Movie Reviews Only

T-Meter Title | Year
3/4 80% Loro (2019) Loro feels like the work of a more mature artist. - RogerEbert.com EDIT
Read More | Posted Sep 20, 2019
3.5/4 89% Depraved (2019) Depraved may not take you anywhere that you haven't been before, but it might leave you with a renewed appreciation for Shelley's mythic story. - RogerEbert.com EDIT
Read More | Posted Sep 13, 2019
2.5/4 100% One Cut of the Dead (Kamera o tomeru na!) (2019) You have to want to invest in his characters in order for One Cut of the Dead to really take off. - RogerEbert.com EDIT
Read More | Posted Sep 13, 2019
1.5/4 15% Night Hunter (Nomis) (2019) Testing the limits of good taste in otherwise formulaic grimdark entertainment is one thing, but pushing against those boundaries for its own sake is just tiresome. - RogerEbert.com EDIT
Read More | Posted Sep 6, 2019
18% The Fanatic (2019) The Fanatic stinks because Durst doesn't really care about whatever it is that's motivating Moose. - NPR EDIT
Read More | Posted Aug 29, 2019
1/4 36% Tone-Deaf (2019) A monotonous horror-comedy. - RogerEbert.com EDIT
Read More | Posted Aug 23, 2019
1/4 39% Angel Has Fallen (2019) If this type of no-brow entertainment is your thing, you may find something to like in Angel Has Fallen but that doesn't mean you need what these guys are reselling. - RogerEbert.com EDIT
Read More | Posted Aug 22, 2019
1.5/4 38% The Divine Fury (2019) More care was seemingly put into the lighting than the scripting of scenes. - RogerEbert.com EDIT
Read More | Posted Aug 16, 2019
2/4 83% Dying to Survive (2019) I'd have an easier time accepting the trite, asked-and-answered conclusions that director Muye Wen and co-writers Jianu Han and Wei Zhong lead viewers to if they were more adept at tugging at viewers' heart-strings. - RogerEbert.com EDIT
Read More | Posted Aug 9, 2019
2/4 93% The Flower (La flor) (2019) A theoretically interesting, but consistently unrewarding formal experiment. - RogerEbert.com EDIT
Read More | Posted Aug 2, 2019
.5/4 20% She's Just a Shadow (2019) Writer/director Adam Sherman's apparent disinterest in his characters' hang-ups is maybe best illustrated by his movie's aimless plot. - RogerEbert.com EDIT
Read More | Posted Jul 19, 2019
2.5/4 67% The White Storm 2: Drug Lords (2019) The White Storm 2 is as sturdy as it is because it's essentially an old-fashioned gangster drama with occasional modern flourishes. - RogerEbert.com EDIT
Read More | Posted Jul 12, 2019
1/4 59% Trespassers (2019) It's got some machete- and gun-related violence, a couple of leering masked killers, and a little rough sex, but that's about it. - RogerEbert.com EDIT
Read More | Posted Jul 12, 2019
1.5/4 No Score Yet Killers Anonymous (2019) The more attention it demands from viewers, the less it deserves. - RogerEbert.com EDIT
Read More | Posted Jun 28, 2019
3.5/4 65% Our Time (Nuestro tiempo) (2019) The rare spiritual drama that not only feels genuinely mysterious, but also appears to have been made by people who are aware of and interested in their human characters' flaws. - RogerEbert.com EDIT
Read More | Posted Jun 14, 2019
2.5/4 29% Bharat (2019) A corny drama about the title character's quest to support and do right by his family in post-partition India. - RogerEbert.com EDIT
Read More | Posted Jun 7, 2019
2.5/4 89% The Raft (2019) In The Raft, less authorial control doesn't necessarily make for a better story. - RogerEbert.com EDIT
Read More | Posted Jun 7, 2019
1/4 59% The Fall of the American Empire (La chute de l'empire américain) (2019) An unbearably preachy post-financial-crisis civics lesson in heist movie drag. - RogerEbert.com EDIT
Read More | Posted May 31, 2019
1/4 57% Brightburn (2019) A machine to deliver gore and violence, Brightburn also features some of the most improbably and even hatefully dumb salt-of-the-Earth type characters in a recent American horror movie. - RogerEbert.com EDIT
Read More | Posted May 24, 2019
2.5/4 75% Asako I & II (Netemo sametemo) (2019) There's just not a lot going on underneath the surfaces of these characters' sensitive, precise, and modestly expressed feelings. - RogerEbert.com EDIT
Read More | Posted May 17, 2019
4/4 100% The Wandering Soap Opera (La Telenovela Errante) (2019) The Wandering Soap Opera is only as powerful as your willing-ness to meet Ruiz and his collaborators on their brain-scrambling level. - RogerEbert.com EDIT
Read More | Posted May 17, 2019
2.5/4 58% Charlie Says (2019) There's just not enough to Charlie Says, an ambitious, but uneven drama about the oft-sensationalized 'Manson Girls.' - RogerEbert.com EDIT
Read More | Posted May 10, 2019
3/4 95% Grass (2019) One of the best expressions/variations on Hong's usual formula. - RogerEbert.com EDIT
Read More | Posted Apr 19, 2019
3.5/4 89% Master Z: Ip Man Legacy (2019) If there must be more movies set in the Ip Man-iverse, I hope that they're as dazzling and righteous as Master Z. - RogerEbert.com EDIT
Read More | Posted Apr 12, 2019
4/4 93% Long Day's Journey Into Night (Di qiu zui hou de ye wan) (2019) Time moves differently in Long Day's Journey Into Night, a sensuous, dream-like Chinese drama. - RogerEbert.com EDIT
Read More | Posted Apr 11, 2019
3.5/4 70% Relaxer (2019) I can't honestly recommend Relaxer to most readers, but if you like this kind of thing, you'll probably love it. - RogerEbert.com EDIT
Read More | Posted Mar 22, 2019
3.5/4 59% Sunset (Napszállta) (2019) Nemes' suggestive, impressionistic approach takes some getting used to, but Sunset is worth the extra effort. - RogerEbert.com EDIT
Read More | Posted Mar 22, 2019
3/4 81% Knife + Heart (Un couteau dans le coeur) (2019) A satisfying, unsentimental psychodrama. - RogerEbert.com EDIT
Read More | Posted Mar 15, 2019
2/4 No Score Yet We Die Young (2019) Van Damme may be famous enough that he can afford to continue noodling around with different roles and performance styles. But his fellow cast members deserve a lot better than We Die Young. - RogerEbert.com EDIT
Read More | Posted Mar 1, 2019
3.5/4 75% The Wandering Earth (2019) I can't think of another recent computer-graphics-driven blockbuster that left me feeling this giddy because of its creators' consummate attention to detail and infectious can-do spirit. - RogerEbert.com EDIT
Read More | Posted Feb 15, 2019
1.5/4 74% Lords of Chaos (2019) Akerlund's shock tactics-brain matter, blood spatter, and realistic-sounding howls of pain-are neither shocking nor thoughtful. - RogerEbert.com EDIT
Read More | Posted Feb 8, 2019
1.5/4 43% The Prodigy (2019) McCarthy's direction is so sleepy that a number of key scenes fizzle out before they can pay off with the next big jump scare. - RogerEbert.com EDIT
Read More | Posted Feb 8, 2019
75% The Man Who Killed Hitler and Then The Bigfoot (2019) The Man Who Killed Bigfoot and Then Hitler is a real movie - one more emotionally resonant and character-driven than that deceptively goony title suggests. - NPR EDIT
Read More | Posted Feb 7, 2019
1.5/4 72% Piercing (2019) Piercing is an unsuccessful provocation, and I didn't get anything out of it beyond a few wispy ideas about how we may never really understand what we want from each other. - RogerEbert.com EDIT
Read More | Posted Feb 1, 2019
2.5/4 81% Buffalo Boys (2019) While Buffalo Boys may not be everything it could have been, it is sometimes good enough. - RogerEbert.com EDIT
Read More | Posted Jan 11, 2019
2/4 50% Escape Room (2019) A sometimes diverting, but overly familiar series of set pieces in search of a good melodrama. - RogerEbert.com EDIT
Read More | Posted Jan 4, 2019
1/4 77% Genesis 2.0 (2019) This film's biggest problem is its emphasis on media-friendly personalities instead of useful information. - RogerEbert.com EDIT
Read More | Posted Jan 2, 2019
2/4 6% American Renegades (2018) It's B-movie neophytes trying to sell a slick, but hollow scenario for a high-concept genre hybrid. American Renegades might look good on paper, but it's pretty tiresome on the screen. - RogerEbert.com EDIT
Read More | Posted Dec 25, 2018
.5/4 29% Between Worlds (2018) If you saw Mandy and wished more Nicolas Cage movies were dark, weird, and personal: watch Between Worlds and be careful what you wish for. - RogerEbert.com EDIT
Read More | Posted Dec 21, 2018
1.5/4 92% Bumblebee (2018) 113 minutes (and feels longer) of a lukewarm, John Hughes-ified clone of E.T.: The Extra-Terrestrial. - RogerEbert.com EDIT
Read More | Posted Dec 21, 2018
4/4 100% Dead Souls (2018) Like a monolith, this thing just is. It also just happens to be great, sometimes despite and sometimes because of its mega-sized breadth and scope. - RogerEbert.com EDIT
Read More | Posted Dec 14, 2018
2/4 91% Mirai (2018) Mirai doesn't really speak for young viewers, just down to them. - RogerEbert.com EDIT
Read More | Posted Nov 30, 2018
3.5/4 59% 2.0 (2018) Against all reason-against all common sense-'2.0' works, and in a big, big way. - RogerEbert.com EDIT
Read More | Posted Nov 30, 2018
2/4 88% The Great Buddha+ (2018) Which may sound good, but 'The Great Buddha+' is one of those movies that's much more rewarding to think about than it is to watch. - RogerEbert.com EDIT
Read More | Posted Nov 23, 2018
.5/4 No Score Yet Speed Kills (2018) I can't recommend Speed Kills to anyone because it's not even good enough to gawk at. - RogerEbert.com EDIT
Read More | Posted Nov 16, 2018
2.5/4 81% Overlord (2018) A simple mechanism to deliver squib packs and swear words. - RogerEbert.com EDIT
Read More | Posted Nov 9, 2018
3.5/4 67% Welcome to Mercy (2018) A rare horror movie whose creators seriously represent both sides of a dilemma, and is therefore more mature than it seems at first glance. - RogerEbert.com EDIT
Read More | Posted Nov 2, 2018
2/4 97% Border (Gräns) (2018) Even the most open-minded viewers may have difficulty relating to the two lead protagonists in Border, a cynical Swedish romantic-fantasy. - RogerEbert.com EDIT
Read More | Posted Oct 26, 2018
80% 22 July (2018) There's nothing else in 22 July that you can't find in a good book or newspaper article about Hanssen and his fellow survivors. - Miami New Times EDIT
Read More | Posted Oct 22, 2018
59% Martyrs (2008) Martyrs has an intelligence and a dogged determination to do and to say what its predecessors could or would not. - Slant Magazine EDIT
Read More | Posted Oct 19, 2018