Rob Gonsalves Movie Reviews & Previews - Rotten Tomatoes

Rob Gonsalves

Rob Gonsalves
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
2/5 52% Papillon (2018) [Hunnam and Malek] aren't bad -- they turn in human-scaled, naturalistic performances, which would be fine in another kind of movie. But it's not enough to carry a movie for two hours and thirteen minutes or to engage us for that long. ‐
Read More | Posted Nov 14, 2018
5/5 95% BlacKkKlansman (2018) Lee has taken the opportunity to deliver an existentially crazy police procedural that ends up saying more about society's disease than many a sober-sided Oscar-chaser.‐
Read More | Posted Nov 8, 2018
5/5 79% Halloween (2018) Halloween 2018 is a far different animal than Halloween 1978 - not better, not worse, but different. ‐
Read More | Posted Oct 30, 2018
5/5 No Score Yet Strapped for Danger (2017) The actors cheerfully camp it up, which is the only thing you can do with material like this: if you're at a party, you party.‐
Read More | Posted Oct 24, 2018
5/5 97% Night of the Living Dead (1968) The movie remains unsettling after all these years because of its bleak simplicity. ‐
Read More | Posted Oct 16, 2018
3/5 70% Solo: A Star Wars Story (2018) Solo doesn't just make the young Han boring; it reaches back and retrospectively makes the older Han more boring, too. That's some trick.‐
Read More | Posted Oct 11, 2018
5/5 93% Suspiria (1977) Thinking back on Suspiria yields sense memories, electronic haunted-house sounds, stylish and outré brutality. It's possible to forget Harper is even in it, but it's not possible to forget the opening salvo of operatic violence.‐
Read More | Posted Oct 10, 2018
5/5 92% Mandy (2018) This midnight movie, this spiritual bastard child of a thousand drive-in flicks, ultimately takes its place in the halls of art. It's purple and inflamed, like a fireworks show or an abscess.‐
Read More | Posted Sep 26, 2018
5/5 81% Fahrenheit 11/9 (2018) Moore isn't all that interested in being inflammatory this time... Fahrenheit 11/9 is something else, something deeper and thornier and oddly personal.‐
Read More | Posted Sep 18, 2018
5/5 99% Won't You Be My Neighbor? (2018) What the movie, unobtrusively assembled by director Morgan Neville, shows us again and again is that Rogers' soothing yet no-nonsense demeanor was no act. ‐
Read More | Posted Sep 17, 2018
2/5 89% Hereditary (2018) It touches on annihilating despair, and asks its cast to lower themselves into an emotional meat grinder in a way that the film, I say, does not earn.‐
Read More | Posted Sep 5, 2018
5/5 93% First Reformed (2018) First Reformed is Paul Schrader's twenty-first film as a director, and probably his best. It seems to sum up a lot of things Schrader believes in, artistically and spiritually.‐
Read More | Posted Aug 29, 2018
5/5 80% The Last Temptation of Christ (1988) The filmmaking here, though rushed and on the cheap, is a hot stew of influences... all of it coalesces into a cinematic essay about the violence and chaos, and also the vitality and urgency, of worldly life.‐
Read More | Posted Aug 21, 2018
4/5 87% Madeline's Madeline (2018) If you enjoy the soft-grained, difficult, probing nature of Decker's film - and I did, for the most part - it pays off in quiet, almost peripheral ways. ‐
Read More | Posted Aug 21, 2018
4/5 83% Deadpool 2 (2018) Despite all its hip mayhem, directed both at anonymous thugs and at well-thumbed pulp tropes, Deadpool 2 is also good-hearted. It doesn't strike me as nihilistic or even cynical.‐
Read More | Posted Aug 21, 2018
4/5 72% Ready Player One (2018) A juicy wad of bubblegum entertainment, visually antic and immersive without feeling assaultive, fast-paced without feeling rushed.‐
Read More | Posted Aug 6, 2018
5/5 89% You Were Never Really Here (2018) Lynne Ramsay's filmmaking in You Were Never Really Here is gorgeously precise. We feel there isn't a shot or an image that isn't there for some reason, though the reason may not at first present itself.‐
Read More | Posted Jul 24, 2018
4/5 89% Isle of Dogs (2018) I wouldn't mind living in a Wes Anderson film: The people there, even the dogs, seem more rational and polite than what we've got here.‐
Read More | Posted Jul 19, 2018
5/5 93% Die Hard (1988) It's as though the filmmakers approached each scene by asking themselves how entertaining they could make it.‐
Read More | Posted Jul 10, 2018
3/5 95% A Quiet Place (2018) A combo of a fable about a family banding together and a technical exercise that works the nerves, and it worked mine while it flickered in front of me, but it has left me with sense-memories of being jostled and worked over and not much else.‐
Read More | Posted Jul 10, 2018
5/5 88% Annihilation (2018) Annihilation is the real deal, doing what science fiction and horror are supposed to do, speaking dark truths about our condition while planting seeds of dread in fertile imaginative soil.‐
Read More | Posted Jun 26, 2018
88% Pi (1998) A workout, no question, and not for everyone, but it has intellectual and spiritual fervor, and even when it stops dead for some mystical exposition, at least it assumes our intelligence (though also our patience).‐
Read More | Posted Jun 26, 2018
3/5 44% The Night of the Virgin (La noche del virgen) (2016) The Night of the Virgin is what used to be called a party movie. You put it on late in the evening and watch all your friends either dig it or file out ashen-faced one by one.‐
Read More | Posted Jun 12, 2018
4/5 17% Death Wish (2018) Someday [Eli] Roth will apply his horror-movie instincts to material that can make them sing, and he will make a classic. As it is, Death Wish is far better-wrought than it could have been, or deserved to be.‐
Read More | Posted Jun 12, 2018
3/5 74% Bernard and Huey (2018) Bernard & Huey feels like a throwback in more ways than one... It's smoothly helmed, though, by indie vet Dan Mirvish, who's clearly an actor's director.‐
Read More | Posted May 31, 2018
3/5 84% Game Night (2018) Game Night doesn't amount to much, but it'll make a decent rental for a Movie Night, with friends invited over for a breezy, occasionally gory spot of goofiness.‐
Read More | Posted May 31, 2018
4/5 97% Black Panther (2018) Boseman more or less gives the movie to Jordan and to the many beautiful, brilliant women surrounding him.‐
Read More | Posted May 17, 2018
1/5 75% The Misandrists (2018) This sort of japery was done funnier and filthier by John Waters in the pride of his midnight-movie shining, in films like Desperate Living and Female Trouble.‐
Read More | Posted May 15, 2018
4/5 100% Transformer (2018) This is not, to put it mildly, the kind of conversation one normally hears in films, and is all the more fascinating for that, and all the more to be valued.‐
Read More | Posted May 15, 2018
5/5 91% Phantom Thread (2018) If you don't hold the movie's pompous style against it - if you accept its style as part of the movie's oblique point about creativity - it is Anderson's most satisfying yet about the beasts beneath the politesse of what is amusingly called society.‐
Read More | Posted Apr 20, 2018
3/5 87% Vazante (2018) There are memes about white people tears, too, though the movie's final scream of horror might actually be funnier than any of them.‐
Read More | Posted Apr 20, 2018
4/5 91% Star Wars: The Last Jedi (2017) The Last Jedi speaks for the strength of a united front against imperial aggression...The final image leaves us with the assurance that young people tired of injustice will pick up the ball their elders dropped.‐
Read More | Posted Apr 13, 2018
4/5 93% Journey's End (2018) Period war movies may be the only genre left that can plausibly ignore the modern (and justified) demand for diversity; the least such movies can do is reveal the cracks in the façade of privilege, and Journey's End does so. ‐
Read More | Posted Mar 30, 2018
4/5 97% Tehran Taboo (2018) Amid the repression and pain there are some transcendent moments, some sweet shards of joy and leisure. The thickly lined bodies join together, come apart, fly or fall.‐
Read More | Posted Mar 23, 2018
5/5 74% Final Portrait (2018) James may be Giacometti's final portrait, but I sincerely hope this won't be Tucci's.‐
Read More | Posted Mar 23, 2018
3/5 65% They Remain (2018) A slow-burn psychological thriller like They Remain requires patience. It seems to be more about mood and paranoia than about plot or easy scare.‐
Read More | Posted Mar 2, 2018
4/5 52% Roman J. Israel, Esq. (2017) 'Roman' is more beautiful for its flaws; it's cantankerous and possibly insufferable and the sort of shot in the dark that grows in memory.‐
Read More | Posted Feb 23, 2018
5/5 94% A Fantastic Woman (Una mujer fantástica) (2018) A Fantastic Woman lets us see grief through a fresh pair of eyes.‐
Read More | Posted Feb 9, 2018
4/5 99% Lady Bird (2017) Its brushstrokes are light, and it never overextends - or extends, really. Its energies are almost wholly inward-directed.‐
Read More | Posted Feb 2, 2018
1/5 75% Braven (2018) Physical solidity is about all Braven has going for it, but for a low-fat, no-frills sprinter like this, that might be enough if only if weren't so stoically laughable.‐
Read More | Posted Jan 24, 2018
4/5 100% Signature Move (2017) The movie is a perfectly pleasant bonbon for its target audience.‐
Read More | Posted Jan 18, 2018
3/5 88% The Post (2018) Years from now, away from its current relevance, The Post will play like a sedate prequel to All the President's Men.‐
Read More | Posted Jan 18, 2018
5/5 92% Dunkirk (2017) It's not quite just a virtuoso exercise, though Nolan here proves himself a master of the technical effects he strives for and achieves.‐
Read More | Posted Jan 18, 2018
3/5 91% The Shape of Water (2017) The thematic masochism is intrinsic to del Toro's art - miserably picking the scab of one's self-esteem. But the architecture here is too cardboard, despite a high level of craft among the cast, to make us feel the pain, too.‐
Read More | Posted Dec 26, 2017
2/5 89% I, Tonya (2018) It's difficult to stay engaged in a work that has so little regard for its subjects.‐
Read More | Posted Dec 11, 2017
5/5 91% Three Billboards Outside Ebbing, Missouri (2017) A good chunk of Three Billboards is about redemption and how people are stubbornly complex, able to be many things at once. A man can be good and noble and still be prideful in ways that deprive children of a father.‐
Read More | Posted Dec 7, 2017
4/5 97% Lucky (2017) Stanton elevated any and all material; "Repo Man" is inconceivable without him. "Lucky" doesn't exist without him.‐
Read More | Posted Nov 28, 2017
1/5 48% Valerian and the City of a Thousand Planets (2017) ...great-looking but awful.‐
Read More | Posted Nov 22, 2017
2/5 38% I Love You, Daddy (2017) What if the movie had come from a sexually and personally unimpeachable artist? Then, oddly, it wouldn't seem to have much point.‐
Read More | Posted Nov 13, 2017
3/5 63% Goodbye Christopher Robin (2017) Directed with a stiff sense of dignity by Simon Curtis, Goodbye Christopher Robin is about men and boys, fathers and sons, losing and finding themselves.‐
Read More | Posted Nov 10, 2017