissue as to be rendered almost completely inexplicable.‐ Slant Magazine
Read More | Posted Oct 19, 2017
1.5/4 85% Darkest Hour (2017) There are many corridors that the film could have explored to flesh out the contradictions that informed its subject, but they're kept out of view, all the better to reinforce an image that's been solidly in place for 70 years.‐ Slant Magazine
Read More | Posted Oct 1, 2017
2/4 93% Thelma (2017) Thelma's transition into a paranormal thriller doesn't complicate its initially potent character study.‐ Slant Magazine
Read More | Posted Sep 23, 2017
.5/4 52% Kingsman: The Golden Circle (2017) The film is a parody of a parody that's so soulless that it makes its predecessor seem like a classic in retrospect.‐ Slant Magazine
Read More | Posted Sep 20, 2017
3/4 91% The Disaster Artist (2017) The Disaster Artist perfectly communicates the surreal hell of what the original production of The Room must have been like.‐ Slant Magazine
Read More | Posted Sep 16, 2017
3.5/4 92% Three Billboards Outside Ebbing, Missouri (2017) The film is the finest balance yet of Martin McDonagh's bleak sense of humor and offbeat moral sincerity.‐ Slant Magazine
Read More | Posted Sep 13, 2017
2/4 31% Mary Shelley (2018) In its final act, the film abandons its fruitful investigation of belief systems in favor of a simplistic articulation of Mary's inspiration. ‐ Slant Magazine
Read More | Posted Sep 11, 2017
1.5/4 82% Molly's Game (2018) Aaron Sorkin deep dives into self-parody from the opening moments of his directorial debut, Molly's Game.‐ Slant Magazine
Read More | Posted Sep 11, 2017
3.5/4 96% Mudbound (2017) As striking as the combat scenes are, they largely exist as setup for the postwar-set second half of the film, which scrutinizes the way that the atrocities witnessed in Europe laid bare the unsustainable hypocrisy in America's own bigoted divisions.‐ Slant Magazine
Read More | Posted Sep 7, 2017
1.5/4 71% Viceroy's House (2017) The only thing that offsets the film's self-negating revisionism are the scenes involving Gillian Anderson vicereine.‐ Slant Magazine
Read More | Posted Aug 29, 2017
2/4 50% The Glass Castle (2017) As in Destin Daniel Cretton's previous feature, Short Term 12, the oscillations between sociological horror and misty-eyed sentimentality call attention to how meticulously the film arranges its emotional punches.‐ Slant Magazine
Read More | Posted Aug 10, 2017
1/4 16% The Dark Tower (2017) As one might expect, the results are scattered and rushed, taking the jumble of Stephen King's labored mythology and making it even more baffling by excising the eight-book series's most basic elements.‐ Slant Magazine
Read More | Posted Aug 3, 2017
1.5/4 77% Atomic Blonde (2017) The film frequently loses sight of its own action to glibly pay homage to other works.‐ Slant Magazine
Read More | Posted Jul 26, 2017
1.5/4 92% Dunkirk (2017) The film's fussy ambition ultimately results in aesthetic and thematic sloppiness.‐ Slant Magazine
Read More | Posted Jul 18, 2017
3.5/4 93% Baby Driver (2017) Baby Driver literalizes Edgar Wright's fascination with people's emotional overreliance on pop culture as a cover for arrested development. ‐ Slant Magazine
Read More | Posted Jun 24, 2017
.5/4 16% Transformers: The Last Knight (2017) The sensory overload of Michael Bay's hyperkinetic cinema is such that it eradicates any actual sense of place.‐ Slant Magazine
Read More | Posted Jun 20, 2017
2/4 15% The Mummy (2017) Too much is at stake throughout, leading to formulaic plot filler and exposition that snuff out the spark of the early scenes.‐ Slant Magazine
Read More | Posted Jun 7, 2017
.5/4 30% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Johnny Depp's perfunctory gestures and flailing pratfalls befit a film that brings the franchise's theme-park roots full circle. ‐ Slant Magazine
Read More | Posted May 24, 2017
46% Alien3 (1992) For all its inherent structural problems, Alien remains a worthy intended conclusion to the series, finding its true resolution in Ripley's resolve to break the endless cycle of her torment.‐ Slant Magazine
Read More | Posted May 19, 2017
2/4 67% Alien: Covenant (2017) The only saving grace of the film's mostly recycled horrors is how they deepen Michael Fassbender's android David. ‐ Slant Magazine
Read More | Posted May 14, 2017
1/4 30% King Arthur: Legend Of The Sword (2017) For all the attempts to update King Arthur to be cool and sexy, neither the character nor the film around him musters any spark.‐ Slant Magazine
Read More | Posted May 10, 2017
3/4 83% Guardians of the Galaxy Vol. 2 (2017) Its unique action scenes and the palpable chemistry of the lead actors continues to make this Marvel's most entertaining franchise.‐ Slant Magazine
Read More | Posted May 2, 2017
1.5/4 66% The Fate of the Furious (2017) The film finally tips the franchise over from modestly thoughtful stupidity into tedious, loud inanity.‐ Slant Magazine
Read More | Posted Apr 12, 2017
1/4 75% Kong: Skull Island (2017) Every creature here that's intended to burrow themselves into the audience's nightmares are less wonders of imagination than of size.‐ Slant Magazine
Read More | Posted Mar 8, 2017
2/4 88% My Scientology Movie (2017) The only element that significantly differentiates this documentary from its peers is Louis Theroux's good-natured cheekiness.‐ Slant Magazine
Read More | Posted Mar 7, 2017
2.5/4 93% Logan (2017) It recognizes that the thinly veiled secret of Wolverine's loner act is that he's always been a cog of some kind.‐ Slant Magazine
Read More | Posted Feb 17, 2017
3.5/4 89% John Wick: Chapter 2 (2017) The film remarkably balances its predecessor's spartan characterizations and plotting with a significant expansion of scale. ‐ Slant Magazine
Read More | Posted Feb 8, 2017
3/4 90% The Lego Batman Movie (2017) The film is an unbroken chain of one-liners, sight gags, and pop-culture references, and the hit-to-miss ratio is high. ‐ Slant Magazine
Read More | Posted Feb 5, 2017
3/4 45% xXx: Return of Xander Cage (2017) The action builds to such a relentless head that even the serious stakes of the film's motivation give way to pleasant vibes.‐ Slant Magazine
Read More | Posted Jan 19, 2017
1.5/4 35% Live By Night (2017) There's nothing at the center of Live by Night, no foundation of drama to ground the convoluted mash-up of so many genre tropes.‐ Slant Magazine
Read More | Posted Jan 10, 2017
2/4 39% Railroad Tigers (2017) However disjointed Railroad Tigers can be, the film offers a much-needed reminder of Jackie Chan's prodigious gifts.‐ Slant Magazine
Read More | Posted Jan 4, 2017
3/4 96% Moana (2016) Compared to your average Disney princesses, Moana is neither selfishly rebellious nor simplistically innocent. ‐ Slant Magazine
Read More | Posted Nov 22, 2016
2.5/4 59% Allied (2016) In Allied, Robert Zemeckis brings to bear his pop-epic scope in what's otherwise a claustrophobic story.‐ Slant Magazine
Read More | Posted Nov 21, 2016
3/4 89% Doctor Strange (2016) Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson's Doctor Strange.‐ Slant Magazine
Read More | Posted Nov 2, 2016
1/4 22% Inferno (2016) Inferno begs to be made fun of, but it's impossible to do so given how Ron Howard reduces the material to a dull spectacle of earnest puzzle-solving.‐ Slant Magazine
Read More | Posted Oct 26, 2016
1.5/4 37% Jack Reacher: Never Go Back (2016) The visual blandness of Edward Zwick's style and the simplistic, easily solved case is better suited for television.‐ Slant Magazine
Read More | Posted Oct 19, 2016
2/4 52% The Accountant (2016) Ironically, by not attempting to oversell thrills, Gavin O'Connor has produced some of the few genuinely exciting action scenes of the year.‐ Slant Magazine
Read More | Posted Oct 12, 2016
3/4 96% Karl Marx City (2017) Petra Epperlein's personal ties to the subject matter provides the documentary with a necessary anchor point.‐ Slant Magazine
Read More | Posted Oct 3, 2016