Rolando Gallego

Rolando Gallego
Rolando Gallego's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): EscribiendoCine
Publications: EscribiendoCine

Movie Reviews Only

T-Meter Title | Year
8/10 100% The Unicorn (2019) A lucid look at Grudzien as a thinker and as a phenomenon. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Oct 6, 2019
8/10 94% Musarañas (Shrew's Nest) (2014) Musarañas is an excellent example of quality genre cinema coming out of Spain. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Oct 1, 2019
5/10 62% Yesterday (2019) In the absence of a conscious criticism of the industry, and preferring to betray its playful spirit, the film ends up becoming a basic and out of time romcom. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Sep 12, 2019
7/10 No Score Yet Margen de error (2019) Margen de error keeps some of the subjects director [Liliana Paolinelli] had dealt with, but are enhanced by the comedy genre, strengthening the story and making it more realistic. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 28, 2019
6/10 No Score Yet Mekong Paraná: Los Últimos Laosianos (2019) With the Paraná River as a context, a landscape similar to the place of origin, the film combines the importance attached to its protagonists and thus enhances the first-person voice to found meaning. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 27, 2019
8/10 100% Heroic Losers (La odisea de los giles) (2019) An exciting film. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 15, 2019
6/10 No Score Yet A cara sucia (2019) The film shows its sincerity in each scene, generating empathy with the characters. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 14, 2019
7/10 73% The Angry Birds Movie 2 (2019) Perfect entertainment for children. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 14, 2019
8/10 22% The Kitchen (2019) The Kitchen takes advantage of its feminist spirit to create a story rooted in the crime genre that never loses its rhythm. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 9, 2019
7/10 53% The Lion King (2019) Despite being a reflection and a carbon copy of the original film, The Lion King works. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Aug 4, 2019
7/10 59% The Secret Life of Pets 2 (2019) A superior sequel with clever use of gags. [Full review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jul 17, 2019
4/10 No Score Yet Noise is the Houses (El ruido son las casas) (2018) Noise is the Houses does not bother to give audiences a good cinematographic experience. [Full review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jul 1, 2019
5/10 No Score Yet No soy tu mami (2019) A film that could have been more clear and honest with its principles rather than feeling like a rushed attempt to placate social media. [Full review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jun 26, 2019
8/10 81% Long Shot (2019) Thanks to Rogen and Theron's incredible chemistry, Long Shot feels like a revitalization of the genre. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jun 12, 2019
7/10 23% Dark Phoenix (2019) The perfect end to this saga. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jun 9, 2019
3/10 41% Godzilla: King of the Monsters (2019) Not even fans will find this attractive. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jun 2, 2019
2/10 No Score Yet La gran aventura de los Lunnis y el libro mágico (2019) A story that can not channel the lines that the plot opens, and that in the fascination to multiply ideas, ends up dividing and subtracting opportunities to the story that has a very simple narrative structure. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jun 2, 2019
9/10 No Score Yet Brief Story from the Green Planet (Breve historia del planeta verde) (2019) One of the sharpest scripts in Argentinian cinema. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 31, 2019
4/10 28% UglyDolls (2019) Uglydolls presents itself as a public service announcement and winds up being something it will never be, a movie. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 16, 2019
6/10 83% The Weasel's Tale (El cuento de las comadrejas) (2019) A production that recovers a pure cinematographic style based on classic three-part dramatic structure and leans on the successful interpretations of its actors to convey its message. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 16, 2019
6/10 No Score Yet La lección de anatomía (2019) The incorporation of mediated interviews and photographs validate the potency of the documentary's subject. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 15, 2019
8/10 82% Ben is Back (2018) Strong performances from Hedges and Roberts are where Ben is Back anchors its feelings and relatability. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 9, 2019
6/10 No Score Yet Abrakadabra (2018) There are moments when the story fractures, but its focus on the central character sustains the film. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted May 7, 2019
7/10 61% Vox Lux (2018) Corbet moves the camera around and successfully captures the star being born and the people behind her. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Apr 21, 2019
6/10 No Score Yet Down para arriba (2019) Garzon ends up building a universal story about empathy, trust, restraint and passion over any difference or disability. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Mar 18, 2019
3/10 54% Five Feet Apart (2019) The film never finds the right rhythm to present the passion of the young couple onscreen. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Mar 15, 2019
7/10 74% On the Basis of Sex (2019) An item of agenda and news but with the successful interpretations of Jones and Hammer, in film with a message according to the times. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Mar 10, 2019
7/10 No Score Yet Blanco o negro (2016) In the sum of them, is where the film is positioned as an exponent of cinema made by cinephiles, achieving a visual and narrative thicket beyond any gap that is perceived throughout his footage. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Mar 5, 2019
4/10 35% King of Thieves (2019) Rather than turning Michael Caine into an appropriate hero for the film, the filmmakers turn him into a confused soul. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 27, 2019
6/10 No Score Yet Memoria de la sangre (2017) A lucid look about the inconsistency of memory. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 27, 2019
6/10 No Score Yet Happy Hour (2017) Happy Hour transcends its facade of entertainment, positioning itself as a product that works more like a lecture of its era. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 22, 2019
4/10 25% Charming (2018) A tedious hybrid that loses its way by falling into a run down routine of gags and physical humor. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 22, 2019
6/10 61% Alita: Battle Angel (2019) Alita: Battle Angel stands out when it liberates itself from structures. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 13, 2019
6/10 85% The LEGO Movie 2: The Second Part (2019) There's nothing new here, but it evokes the first film enough to enjoy it. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 7, 2019
6/10 91% How to Train Your Dragon: The Hidden World (2019) The film recovers the most classic adventure story, and that industrial animated cinema prefers to forget. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Feb 4, 2019
6/10 No Score Yet Anoche (2019) The decision to round out the cast with talent from television and traditional theatrical actors add a quality to the film that's simple and effective. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 30, 2019
5/10 79% Mary Poppins Returns (2018) The artifice is revealed and, except for some musical numbers, the lack of originality and the fidelity to the first delivery do not allow its political correctness to return something novel. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 21, 2019
5/10 33% Rolling to You (Tout le monde debout) (2018) Rolling to You arrives at a bad time. It laughs at the handicapped, women and even the spectator. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 15, 2019
6/10 74% Destroyer (2018) When Destroyer dives in the entrails of the characters is when the film takes flight, shedding the presentation of Kidman in decline, and offering a separate look of the artifice to be able to show off as an actress. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 15, 2019
6/10 83% Dragon Ball Super: Broly (2019) Despite some narrative confusion with the time jumps, the film manages to recapture the nostalgia. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 8, 2019
8/10 No Score Yet Buenos Aires Al Pacifico (2018) Cyclic, repetitive film that politicizes the medium and places it at the epicenter of sensations, replicating them in the viewer, perhaps sharing feeling and sensitivity with a director to which we must pay attention. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 3, 2019
5/10 45% Second Act (2018) Second Act transits through all of the aspects of a soap opera and pretends to be a film. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Jan 2, 2019
8/10 No Score Yet Río Mekong (2017) Rio Mekong goes beyond the anecdote and does so in great part thanks to the charisma of its leads. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 27, 2018
5/10 25% The Other Woman (Amoureux de ma femme) (2018) Despite the effort made by the protagonists, The Other Woman is unable to impose its discourse and its anachronistic humor. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 27, 2018
6/10 63% Bird Box (2018) Bird Box is Netflix's most industrial response as a film producer, with a conventional product that is sure to continue to take hold in a field that until recently was only explored by major studios. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 25, 2018
7/10 89% Jealous (Jalouse) (2017) A film that uniquely deposits its comedy so that it resounds with the audience in the form of laughter and reflection, empathizing with the character and reflecting on women, their daily life and position in the modern world. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 13, 2018
6/10 87% Colette (2018) Keira Knightley does what she can with the clumsy and basic guidelines of the character, a bronze semblance that also, for the lack of honesty, ends up shipwrecked despite all the efforts that the cast does. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 4, 2018
7/10 14% Life Itself (2018) Life Itself is proposed as an accomplished melodramatic exercise, powerful, honest, with some very lucid dialogues, about links and their derivatives. - EscribiendoCine EDIT
Read More | Posted Dec 4, 2018
4/10 No Score Yet The Stolen Princess (Vykradena pryntsesa: Ruslan i Ludmila) (2018) The lack of definition and playing with the two tones, deconstruct its structure, weaken the premises, generating boredom. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Dec 4, 2018
4/10 15% Robin Hood (2018) Robin Hood ends up transforming itself into a boring and flavorless exercise in updating a story. [Full Review in Spanish] - EscribiendoCine EDIT
Read More | Posted Nov 28, 2018